Flamingos en Provence Flimsy

Yesterday I sewed the last long seam to finish the pieced centre of my version of Bonnie Hunter's 2016 mystery quilt, En Provence (now available to buy as a digital pattern, right here). Bonnie's quilt has 16 blocks, and I simplified it to nine:

Since I still wanted a bed sized quilt, my plan was to sew a pieced border that would transition to my flamingo feature fabric from Iza Pearl. I carried the cornerstone diamonds out into the low volume border:

The diamonds were outlined with one of the flamingo collection fabrics, a leafy green blender. I love how it looks in the photo above, but it did get lost a little when I sewed on the final wide border today:

Flamingos en Provence flimsy, 86" x 86" (218 x 218 cm)

I do kind of wish now that I had made it full size, with all sixteen green blocks and less border. But, I just have a few strings left from my two main white fabrics, so it's done! And I like it.

Huge thanks to Bonnie for another great mystery! And thank you to all the other mystery participants too -- this year I picked up a few good ideas from other quilters in the link up:

• Let the seam allowances go the way they want. A couple of Allietare makers said this last year too, but this is the first time I tried it. It is much easier and faster to just twist the seam allowances as needed so they all butt together.
• Sew in quadrants. When you sew together the quilt in four quadrants, and then join them at the end, there is only ever one long seam. That made it easier and faster, and it's going to be a big help as I finish Allietare, too.
• Count down the pieces. A couple of quilters counted down how many pieces they had left to sew, until the whole thing was in one piece. I thought that would be motivating, and it was! When there are a lot of pieces, the seams are short, so it feels like fast progress. And when the seams get longer, you are also down to the last 20 or 15 or 10 pieces, and the end is in sight. Worked for me!

So, I'm thrilled to be done pretty much on schedule. I had hoped to be done by the end of January for OMG, but my fall back position was always Bonnie's final link up in February. It'll start on Monday, right here.

To see all my previous posts on this project, please click here.

And now I am done with schedules for the year! But the list is still long -- Allietare, Hanami and Hen Party are my first priorities, and my next "new" quilt is still going to be Prairie Star, with new improved fabrics and hopefully, better feng shui. Stay tuned!

Still Sewing

I fully expected to log on this evening and see everyone's finishes for Bonnie Hunter's 2016 mystery quilt, En Provence. But the link up's not there! Just as well, because I'm not finished yet anyway. Perhaps Bonnie was distracted by the epicness of this year's Super Bowl! For some reason, I kept watching even when it was clearly over, and I was glad I did! What a game.

Since I'm late with En Provence anyway, today I decided to pull out Allietare and see how it looked. It was still in blocks, which was worse than I thought. But now it looks like this:

This is three large sections laid out together. Mine seems to be more red than many of the others I've seen. Those red Kaffe Collective fabrics really glow! The black stars will be 5 x 5, so you can see I'm almost halfway already. I've realized that I don't need to iron every seam as I sew, and that has sped things up remarkably.

It was also interesting to compare Allietare with En Provence:

About half the whites are the same in each project, and it does give them a similar feel. Plus I put a bluish constant fabric in the background of both, so that ties them together too.

I'm thrilled with them both, so I'm not complaining! But next time (yes, I'm already thinking about the next one), I'll have to try something different.

En Provence is currently in 23 pieces, so it's still coming along. That's the centre block plus sashing in the photo above. Shouldn't be tooo much longer!

Sashaying en Provence

I think I'm still on schedule to finish the flimsy for Bonnie Hunter's 2016 mystery, En Provence, by the end of the month. As of today, all the sashing is done:

Like several others, I made a couple changes in the sashing. Instead of hourglasses, I made the dark green Tri Recs sections. That will make the circle effect of the blocks more pronounced. Actually, it is also more like Bonnie Hunter's previous mystery, Celtic Solstice. I didn't make that one, and now maybe I won't have to!

I also used an all-white four patch section in the centre of the sashing, instead of the dark green/light green four patch in the pattern. Somehow, the circle works better if that is white.

Here are four more blocks done, one with three sides of sashing sewn on:

And, to zoom in on a few details...

In my stash I found this coral and pink Iza Pearl print from the Garden Party Tango collection. The flamingos are all Iza Pearl too. Obviously, this one needed to be fussy cut!

I also found two large scale Free Spirit prints.

