Ink Week Wrap Up

If you missed the earlier posts in the series, you may find them here:

• Ink Week Part 1 -- bird houses
• Ink Week Part 2 -- grey watering cans, yellow flower petals and green leaves
• Ink Week Part 3 -- yellow flower centres and purple daisies
• Ink Week Part 4 -- large and small pink flowers

Today I'm going to wrap up the series about the Tsukineko inks, but the complete project still has many more days to go before it's done!

My original plan was that the coloured inks would be a watery wash to fill in some of the large empty spaces in this stitchery quilt, Leanne Beasley's Down in the Garden. The stitchery was always intended to be the main feature, and to give the structure to the design. What I found on the first day, though, was that the more water you add to the ink, the more unpredictably it behaves. Here's a better photo of that first bird house:

So I think that while it's good to start with a plan, it's also good to be prepared to change it as events arise! I decided that I can live with the blue creeping over the lines in the block above, but that I didn't want that to happen with all the flowers in the other blocks. So the colours became darker and more saturated as I worked.

I bought some specialized equipment to work with the inks, and I was happy with all of it:

• The Color Mixing Cups at the top of the photo are small lightweight plastic containers, each with its own lid. They come with their own tray, which makes it easy to organize and store the ink over a several day project.
• On the left are the Tsukineko Fantastix, which also come with their own caps. I kept the ones that were loaded with ink in a plastic snack bag, and they were good for a few days.
• On the right below the water jar are the plastic eye droppers, which I used to transfer ink from the bottle to the mixing cups, to transfer mixes from one cup to another, and to add clean water from the jar to the mixing cup.

With all three of these tools you need one for every colour of ink that you buy, and for every colour of ink that you plan to mix. They can't be cleaned, but the huge advantage is that they are much easier to control. They give you consistent results across the project. Painting or inking on fabric is very different than painting on paper, I found. It's less precise, so any tool that helps with that is well worth it.

I bought almost everything, inks, tools and fabric, from Dharma Trading Co., who also have some articles on techniques. The fabric was the Kaufman Kona PFD (prepared for dying), which really absorbed the ink well. The high thread count has been a little dense for hand stitching, but it certainly supports the thread well, and I've had no issues with stitch tension.

I will say that stitching over the bright colours, all of which you have chosen and painted yourself, is extremely satisfying! I have used all my favourite flowers as inspiration. The purple daisy colouration is inspired by purple irises, the small pink flowers are inspired by apple blossoms, there are the large coral dahlias, and the little yellow "sunflowers."

Those sunflowers, by the way, took two days of trial and error to get the right combination of stitch and thread colour:

In the end I decided that while the white gap between the ink and the stitching looked nice and "arty" in the purple and pink flowers, it did not work in the sunflower centres. I tried blanket stitch to cover up some of the gap, and it worked quite well. I also left out that yellow straight stitch in the petals, because it distracted from the clean curves of the stem stitch around the petal edges.

I still have more decisions to make about the four small flowers that are in the bird house blocks and scattered around the rest of the quilt, but this should keep me busy for now! I hope you enjoyed the series. It's been a large undertaking, but I've learned a lot. I can already think of a couple more projects for the ink, but I want to finish off a few more of my WIPs first!

Speaking of WIPs, since it's Wednesday I'll link up to WIP Wednesday at The Needle and Thread Network. And if you want to see all the posts on this project so far, including the quilt piecing and other little stitcheries, please click here. Happy stitching!

Ink Week, Part 4

There were just two flowers left for my last day of inking the stitchery designs from Leanne Beasley's Down in the Garden quilt. If you missed them, you can find Part 1 here, Part 2 here, and Part 3 here. At this point, I thought it would be pretty easy. But, you should never count your chickens before they're hatched!

The large coral flowers, in the photo above, did go well. It was the last flower, the light pink one, that gave me a lot of trouble. Here's my well-used test sheet again:

The two remaining flowers were similar in shape, one large and one small, so I decided to make them two shades of pink, so they would be related but still different. Both would start from the Tsukineko Rose Pink ink.

1. Here I started with a drop of the pure Rose Pink, and then gradually diluted it.
2. Using the brush, I tried a petal shape with the diluted pink and the gold from the sunflowers. I liked it, but for the large flowers I wanted something more orange.
3. This combination looked good to me.
4. I made two petals with a long triangle of orange at the base, and the pink around the edge. It looked good to me so I went ahead and inked two test flowers, in the photo below, the four watering can blocks, and the large centre block.

