Four Patch Diamonds

Here's another Monday preview! I need 28 of these 4" blocks, and I have 17 done. One more day should do it.

There are probably many ways to make this block, but to avoid higher mathematics I've been foundation paper piecing them. I started with some raggedy oversized four patch blocks, and home made paper foundations printed on translucent vellum:

Then I just lined up the seams with the centre cross, pinned it, trimmed it, and sewed through the paper to add the dark green corners.

It worked reasonably well, but I did find that the block tended to shift a bit when I sewed. You can see that with the blue one above. I loosened up the presser foot, which helped a lot. With the last batch I will also put an extra pin right in the cross seam and see if that helps too. In any case, they will do.

I've really enjoyed getting back into the rhythm of paper piecing. I find it very relaxing to not always be worrying about a perfect 1/4" seam, and my high speed machine makes quick work of the short stitches. I even like tearing off the paper! The crisp vellum comes off easily and doesn't leave any little bits in the seam. Hopefully nothing will come up tomorrow and I can get the rest done. Fingers crossed!

Final Line Up for BFF

Last time I posted about Best Friends Forever, I said that 23.5 of the stitcheries were done. Before I did the final wash and cut, I decided to finish up that last ".5:"

And it's a good thing I did! Look what happened here:

I used the acrylic cutting guide from Paper Pieces to centre each stitchery on the 3.5" hexagons I'm using for the setting. It turns out that these two motifs, the basket and the house, were printed too close together. It's the only place I had this problem for the whole quilt -- usually there was 1/2" or more in between.

I'm not upset, because I wasn't a big fan of the basket anyway. When I stitched it I worried that it was too big, which it isn't. But I guess I knew something was wrong!

I always wash my finished stitching (cross stitch too) in plain unscented dish soap (environmentally friendly) to get out any oil or dirt. It works great, and I've never had any colour run. The linen was hung to dry, and then ironed from the back on a clean pressing cloth:

Cute, eh? Even the grunt work has been fun on this project.

Then all the motifs were cut, backed with muslin, and basted to the big paper hexagons:

I miss stitching these, actually. It was fun to come up with different stitches and colours for each one. The stitching for Down in the Garden, which I'm doing now, is not as challenging and is starting to feel dull. I may need to add something else to the mix!

Anyway, here's a reminder of how the BFF setting works:

As fun and exciting as this all looks, I'm not sure I can work on this and Texas Star at the same time without a total English paper piecing overload. And I've kind of set myself a schedule for Texas Star... So it may be a while before you see any more.

Finally, one problem I often have with internet photos is that you lose the sense of scale. So, here's a last photo with one BFF block, one Texas Star, and one of the hexie flowers from My Country House:

Is it different than you thought? They are 3.5", 5/8" and 1/2" hexagon centres, respectively. I should have put a ruler in the photo too. Anyway, lots to do!

Country Flowers

Although I've been quiet for a couple of weeks, I'm still sewing! A little here, a little there. Here's a preview with the two kinds of flowers for the TQS 2015 BOM, My Country House by Lynette Anderson.

The "fried egg" flowers are felted wool from Wooly Lady. I love the colours! Felted wool is my big secret plan to minimize the difficulty, especially with the 3/4 scale, and stay on schedule with this BOM. All the critters will be wool.

The hexies are 1/2", which I decided would be the best fit for my smaller scale version of the quilt. The coral and orange fabrics are long time stash inhabitants, and the yellow and green are both fairly new Quilter's Candy Basics from Connecting Threads. There will be a lot of CT fabrics in this quilt. They seem to match the simple feeling that I want for this project.

Month 3 will probably be the first month to be completely finished. I plan to make good progress this week!

Texas Star Schedule

Paulette made me laugh, somewhat hysterically, the other day when she asked her readers if we were ahead of schedule on any of our projects. We all know I am not good with schedules!

But my one successful schedule so far was completing all the individual stars for this project, Texas Star. Since then I have been sewing them together, on and off, and I have a good sense now of what is involved. So, a couple of weeks ago I did set up another schedule to get them all sewn together.

Here's my progress so far, the first 99 of the 333 total stars:

My plan is to add 12 stars per week, which should see them all joined by the second week of July. It seems far away now, here in the deep freeze, but the key to success is to make the schedule really easy. A few stars here and there in my spare time at the end of the day.

