Ink Week, Part 1

I have not been able to find any online information about how to use Tsukineko inks in a painterly way, so I thought I'd go in depth on my learning experiences with them this week. You can learn from my mistakes as well as my successes!

I'm making Leanne Beasley's stitchery quilt, Down the the Garden. A year ago I chose Tamara Kate's Flight Patterns fabric collection for this project. Inspired by the watercolour effects in the fabric, I thought it would be nice to "watercolour" the stitchery designs before I stitch them. Rather than use real watercolour paint, I chose Tsukineko inks for the job, which are water-based, but can be heat set to become permanent and washable.

I've had the ink for 10 months now, but it was never the "right time" to get started. Finally, to get over the first hurdle, I dredged up my science lab experience from a long time ago, and set it up like an experiment. I wrote down the things I wanted to learn:

• Test ink colours - Banana Cream, Cool Gray, Cerulean Blue (not the colours in the photo above, those are for later)
• Compare brushes with Tsukineko Fantastix
• Try various wet/dry wash techniques
• Test drying, heat setting

Then I made a test sheet with the same fabric, Kona PFD, and permanent lines, Pigma Micron, that I will use for the quilt:

I ironed a piece of freezer paper to the back of the fabric, to stabilize it while I worked. I picked up this tip from Linda M. Poole's book, Painted Applique, and it worked great!

Then I assembled all my equipment. Tsukineko Fantastix are blank foam pens that you can load with your ink:

I also bought a cheap set of brushes, and single-use eyedroppers to transfer the ink from the bottle to the mixing cups. I'm calling this "Ink Week," by the way, because my sewing machine is packed away until I finish this phase of the project.

Here's how my experiment progressed:

1. I started with the undiluted blue ink, and a small brush. The Kona PFD fabric really sucks up the ink, and the more you hesitate, the wider the line.
2. I wetted the corner of the fabric with water, and used the brush to paint a line of pure ink, then pull it back into the water. The wash took time to really soak back through the fabric.
3. I decided the pure pigment was too dark for the effect I wanted to achieve, so I diluted the ink, and tried to repeat #2 along the edge of the first square. The diluted ink really soaks in fast! 
4. I still felt the ink was too dark, so I diluted it more and loaded it onto one of the Tsukineko Fantastix. They are much easier to control!  I found that if I drew about 1/8" away from the line, the ink soaked up to the line but not usually past it. It is easiest to just dip the Fantastix in your ink, and hold the tip up for a few seconds to let it soak in.
5. I used the same technique as #4 to colour around the birdhouse. The colour was flatter than I would have preferred, but I was ready to move on!
6. Same as the blue, I started with the Cool Gray diluted and loaded onto a Fantastix for the flat area of colour in the first circle.
7. For the second circle I soaked a little water into the centre first, and then filled in the edges with the same Fantastix as #6, and blended it back into the centre. Success! 
8. I tried the same blended technique in the roof, with moderate success. At this point I got out the blow dryer and dried all the blue and grey bits before I started with the yellow. Waiting for the paint to dry is worst part of a watercolour technique!
9. The yellow square was done the same way as #7, with a little water in the centre, diluted ink and a fresh Fantastix. There was no problem at all with the wet yellow ink picking up any of the dry blue ink.
10. I went ahead and finished the birdhouse with the yellow.

Feeling pretty confident, and with the inks all set up, I decided to forge ahead and colour the four birdhouse blocks for the real quilt.

I started with the yellow this time, dried it, and painted the grey. The real grey roofs were narrower than my test one, so I gave up on the wash after two of them, and just filled them in with solid grey. The block above has been heat set with the iron, and I found that the yellow and grey both faded away more than I wanted.

The blue, however, was a little too dark! I wasn't totally happy with the flat blue colour around the birdhouse in the test piece, so I loaded the edges of the fabric with plain water, and tried to use the Fantastix to blend the ink back. However, I ran out of the first batch of diluted ink, and you can see I made the second batch too dark.

For the third and fourth houses, I was getting impatient, and I decided to use a wider brush to ink around the edges of the fabric:

You can really see how the ink carries out to the edges of the brushstroke! Then I used a Fantastix with the same mix to fill in the gaps along the line. I like these ones the best -- the blotches look a little like clouds to me.

All of them have some bleeding of the blue over the line. My hope is that with the stitchery added, it will not be too noticeable. I made a start with the embroidery on the worst one first, just to see if I can live with it:

 

It certainly has the "loose" feeling of some watercolours! I bought enough fabric to redo everything if the experiment failed, but at this point I want to keep moving forward. The others will be better, and once it is part of the whole quilt, I think it will just be a minor quibble.

Next up, the watering cans, and all the larger flowers around the quilt. I think it will be a couple more days!

Click here for Part 2!

Jacks and Cats Progress

There's been progress on many fronts on my Jacks and Cats Halloween quilt. Last time I showed you all the felted wool cats glue basted and ready to sew. Now they are all sewn together and ready for the next step. Somehow the stitching makes them even cuter!

I've also prepped the pumpkins (Jacks). At the end I had an extra set of eyes! I guess the cyclops pumpkins threw off my count:

I remembered early on that the Roxanne Glue-Baste-It is not enough to hold everything together while I stitch, especially since I don't like to use too much. So you can see that I've added a few basting stitches as well. The pumpkin stems, vines and leaves can't be added until the faces are stitched onto the backgrounds.

Speaking of backgrounds (nice segue, eh?), I've sewn eight of the fifteen circles:

I really like those moody dark ones!

After the circles, the next layer is a wonky starburst, which I decided to make from my fall coloured homespuns. They are horrible to work with! Too loose and stretchy by half. But, they do look pretty nice:

I thought these stars would be the perfect opportunity to try out some running stitch applique:

I first saw this technique in Piece O'Cake's book, Applique with Attitude, and I've been waiting several years now to try it. It is stitched with #12 perle cotton, the edges are turned, and the inner corners all have a little crow's foot to hold them down. I love the way it looks! Plus, it feels surprisingly sturdy, and I don't think it will fray. I won't be cutting away the background, though.

However, I still need more practice with it. My stitches got smaller, tighter, and closer to the edge as I went around the star. It was not an improvement! I will probably have to back out some of the last stitches.

Here's an idea of how it will all go together:

It's a bit of a fibre lover's dream, this quilt! The mix of textures, colours and patterns is very satisfying.

In all, I think I am still less than half way, but I'll probably pack it up for a while now. I think I've had my fill of fall colours, because for the past couple of days I've had the most incredible craving for flowers!

Mod Pillows

Back in July I showed you the pile of offcuts that I had from the Scrappy Trips Around the World blocks that I used to make my Mod Trips quilt. Now that the flimsy is finished, I decided to make two 20" square pillow covers from the remaining strips. I had 37 pieced strips left, each with one red square and five light squares. For the first pillow I was able to make a scaled down version of the loops in my quilt:

But, there weren't enough red squares to make another loop, so for the second pillow I opted for an asymmetrical cross:

I think they both have that "mod" feel.

And now, with the pillow tops done too, I am really feeling like I have completed a milestone with this project. There are just a few squares left over for the scrap bin. Next month I hope to start the quilting, but for now I want to see how far I can get with Jacks and Cats before Halloween is upon us. Lots to do!