   

   Large flowers seen from the back on the left, and front on the right

5. For the smaller flowers I planned to make them both lighter and a little cooler. This is a drop of the pure Tsukineko Orchid Odyssey ink. I added just two drops of the orchid to cool off the diluted Rose Pink I'd been using, and a lot more water.
6. I also started over with some fresh Lemon Yellow from the bottle, and diluted it heavily. Then I tried to reproduce the effect I had lucked into at #2.
7. I started with some water in the centre of the petal, and then put a line of the light yellow down the middle, surrounded by a line of the light pink. The first two tries blurred together to make a muddy orange in the centre.
8. Success!
9. Time to try a test flower. Argh! The real flower petals were smaller than #8, and there just wasn't room for the water, yellow and pink to blend nicely.
10. I tried this one without water, just the yellow and pink ink. The muddy orange came back, and it was still too dark over all.
11. I had to draw on a couple more quick test flowers. This one was still not consistent, but I liked the lighter look.
12. Still not great.

I had run out of room on my test sheet and I didn't have any more test flowers, so I decided to just go ahead on the real blocks. Probably not advisable! I tried two with water, and small dabs of yellow and pink. Then I abandoned the water for good, and just made dots of yellow and pink with dry white fabric in between. Fortunately, the first two pieces were so light that I was able to go back after they dried and add darker pink dots to them as well. If you look closely at the first photo, you can see that's what I did.

I used the final version of the small flowers on the centre block:

Although they were not what I intended, I think the small flowers still work anyway. Plus, now I have the opportunity to go in with the stitching and balance things a little more.

Next time I'll have some of that stitching to show, and my final thoughts on the process. It's been quite a journey! Please click here to read on.

Ink Week, Part 3

Ink Week is becoming Ink Fortnight, but never mind, I'm still forging ahead! If you missed the previous posts, please click here for Part 1, or click here for Part 2.

Today was by far the most ambitious day planned, and God definitely smiled on me, because it went exactly as I had hoped. As each layer goes on, the consequences of a mistake get larger, so I am very grateful to come through the tricky part intact!

I'm making Leanne Beasley's stitchery quilt, Down in the Garden. This round flower is used all over the quilt. I thought that if I left out the inner circle and the dot, it would look like a little sunflower. I always love sunflowers!

My first thought was to fill the centre of the "sunflower" with a couched lattice, as I did in one of the Best Friends Forever motifs. But, I want to get away from the intensive embroidery I've done on that project, so my second thought was this fancy shaded ink that you see here.

Those shaded gold centres are one of the key features of the whole quilt, so they had to work. I reused my Day 2 test sheet, with just a few extra petals drawn on for the other flowers. By reusing the same sheet, it is easy to see if all the colours are working well together.

1. I started by mixing a dark, sludgy brown from my three secondary colours, Tsukineko's Emerald, orange (which is actually called "Tangerine"), and the dark purple Wisteria. Strictly speaking, it is better to mix from the three primary colours, but I didn't buy red, just some Rose Pink. My sludge was not the nicest brown.
2. Fortunately, I have been saving all my mixes from previous days, which I highly recommend. I took some of my yellow orange petal mix from Day 2, added more orange, then drop by drop added some of the sludge from #1 until it turned this caramel brown. It was still a little greenish, though, until
3. I added a couple drops of the Rose Pink. Success!
4. For the gold part of the centres I again went back to the yellow orange petal mix from Day 2, added some water, a drop of the #1 sludge, and a drop of the pure Lemon Yellow from the bottle, and lucked into the right colour pretty quickly.
5. I loaded the gold and the caramel onto separate Fantastix. For the centres I began with a circle of the gold in the middle, leaving a wide white border inside the line. Then I used the caramel to circle around the gold, still well inside the line, and blended it over the gold towards the centre. I tested the circles with a centred highlight, and an off-centre highlight. I decided I liked the off-centre one best.
6. Even though I was satisfied at that point, I thought I would try a circle with some extra water in the middle before I put in the ink, to see if it blended better. It did not! The gold washed out, and the caramel was too dark by contrast. I went ahead and used the #5 formula to ink the centre block, the four watering cans, and the 16 individual flowers shown below.
7. After a rest and a quick lunch I sat down with the purple, Wisteria. The first drop is the pure undiluted ink, and below that is the diluted ink. 
8. In my mind I was thinking of something like DMC 327 for these flowers, so I added some of the caramel mix from #3 to the diluted purple. This was close, but a little too brown, so I added a few drops more of the Wisteria, and a little more water, until
9. It looked good to me!

There are twelve of these individual yellow flowers in the overall quilt design. I made a few extra so I could pick the best ones. I still had a few white squares of fabric left over, and over the weekend it occurred to me to use them to test the other flowers as well:

Maybe they will end up in the quilt, maybe not. The purple daisy petals were quite narrow...

...so I was glad to have the extra practice before I inked the larger blocks!

With tight spaces like this, I found it was best to start in the middle of the widest petal, and work out to the points as the Fantastix dried out.

As I suspected, it was too optimistic to think I could finish all the flowers in one day. But, it's definitely coming along!

I would also like to do some two-colour shading on the remaining two types of flowers. That'll be Day 4! Please click here to read on.