I call them "optimized," rather than strictly fussy cut. :D

And, zooming in even further, you can see some of the light aqua flamingo blender in the "white" four patch in the centre. The pink flamingo blender is also scattered among the whites.

So, fingers crossed, the next post will be the finished flimsy.

Journey to Provence

Have you ever done this?

Mountains en Provence?

You have to be very organized to screw up in this particular way! Yesterday morning I slowly and carefully started to put together my new hourglasses for Bonnie Hunter's 2016 mystery quilt, En Provence:

I slowly and carefully picked up two pieces with my left hand and one piece with my right, pinned them, butted the seams, and sewed almost all the way across before I realized! Not a good start, but after that things went smoothly. And I think everyone will agree that the black is a lot better in these units than the light aqua I tried first, here.

But, to back it up, I have been sewing like a maniac for over a week now. When Bonnie revealed the mystery on January 1, which you can see here for a few more weeks, I was way behind. I had finished Clue #2, the Tri-Recs units in our constant fabric, and Clue #3, the green four patches. After the reveal I decided to go back to Clue #1 and make over 100 white four patches, about a zillion more Tri-Recs units (that's certainly how it felt) for Clue #4, and the big HSTs for Clue #5:

This is NOT all of them

For the low-volume, all white units, I pulled some fairly high volume fabrics from my stash:

I am actually sick to death of all my low volume text fabrics, and fortunately they are nearly gone anyway. I will not be buying more! But I do like how these new fabrics worked. And they've already given me a new idea for another quilt!

Don't worry, I will finish this one first! To avoid distractions, I forced myself to get all the units done before I made a block. And, I also sewed as much of the block background as possible before I put in the pinks. The selection of pinks is a little different now than last time:

And tonight, finally, one block is done:

It is pretty sparky, I think, with the high volume blacks and whites, as well as the contrast between my very dark and very light greens. But I like it, and the sashing will tame it a little. The white fabric in the corners will be a constant in the sashing, so that will tie it all together more. I have a fancy border planned for the flamingo fabric, and I have high hopes for how that will turn out.

One block done, eight to go, plus pieced sashing and pieced border. My One Monthly Goal is to finish the flimsy by the end of January, and I think I am on track. In the meantime, check out all the other En Provence quilts in the link up here, including a few finished quilts. The key to finishing fast is to stick to the pattern, but I am happy with my progress too. :D

OMG, Butterflies en Provence!

It's time for the Kaleidoscope of Butterflies link up this month. Last month I was on the lookout for some butterflies, and I captured this one "in the wild."

You can see by the lint that this fabric spent a long time in my scrap bin! This stack of triangles is for foundation piecing in Wild & Goosey. The scrap bin is now almost empty! But the stack of triangles keeps growing as I add the leftovers from other projects.

Also this week, Bonnie Hunter revealed the final layout for her 2016 mystery quilt, En Provence. You can see it here, for the next few weeks. I love it! I especially like the circular effect with the purple in the big blocks. And I have to say, I was genuinely mystified. I thought I knew where it was going, and I was wrong!

But anyway, let me remind you of my flamingo-inspired colourway:

Bonnie's quilt has sixteen of those circle blocks, so for my simplified version I thought nine would work well. I am using pink where Bonnie used yellow, and I noticed that her yellow fabrics are quite light. I have that light pink flamingo blender, and I thought that would be perfect!

Argh, no, it is horrible! The light aqua adds nothing, and there are just too many flamingos. Does it look better with the green squares added? It does not. So many pretty fabrics, so terrible all together. Right from the start I had a feeling that it would be risky to change the values in the quilt. But, I ignored the doubts and forged ahead! I should know by now to listen to those niggling doubts.

So now I have quite a few pink flamingos to add to the stack of triangles for Wild & Goosey! What a useful project.

Looking closely at Bonnie's finished quilt, some of her greens (where I used aqua) are almost black. And they are extremely scrappy with a wide range of values, which gives a lot of interest. I needed something very grounding too. I considered dark pinks or reds, but then I thought, why not black? I have some bold black prints in my stash that could give that same range of interest that Bonnie has:

And look, there's that same butterfly fabric again! I haven't cut them yet, but I'm keen to see how they will work.

I also like that the larger pieces in this project will show off some of my larger scale, modern fabrics. Here are pinks I settled on:

They looked good in the sunlight there, didn't they?

