Time to Get Over Myself

Do you know that I have now done 15 posts about Sedona Star, and I have yet to completely finish any of the months?  The sticking point all along has been the fusible applique.  Well, I am over it!  And I have this brilliant quilt to thank:

Go! Bedazzled

Isn't it beautiful?  This was made by Sandy Lawrence of Phoenix, AZ.  It is another Sarah Vedeler design.  Sandy was lucky enough to take a class with Sarah when she made this quilt, and another class with Diane Gaudynski for the quilting!  As you can see by the ribbons, the quilt won First Place for Machine Embroidery and Best of Show at the Arizona Quilter's Guild show in 2012.  No surprise!  You can click the photo to see it larger.

What I really love about this quilt, and what has finally converted me, is the way Sandy has made the machine embroidery into a separate design element of the quilt.  The embroidery is not just a way to hold the appliques down.  For instance, most of the hits of turquoise that you see in the quilt are thread.  Imagine the quilt without it!  I love the Southwest colours she has used.  If you look at the large photo, you can see areas where more than one colour of thread was used around the edges of the appliques.  Sandy has also done embroidery within the shapes. 

There are so many great ideas here!  Even with my basic machine I can think of some interesting combinations to try.  Now I am so keen to get started again!  Alas, I am still waiting for my new iron, so it may still be a while.

Now it looks like I won't be paper piecing Month 2 after all!  But I'm still glad I did it, because it made me very aware of how the dark fabrics show through the light appliques.  I will have to do some careful trimming, I think.

Sandy, thanks so much for the photo, and all the inspiration too!


Related Posts:

Paper pieced practice block

Adjusting the template for paper piecing

Heather Stewart

The speaker at our Rouge Valley quilt guild meeting last night was Heather Stewart, who did her trunk show and gave us some extremely entertaining anecdotes about her quilting life.  She is a fantastic speaker, and gave us a good mix of laughter and tears.  Her story about a city slicker magazine editor, and a photo shoot involving a horse, goats and sheep, is one we'll all remember for a long time.  She also brought home the challenges faced by our military families, which made us all a little more appreciative of the sacrifices they make.

Presentations like Heather's reinforce my belief that the story behind a quilt is often as interesting and significant as the quilt itself.  Right now, I am having a difficult time thinking of any other craft that has quite that same quality.  Fine embroidery, especially ecclesiastical embroidery like Ruth O'Leary's St. Cuthbert's Banner, can impact many people, but it is in a different way than a quilt that is used in daily life.  As Heather said last night, it is the idea that a quilt can also be a "comforter" that is so appealing sometimes.

And on a completely different note, Heather also dropped a great tip about using a photo or painting you like as your inspiration for a colour scheme.  Starting with a photograph is an idea I've run across before, going all the way back to Kaffe Fassett's first book, Glorious Knitting.  But Heather added a very helpful expansion of the idea.  In addition to using the colours from the photo, you want to make sure they are in the same proportion as they are in the inspiration piece.  She says that the relative proportions of the colours are actually more significant than the colours themselves.  So if the photo you like is about 10% yellow, you want to keep the amount of yellow in your quilt to 10% as well.

I love this idea!  I have already been tearing photos I like from magazines, without being sure how to use them.  Now I know!  Trust me, my mind is turning.  ;)

So a big thank you to Heather for her great presentation.  If you have the chance to get her to speak at your guild, I highly recommend it!