Prioritizing

Sedona Star 1.0

For a change of pace, today's post is (mostly) about what I'm not going to make!

Early in January I had a big hunt through my stash for this orange fabric, which I wanted for My Country House. It is the perfect orange, not too gold and not too brown, but that's beside the point right now. The point is that my search started a whole process of digging through all my old quilty projects and making some decisions:

1. Keep going
2. Keep going but make some changes
3. Toss.

The result has been that suddenly I've been working on, and thinking about, a whole bunch of projects at the same time. There hasn't been much to show, because I'm spread too thin. For example, in February I set myself a schedule to get Texas Star to the flimsy stage. According to the schedule, I should now have 227 stars joined up. As of today, the total stands at 146...

...which is progress over last time...

...but not ideal. Still, although progress is slow, I think we will all agree that it is looking pretty good. 

What you may not remember is that this is Texas Star 2.0. In 2011 (before this blog), after about 25 years and two cross-continental moves, Texas Star 1.0 went in the bin. At that point there were about 250 machine-pieced stars finished and ready to join. But, it just had too many problems, including dodgy fabrics and dodgier sewing. About 16 months later, Texas Star 2.0 got off to a much better start, and it will definitely be finished. But for now, I'm packing it away, because as I said, I'm spread too thin.

As you've probably guessed, the project I'm not going to be finishing is Sedona Star, shown at the top of the page. In fact, those photos are all that remain, because it all went in the bin in February. It had many issues, but the biggest was that it was big -- bed sized -- and my colour scheme was more suited to a wall quilt. So yes, Sedona Star 2.0 will be smaller. It is all planned, but not started.

I've already mentioned that this project, Trick or Treat baskets, was abandoned last fall:

Baskets 1.0

In fact I had about 12 to 15 done, but there are no photos, and these went in the bin in February too. Gosh, I imagine you are saying, I know they could have been used somewhere. And surely something could have been done with all those pretty Sedona Star circles. Yes, I thought about that quite a bit. But finally I realized that I can't do it all, and it would be a bigger shame if my newer, and much nicer, projects didn't get made because I was still flogging a dead horse with these.

So, Down in the Garden will get the nod, and we will see what happens when I focus on just one project at a time. I think it will be a perfect summertime project. :D

DitG Tagore

In addition to the large embroidered blocks that anchor Leanne Beasley's stitchery quilt, Down in the Garden, there are little bits of stitching scattered all around it. I really like these little details that are stitched over printed fabric, so there are two layers of interest. The fabric is from Tamara Kate's 2013 collection, Flight Patterns.

I intended to use these medium dark blue flowers all over the quilt, but it turned out that they didn't work elsewhere, so this is the only place they remain:

The quote is from Indian writer and painter Rabindranath Tagore's Poems on Time. Wikipedia also has this nice piece of synchronicity, written exactly 100 years ago:

Who are you, reader, reading my poems a hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.

— The Gardener, 1915.[165]

These butterfly sections will be scattered around the quilt, while the contrasting bee quote is featured in the large centre block. You haven't seen it since the end of Ink Week last fall, but it is now almost done. I just have a little of the lettering left. But, I also want to do it justice with some good photos, so it will need some sunshine as well. With luck, next week!

DIY Mystery Quilt

The alternate title for this post is "One Step Forward, Two Steps Back," lol. But, I'm trying to stay positive!

It's been a month since I posted the first block of my "cherry tree of life" quilt, Hanami:

I mentioned then that I wanted to add an element of mystery to the quilt, but still keep some control over the design.  Once I figured out the layout of the entire quilt, I calculated how many HSTs I would need. I made them one dozen at a time using my homemade HST papers:

40 dozen in all! My hope with this project was that by doing all the boring work first, and saving the fun part until the end, it would have a better chance of a timely finish. The jury is still out on that!

The great thing about these papers is that they add to the randomness, because with a larger print, you cannot exactly anticipate how the fabric will be cut. Some triangles were quite light, some were dark, some were mostly pink, some were mostly green.

Once all the HSTs were made, the plan was to put them in a big bowl, and have a random draw for each tree. But, while I was making them, I started to think that if the draw is completely random, then all the trees will end up looking the same. If I wanted each tree to have it's own personality, then I would have to add some granularity to the mix. It's like the difference between baking sponge cake or muffins. Sponge cake batter is perfectly smooth, and muffin batter should be a little lumpy. To my taste, sponge cake is kind of bland.

So, I chose 13 fairly solid pink "feature fabrics" for my 13 blocks. Each block uses 22 pink HSTs in total, and I decided that 9 of them should be from the same feature fabric. "9" was a shot in the dark, really. I hoped it would be enough to make the trees distinct, but still allow for a fair degree of randomness.

I set up 13 plastic snack bags, as you can see in the first photo above, put in the 9 feature fabric HSTs, and then did a random draw for the rest of the pink ones. Then I had smaller pools for the brown trunk HSTs, and the light background squares as well.

Now I get to open one bag at a time and see what's in there! I iron open all the HSTs, and arrange them until they look their best:

I'm finding that it works best if most of the matching HSTs go around the outside of the tree to define it.

You can see that the brown trunk HSTs are divided into medium brown and dark brown. There are only six brown fabrics in total, so most of the tree trunks have some matching browns.

And, instead of a solid square in the middle of the trunk, I made 13 medium/dark HSTs to give the trunks the same level of "pieciness" as the rest of the tree. I didn't use the papers for those, I just made them two at a time with different fabric and a bigger variety of prints.

The assembly is straightforward from there. I join the squares into rows:

And then join the rows into blocks. Two more are done...

...but...

...I have realized that they are both distinctly rectangular rather than square. My seam allowance joining the rows is too wide. That is not too hard to fix, but it's still frustrating. And it does have to be fixed, or the final assembly won't work as planned.

So, that's slowed things down quite a bit. That's how UFOs happen, but, I'm going to try to get back on the horse soon...

...only, I did start something else this week...