By Monday I hope to have at least a block or two to share, and by the last link up in February I am determined to have the flimsy done. So that is my One Monthly Goal for January as well -- En Provence flimsy by the end of the month. Only nine blocks! Plus, pieced sashing and pieced border...

Right now I am still catching up on the clues I skipped. Here are my green hsts from clue #5:

And today I was cutting these fabrics for more Tri-Recs units from clue #4:

After considerable thought, I've also decided to go back and piece some of the all-white four patch units from clue #1. Those are next!

Rose Boll

Happy New Year!

So, I mentioned a couple of weeks ago that I planned to start a second, new (for me), Bonnie Hunter design, in addition to the others that are already on the go. This is it!

Rose Boll

North Americans will know the pun, which I just could not resist. Every New Year's Day our family used to watch the Rose Bowl parade from Pasadena, California. My grandfather was a wholesale flower supplier, so flowers are in our blood. This fabric is from the Savannah Garden collection by Henry Glass.

Last January, while we were all working on Bonnie's last mystery, Allietare, I was also looking at her previous mysteries. I became obsessed with this one, Roll, Roll, Cotton Boll:

The pattern is now in Bonnie's book, String Fling (2012). The main colours in Bonnie's quilt are red, pink and green. I tried many variations over the past year, and finally settled on just a two-colour scheme, red and white. When I realized that I could use all my rose-themed florals, and call it "Rose Boll," the decision was made!

Of course, now I've also started two more red and white quilts, 150 Canadian Women and Wild & Goosey, so I'm going to be up to my neck in red and white this year.

Wild & Goosey

(I know, Wild & Goosey doesn't currently look like a red and white quilt, but the sashing will be red and white flying geese. I've even considered the name "Canadian Goosey." We'll see...)

Anyway, this week I rough cut all my red rose fabrics:

I miscalculated and cut everything about a 1/2" scant! But, it's ok. I can still use it, but now the whole thing will need an extra bit of care when I make the final cuts.

There are some scant seams in the first block to make up for my cutting error. But, I think it worked!

The second block was a little easier:

Actually, with these two blocks you can see the range between the fairly solid red and the boldest floral in the mix. Although I have lighter reds in my stash, these dark reds seemed very determined to be in the quilt. Despite all the florals, I think it's going to be very graphic.

I'll tell you right now, I also have what I think is a good plan for Bonnie's quilt Orca Bay, which is also in String Fling. But I think I can let myself finish a couple things before I start that! And anyway, my next new quilt, for sure, will be Prairie Star, which has been waiting and waiting and waiting...

Mod Pillows

Here's one more little finish for 2016 -- my Mod Pillows. I made these from the strip sets left over from Mod Trips, my modern, red and white version of Bonnie Hunter's Scrappy Trips Around the World. That was the quilt that started my Bonnie Hunter infatuation!

Anyway, the tops for these 20" square pillow covers have been quilted for a long time, and they just needed the back and binding. In my stash I had this fabric with old maps of the world...

...which is a perfect match by colour and by theme! When I first bought it online, it turned out to be much darker than I expected. So I "discharged" it by an overnight soak in a diluted bucket of bleach. The colour turned out much better, but despite several washes the fabric smelled of bleach for over a year! A cautionary tale. But, I'm glad to have it now!

So far, I'd sewn all my bindings by hand, simply because it is easier and hand sewing is something I already knew how to do. But, with my back the way it is now, I decided it was time to learn to sew binding by machine. Around the internet I've seen a couple of award-winning quilts that had bindings machine sewn to the front of the quilt. That's what I wanted to try!

Front

This is a double-fold binding, sewn to the front the same as you would for a hand sewn binding. I did cut the strips 1/4" wider, just to give myself a little extra room on the back.

I ironed the binding out, and then ironed it again folded to the back, pinned the corner and used Clover Wonder Clips to hold the binding in place. Then, with my zipper foot and beige thread in the top of the machine and red thread in the bobbin, I stitched in the ditch from the front of the pillow, being careful to catch the flap of the binding underneath at the same time.

Back

It is a little wobbly, as expected, but on the whole it was easier and turned out better than I hoped! I really prefer to have that loose flap on the back, and have a neat front. So I'll definitely use this technique again!

