Sophie Sheep

There were a heck of a lot of beads on Sophie!  I was surprised by how long they took.  But they give her a nice curly-looking coat.  The beads look great in the flowers and vines in the borders, too:

Once I had decided that I wanted to use fabric instead of the perforated paper that comes with the kits, I knew that I would still prefer aida over an evenweave for these projects.  The beads are heavy, so I wanted a fabric that could hold them.  The cross stitches are also done with three strands, which gives them a nice full look on the 14 count fabric.  At first I looked for a fabric that would match the colours of the perforated papers, which were in pastels.  But when I saw this natural linen aida at Nordic Needle, I was sold!  I love the traditional look of natural linen, and I think it complements the folksy designs, while the darker colour provides good contrast to the bright threads and beads.  Nordic Needle still sells it.

You can see that Sophie stands out quite nicely from the darker neutral of the background:

And I love the little basket block on the quilt on her back.  Stay tuned, the tale continues tomorrow!

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Percy Pig

Percy Pig

That's a pretty gorgeous little blanket for a pig, right?  It belongs to this guy:

This is one of three farm animal designs in cross stitch and beading that Jim Shore did for Mill Hill a while ago.  You may still be able to find them.  Jim Shore did a whole bunch of fun designs for Mill Hill, which I immediately loved, but waffled about for quite a while.

Like most Mill Hill kits, these came with 14 count perforated paper, and are designed to fit into a 6" square frame (which is also available).  They are fun and easy projects, but the question soon becomes what to do with them all?  I think that in general, this is a big issue for stitchers.  No matter how elegant the designs may be, once you start littering your walls with a bunch of tiny pictures you have lost any claim to good interior design.  I usually handle this by grouping together smaller pictures into sets - those Lanarte butterflies, for example, are hung stacked vertically over a bedside table.

These designs, though, I felt were more seasonal, and just in a grey area near too whimsical, so not something I wanted to hang permanently.  So I didn't buy them.  Then one day it occured to me that I could stitch them on fabric instead, and sew them together into a quilted banner.  For me it was one of those Eureka moments!  That was almost two years ago now.  So yes, this is another UFO.

Tune in tomorrow for the continuing saga!

Another Dead End on Sedona Star

There are now some 800 quilt blogs that claim to have taken the "process pledge," where they commit to showing their works in process and occasional failures as well as completed quilts.  Are they all doing that?  I'm not sure, I haven't surveyed them all.  But I doubt it.  I am not even sure that people want to read all that.

But, loyal readers, you all know that I am now about 20 posts in on Sedona Star, and it has been all process and no completion, so I should probably add my blog to that list!  Today I have yet another dead end to share on Sedona Star:

These are some 1.25" practice dots (from Months 1 and 2) that I set up a while ago to practice my machine satin stitch.  Then back in May I thought it would be a great idea to do all the seam treatments by hand in chunky perle cottons.  This is the result.  Not what I was hoping for at all!

The dot on the left was embellished with #5 perle cotton, and the one on the right used #8.  The purpose of the experiment was to try out the template I made to mark out the star shape in the embroidery.  You can still see the white pencil dots.  But, I learned right away that it is impossible to get the needle threaded with the #5 perle through the fusible-backed applique!

I was just able to sew the #8 through the fusible, but it put a lot of strain on my hands.  And frankly, I am not happy with the result.  I could monkey around with the fusible and cut away the centres before I fuse them to the fabric so that only the edges are fused, but I just don't think it will be worth it.  The edges of the applique still show through the perle embroidery, and I really don't like that.

At one point I had considered combining machine and hand embroidery, but now I think I'll just stick with machine satin stitch on all the applique and leave it at that.  And the hand quilting plan is out the window too.

So for now, this really is the last Sedona Star post until the air conditioning gets turned off in the fall.  Now that all the indecision is (hopefully) behind me, I'm hoping that the months will fall like dominos once I get started again.  Fingers crossed!