I have been really surprised by how soft the top feels! It's difficult to photograph "softness," but I've been trying:

I've realized that it's the English paper piecing that results in such a soft, smooth surface, because all the seams are left open:

Wrong Side

English paper piecing is definitely much slower than regular hand piecing, but I am so impressed with the result! I had been thinking that Best Friends Forever, which will also be English paper pieced, would be my last project using that technique. But now I think the door is open to another one, down the road!

House Construction Finished

The main building work on the centre house block for Lynette Anderson's My Country House is now complete:

However, as with many contractors, some of the finish work still needs to be done!

After I finished the bricks and the gingerbread, I had to redesign the windows and door to fit into the new smaller space. The new windows are 1" square, and I decided it would be easiest to reverse applique them in. I used a ruler to draw the windows and door right on the fabric, and then thoroughly basted the blue fabric to the back:

On the front I cut open and appliqued one window at a time:

Lake view!

The door was also reverse applique, but I have no progress photos. After I cut away the yellow fabric from the whole arch, I tucked the red door fabric between the yellow and the blue. This left the blue transom window above the door free, and I just appliqued it all down. It was tricky, which is why there are no photos, but I am very pleased with the outcome:

There will be a gold doorknob satin stitched in the centre of the red circle. The white crosses in the windows are back stitched with four strands of embroidery floss. The original design has embroidered flowers in the transom window, but I like it the way it is, so I will skip that.

Any readers who are also making this project will notice that I ignored the instructions and sewed together the whole block before appliquing the chimneys (and the door). This was by design! My plan was to open up the seam just by each chimney and tuck the seam allowance inside. Then I wouldn't have to worry about placement beforehand.

The chimneys are 1/2" square, and I basted everything well before the final stitching:

With the applique finished, I just have to take out the basting, go back to the machine and re-sew the roof seam.

I did the same thing for the door, so the grass seam will also have to be re-sewn. But, the trees still have to be added and tucked under the grass, so for now that is just hand basted closed. The trees are next!

Warm Flimsy

Here's the finished flimsy for my mostly flannel log cabin quilt, It's Warm Inside:

Wait, wasn't this quilt supposed to be finished with a quilt as you go technique? Why is it now a flimsy?

Well, it turns out that for people with severe dust allergies, like me, quilt as you go is a terrible process. I managed to cut the batting for six individual blocks...

... and I felt like I had run a marathon. As you can see I gamely basted them together, but I couldn't bring myself to cut any more batting.

The idea for this quilt as you go design is a couple of years old now, and was conceived for my old sewing machine. I realized that my new sturdy machine would be able to handle the full size flannel quilt. So, I unbasted the squares and sewed the whole top together.

I know that border fabric looks a little busy...

...but try to imagine a bright red binding on the finished quilt. It will bring it all into focus.

I am amazed, actually, at how much the narrow white cotton sashing lifts and brightens the whole quilt. It feels much more cheerful and fresh.

And it's an appropriate finish for today, which has been the coldest day in Toronto this year, and probably for several other years as well. At 7:00 am it was -28 Celsius outside (-18 Fahrenheit), and the north wind was shaking the house. That's unusually cold for Toronto! But, with the cold we also have brilliant sunshine, and it is indeed warm inside.

Is it Valentine's Already?

I guess it's time again to trot out my neverending redwork project, Sweet Hearts. I did manage some work on it after Valentine's Day last year. I finished up the first of the couples:

...and made a fair bit of progress on the second couple:

You can see there is a lot of fine detail left on the second couple. This year I have accepted that there will have to be a lot of back stitching, and less stem stitch than I would prefer, in order to finish all those details. My issue with the back stitch is that it does shadow through the fabric more. The hearts in the first picture are back stitched, and you can see the white centres of the hearts are a little darker than the surrounding fabric. It is more obvious in real life!

But, this year I've been relaxing a lot more about things than I have in the past. If it can't be helped, then it can't be helped. So, shadowy back stitch it will be!

Here's the over all progress to date:

There are only two now that have no stitching at all. I'm embarrassed to say that a couple of the pieces are starting to yellow! Hopefully a good wash at the end will even things out. The final layout will have sashing, so that should minimize any aging on the fabric as well.

I'm still quite enthused about my final plan for these, so progress may be slow, but it will continue!