I'll be using the pillows right away, so I am glad to have them done at last. Plus, I am very happy to have the empty project box! It will be nice to get some of my new projects off my sewing table. :D

Top 5 Posts of 2016

WOman plans, God laughs

Each year that I've blogged, my list of resolutions for the new year has become shorter and vaguer. I've realized that for me, concrete goals and the creative process are basically incompatible. This year, my resolution is three words:

1. Follow the fun.

Over at Meadow Mist Designs, Cheryl is running a linky party where bloggers can share their Top 5 Posts of 2016. This got me curious about my stats, so I had a look at the numbers. I looked at most page views, most comments, and then added my own preference to the mix. Let's count them down!

#5 -- Sunny and Derivative. This was my two cents on the whole "derivative" controversy triggered by the Modern Quilt Guild this summer. Since my blogging focus is largely on the creative process, the issue was close to home even though I don't consider myself a modern quilter.

#4 -- Allietare Red Blocks. This post ranked second by page views for the year. Allietare was my first time participating in Bonnie Hunter's annual mystery quilt. It was a challenging project, but completely worthwhile. And it's inspired me to start a few more of Bonnie's quilts as well.

#3 -- 13 Cherry Trees. This post was ranked third by page views, and the one before it was second by comments, so I've combined them into a third place overall finish. I've been both surprised and gratified by how popular this quilt has been!

FYI, I've decided to make it bigger, and a wide border has been planned.

#2 -- Little Wooly Baskets. This post is #1 in page views, with more than double the page views of the runner up Allietare. The Woolie Contingent is large! Dawn Heese's quilt along was hugely popular.

My photo of Block 2 here, with the white basting threads all over it, seemed to hit a chord with people, and it was widely pinned on Pinterest. Very flattering! For a while I was concerned that it was more popular than the finished block, but I've realized that a) readers have to wait a long time for finishes around here, and b) I am mainly writing a "process" blog anyway!

And, drum roll please...

#1 -- Gwennie Medallion Month 1. This first post in the Gwen Marston-inspired medallion quilt along is definitely number one by comments. I've rated it as my best post because I certainly value comments more, and I think it is an entertaining story about the creative process. Plus, it's all original and I love how it turned out!

2017 looks now like it will be more machine sewing and less hand sewing. But, eventually I will figure out a new, ergonomic hand sewing set up too. A more supportive chair, to start with. All those people who told me to sit up straight when I was young are laughing now!

In any case, creatively, 2016 has felt like a very good year. God willing, my plan for 2017 is more of the same!

Happy Christmas!

To round off the week I've mostly caught up on the 150 Canadian Women quilt along that is being offered by Kathryn Wilson Tucker at Next Step Designs. You can see that I have succumbed to the temptation to start fussy cutting a few of the blocks! The maple leaf batik is by Cantik batiks, a special release for Canada's 150th birthday in 2017.

I was too lazy to dig out any Christmas fabrics this week, but this red plaid is a little festive. And I am fussy cutting it again! (Brinton Hall was the first time, here.)

One of the required blocks is a basic Shoo Fly.

3 by 3...

...switch out the middle and lay down the triangles in the corners...

...sewing lines lightly marked in pencil...

...keep everything pointed the same way...

...and hey, presto! Shoo Fly block.

Editing the photo, I can see the middle row is too wide, but I'm going to leave it. The yellow and tan lines are the main thing, and the rest will vanish into the seams.

And, here's the whole next batch. I may not keep that flower on the bottom left. We'll see how it looks in the final layout!

I'm sure it would be lovely to photograph all the blocks together, this set and the previous one, but I want to avoid handling the blocks too much. It's going to be a long year.

I've realized that this is four new projects in the past month -- this one, Flamingos en Provence, Wild & Goosey, and Cheddar Broken Dishes. All queen-sized quilts, and all 100% machine pieced. Since I wrecked my back in October, I have not been able to hand stitch almost anything. The ergonomics just aren't working for me. But, I have a very good chair for the machine, and it is almost like physical therapy for my back to sit and machine sew for a couple of hours. More fun than a gym!

So all my hand stitching projects are on indefinite hold, which has taken out most of my current projects. And, I've started to think about things I could do by machine instead. Like binding for sure. And maybe applique... I even think a little free motion quilting may be doable soon. Overall, it's different, but not bad. New things to try!

Happy holidays everyone!