Percy Pig

That's a pretty gorgeous little blanket for a pig, right?  It belongs to this guy:

This is one of three farm animal designs in cross stitch and beading that Jim Shore did for Mill Hill a while ago.  You may still be able to find them.  Jim Shore did a whole bunch of fun designs for Mill Hill, which I immediately loved, but waffled about for quite a while.

Like most Mill Hill kits, these came with 14 count perforated paper, and are designed to fit into a 6" square frame (which is also available).  They are fun and easy projects, but the question soon becomes what to do with them all?  I think that in general, this is a big issue for stitchers.  No matter how elegant the designs may be, once you start littering your walls with a bunch of tiny pictures you have lost any claim to good interior design.  I usually handle this by grouping together smaller pictures into sets - those Lanarte butterflies, for example, are hung stacked vertically over a bedside table.

These designs, though, I felt were more seasonal, and just in a grey area near too whimsical, so not something I wanted to hang permanently.  So I didn't buy them.  Then one day it occured to me that I could stitch them on fabric instead, and sew them together into a quilted banner.  For me it was one of those Eureka moments!  That was almost two years ago now.  So yes, this is another UFO.

Tune in tomorrow for the continuing saga!

Another Dead End on Sedona Star

There are now some 800 quilt blogs that claim to have taken the "process pledge," where they commit to showing their works in process and occasional failures as well as completed quilts.  Are they all doing that?  I'm not sure, I haven't surveyed them all.  But I doubt it.  I am not even sure that people want to read all that.

But, loyal readers, you all know that I am now about 20 posts in on Sedona Star, and it has been all process and no completion, so I should probably add my blog to that list!  Today I have yet another dead end to share on Sedona Star:

These are some 1.25" practice dots (from Months 1 and 2) that I set up a while ago to practice my machine satin stitch.  Then back in May I thought it would be a great idea to do all the seam treatments by hand in chunky perle cottons.  This is the result.  Not what I was hoping for at all!

The dot on the left was embellished with #5 perle cotton, and the one on the right used #8.  The purpose of the experiment was to try out the template I made to mark out the star shape in the embroidery.  You can still see the white pencil dots.  But, I learned right away that it is impossible to get the needle threaded with the #5 perle through the fusible-backed applique!

I was just able to sew the #8 through the fusible, but it put a lot of strain on my hands.  And frankly, I am not happy with the result.  I could monkey around with the fusible and cut away the centres before I fuse them to the fabric so that only the edges are fused, but I just don't think it will be worth it.  The edges of the applique still show through the perle embroidery, and I really don't like that.

At one point I had considered combining machine and hand embroidery, but now I think I'll just stick with machine satin stitch on all the applique and leave it at that.  And the hand quilting plan is out the window too.

So for now, this really is the last Sedona Star post until the air conditioning gets turned off in the fall.  Now that all the indecision is (hopefully) behind me, I'm hoping that the months will fall like dominos once I get started again.  Fingers crossed!

Cottage Garden Progress

When I woke up this morning my left hip was extremely stiff and sore.  Why, I wondered?  I soon learned that it was from all my embroidery yesterday!  Especially the bullions.  I have been keeping a good grip on all the wraps as I do them, and it seems my whole left side has been involved in the process!  Today I managed to finish the two bottom roses, and now I've had to put it away for the day. But I think it's looking good:

Yesterday, in addition to all my practice bullions, I finished the purple hollyhocks behind the rose bush, placed the centres of the rose bush, added a few more rosettes to the tree, an extra leaf to the hydrangea, and another row of white cyclamen below the tree to bring the lower margin in line.  They still need a few leaves.  I am going to leave a bigger gap between the hydrangea and the rose bush than the pattern calls for, because I don't want to have any of the more fragile stitches like rosettes or bullions on the fold line.

The purple hollyhocks are a rosette stitch/French knot combination...

...while the other hollyhocks were all done in blanket stitch pinwheels:

I'm also going to invent some different flowers to fill in the rest of the right side.  The plan is to try marigolds behind the white cyclamen, and some black-eyed Susans beside them.  Then the whole bottom is underlined with French knot "alyssum," and the outside is done!

The inside is made from a nice pink gingham, with small bullion roses in the centre of the inside front and back.  It's a needlebook, by the way!  I'm going to use it to keep all these loose needles that come with the kits.

The thing that has made the biggest difference for me, compared to the trouble I had before, was taking the project out of the hoop.  It is so much easier to turn the work, and use the left hand as well as the right to manage the thread.  I can't believe how much faster it has been.