Finished!!!

I have been writing this post in my head for two years, but now that it is finally time to write it for real I've forgotten what I meant to say! In any case, it is two years since I started this blog, almost two years since I started this quilt, and well over 30 years since I started starting quilts, and this is the first one to make it all the way to the end. 100% finished!

Nine Patch Jubilee, 54" x 66"

The sun was not co-operating today, but it was too cold to stand out there for long! I made one attempt to style the quilt before I hurried back inside:

Yes, that is a small dusting of snow around the garden pagoda.

I named the quilt Nine Patch Jubilee because the filler squares and the backing are from the Jubilee Garden collection by Connecting Threads, which they had a couple of years ago. And it seemed right to celebrate my first finished quilt.

With the red and white colour scheme, it felt appropriate to do the label in redwork too:

The quilt is machine quilted (yes, by me) in channels the length of the quilt, 1/4" on either side of each square in the nine patch block, and carried through the solid squares. The binding is machine sewn to the front and hand stitched down on the back. I miscalculated the width of the binding, so it is a little wide on the back, but I think that's fine.

I also tried out a sewn mitre technique for the corners of the binding that I saw Ricky Tims demonstrate on The Quilt Show. It uses this tool from Animas Quilts:

There is a video demonstration of how to use it here. Two of my corners came out perfectly...

...and two did not, lol. But the problem was that I had miscalculated the width of the binding, so the corner didn't hit in the right place. Those corners are a little wrinkly, but again, everything can't be perfect on the first quilt. I have concluded that I do like the tool, and I will continue to use it on large projects. The big advantage for me is that you only have to sew the binding on one edge at a time, so each length of binding is more manageable, and I can take a break after each long seam.

So, yay! And, whew!

Recent Photos

My plan tonight was just to update the Texas Star Ticker in the right sidebar, which you can see is now up to Number 120. But I found two weeks of photos on my camera which provide an interesting (I hope) cross section of what I've been working on, so I thought I'd share a few.

Do you ever see inspiring quilt or stitching ideas on tv? I take photos! I hit pause, turn off the flash on my camera, and they come out pretty well. (Yes, I understand that this makes me a total fibre nerd.)

This still photo is from the tv drama Betrayal, on ABC in the U.S. and on City here in Canada. If you've been watching, you know it is about an affair between two married people, Sarah and Jack. The quilt is an interesting prop here. In the scene Sarah is sleeping in her studio after her husband has discovered the affair and kicked her out of their apartment. To me, the use of the quilt implies that by leaving her marriage Sarah has returned to a more wholesome way of life. Throughout the series, so far, there's been the suggestion that the affair is somehow more moral than their two marriages, his to a corrupt developer's daughter and hers to an ambitious prosecutor who's using her to forward his career. It will be interesting to see how it ends!

The other still is much less deep:

I think this is a Leapfrog commercial. But look at those cool drapes! They could be a stitching design, or a quilting design, or even an applique design. Plus, they remind me a lot of that Orla Kiely fabric and wallpaper design that has become an instant modern classic.

I found a bunch of poorly-lit photos of another new stitch that I'm using on Month 2 of Best Friends Forever:

I've been doing the hearts in twisted chain stitch, which I'm very pleased with, but more on that later.

Finally, I took some photos earlier today of the new background fabric that I bought for BFF:

Last time I showed you the solid light green background that was my first try. But I'm not sure if I like this either! It does tend to make the flower blocks look a little shady, doesn't it? I cropped the photo and tried a different angle to see if I liked it any better:

The blue looks very electric against the petals, which have a slightly grey undertone, and the olive leaves. It clashes, but just a little, and I'm starting to think I like that, the more I look at it. For a while now I've been trying to break away from "safe" colour schemes, but I'm not sure if this is the right way to do it. What do you all think?