Monday, July 29, 2013

More Shopping

I have been spreading the wealth all over recently -- a few fat quarters from here, a few fat quarters from there... every shop has its own speciality. Early last week I was in Newmarket at The Quilt Store to fill in the rest of my fabric palette for BFF, which I'll show soon. Then on Friday I went up to Quilter's Cupboard in Uxbridge because I needed some very light traditional-style blues for my Hourglass quilt. Here they are already washed and cut:


I did not want to buy fabric for the Hourglass quilt, but I ran out of lights before I used up all the darks. Plus, the whole thing had so much gold and brown that it was starting to feel syrupy, so I thought the light blue would perk it up. It looks nice with this old dusty pink floral I had:


The vast majority of the fabrics in this quilt are busy, high contrast fabrics, and I am starting to realize that these low contrast lights are going to end up being very important in the final assembly. Here's a variety of lights with the same dusty pink floral:


Isn't it interesting how the two, almost solid, blue fabrics stand out? Even though the middle one on the bottom is almost white:


It will be interesting to see how it all comes out in the end. Despite my best efforts to predict, I think it will still be a surprise! This batch brings the Hourglass Ticker up to 353, so I'm on a roll. :)

Thursday, July 18, 2013

A Few Purples

I know there are many quilters who never met a purple fabric they didn't like, but somehow when I am at the store I never come home with anything purple. It is like a blind spot! The final straw was this week, when I was searching my embroidery floss stash for purple thread, and there were only two in the whole box! I want to use some purples in Best Friends Forever, so today I hit the store. My main purpose was just to buy floss, but of course I came home with fabric too:


This is all from Art of Fabric in Pickering, Ontario. Fortunately the owner is a big fan of purple!

I think these will be perfect. Now that they've had their "beauty shot," it's time to throw them in the wash!

Wednesday, July 17, 2013

Best Friends Forever

I mentioned a while ago how much I loved this hexagon stitchery quilt design, Best Friends Forever, by Australian designer Rosalie Quinlan. My first instalment arrived yesterday, and I have already started it!


This project has surpassed my expectations, which is really saying something, as they were pretty high! The pattern covers are nice enough:


But I was particularly impressed with the printed linen patterns:


I was worried that the linen would be too fine and sheer, but it is actually quite solid and has a nice weight. The overall piece is a good size, 17" x 21". The individual patterns will fit exactly on my 3.5" (7" across) hexagons that I bought for this project. It was a bit of a gamble to buy them before the pattern arrived, but it worked out perfectly! The pattern calls for a quilt-as-you-go technique, but I have a fancier, English Paper Piecing design in mind. You know I can never do a project as written!

These are the stitchery colours I've chosen so far:


You can see by the revisions on the card that I've already changed my mind about a couple of the colours. It is interesting how different they look stitched versus in the skein.

I also put away the stitching instructions early on. The pattern uses chain stitch on the heavier lines, which I haven't done before but really liked. I have used it on the bird below. Most of the rest calls for back stitch, which I don't much like. I will use it on the lettering, but on the tree and leaves I used my favourite, stem stitch. The flowers were supposed to be satin stitched, but I was thinking about blanket stitch pinwheels on another project, so I decided to try them for the petals here as well. I think they worked great, so I think they will be my standard for all the flowers. The flower centres are a ring of tiny chain stitches.


Because the pattern is quilt as you go, it calls for a lightweight fusible batting to be ironed on the backs of the stitcheries before stitching. When I can, I prefer to avoid fusibles, and I think it is going well without it. You can see the linen is wrinkly because I have been embroidering in hand, but there is no problem at all with the fabric puckering or pulling. It is really very nice linen, I am so pleased with it!

After working on my Sweet Hearts redwork for so long, which is on lightweight muslin and much more detailed, this project is a breath of fresh air! I sense an obsession coming on...

With this post I am checking in again with The Needle and Thread Network, and WIP Wednesday #99. I will have to see if I can do something special for #100 next week!
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