Hen Party Finish

Done!

Hen Party, 60" x 60" (153 x 153 cm)

Started around this time in 2012, finished today. Five years! And really, three years of collecting chicken fabrics before I started sewing. It is a big, big relief to have this one done and dusted. To see all the posts on this quilt, please click here.

Does your family support you as a quilter? Mine really does not. I know another quilter at my guild who says that her family "are not quilt people," which I suspect is a touch of the Canadian gift for understatement. It is soul sucking to make a gift quilt when the response ranges from disinterest to active discouragement. And I know a lot of quilters, and stitchers and embroiderers, and probably knitters and crocheters too, have that same experience. We have to stop doing it! Older, wiser women warned me of this situation years ago. But, I always seem to learn things the hard way.

Today, though, I feel amazing! This is the last family quilt, the last quilt I "owe." From here on, it is my quilts, my way. I can see very clearly now that it has been bad for me creatively to try to second guess someone else's taste. Especially when it is a losing battle, and they don't really understand quilts in the first place.

And the truly ironic thing is that this quilt has ended up being my taste anyway, and it took me five years to justify doing it the way I wanted to do it. How crazy is that? But, now I know, and I don't think I'll forget again.

Somehow I miscalculated the width of the binding, and I thought I was going to have to hand sew it. But when I looked at it again today, I was able to trim the seam allowance, finagle the corners a little, and machine sew it from the front, same as the Mod Pillows. Whew! Now I am wondering if I can do the same with Cardinal Stars. I'll look at that tomorrow.

But right now...

Updates

It's over two weeks since my last post, so I think I will do a general update today. A little of everything -- embroidery, hand piecing, machine piecing, quilting, and binding!

As many of you know, I badly wrecked my back last fall. Now, it's healed very well, and I would say it is better than it's been in years. But a strange by-product has been that hand stitching is clearly bad for my back -- somehow I sit and tense in very awkward ways when I hand stitch. So I can't do it. An unfortunate casualty of this new situation has been my guild challenge quilt, that I started in September. You can see the challenge fabrics here. It was due yesterday, so I think it is now safe to show you what I was doing before my back went out:

I started by embellishing the large scale print with hand embroidery. Stem stitch around the petals, pistil stitch in shaded tones around the centre, and I have some silver lined, forest green glass beads for the centre.

Here is another one:

My plan was to make six "vignettes" like this from the one fat quarter. Four are mostly done.

Then I also started fussy cutting the smaller white print...

...to make hexagon rosettes:

The small ones on the right are the finished size. Half inch (12 mm) hexagons! I wanted 20 rosettes in total.

What's the plan? A half-scale version of the first two rounds of Brinton Hall:

Last fall I was going flat out with my full scale version of this quilt. I already knew the pattern well, so I thought it would be doable in the allotted time. It will be awesome, I thought, to have both the big and little versions together in the show! Well, as I said in December, "Woman plans, God laughs."

Nevertheless, eventually I AM going to figure out a better ergonomic approach to hand stitching, so this is all packed away until then.

And my machine sewing projects are really coming together. The centre of Allietare is down to four pieces:

This is my "quadrants" strategy for a diagonal-set quilt. No seam is longer than 5 blocks. I plan to fussy cut the borders, so there is still a way to go.

Then those muscles were getting sore, so I decided it was time to finish quilting the border on Hen Party:

You can still see the shadows of the previous straight line quilting that puckered so badly. It took me weeks to unpick it, months of dithering, and one day to quilt it again! I like this fat, free form stipple a lot better. And, I think I've finally got the hand/eye/foot coordination figured out for free motion quilting. No stitch regulator here!

In my stash I had a striped fabric that I knew would be perfect for the binding. It ties together all the main colours of the quilt:

Imagine my dismay when I pulled the piece out of the box, and it fell apart! I thought I had yardage, but in fact I had three fat quarters left over from kits. But nothing else works as well, so I'm piecing it all together. This binding will be machine sewn.

The binding on my Cardinal Stars quilt, however, is still only half done:

This was about one quarter sewn when I wrecked my back, and there is no way to switch to machine stitching it now. Long sessions with it have proven too painful. Now I'm thinking that maybe if I set myself to do no more than two threads a day, I will eventually get it done.

In any case, Allietare is going well, Hen Party is finally going well, other projects to be updated separately are all going well, so it's not like this focus on machine sewing is a big sacrifice. My tentative plan for my summer break is to put new effort into figuring out machine applique, both raw edge and turned. But for now, I have plenty to do.  :D

Adventures in Quilting

Many of my posts in March included some whining about the machine quilting that I was doing "behind the scenes." I was finally quilting Hen Party. This quilt has 6" snowball blocks made from my collection of chicken-themed fabrics. Many of the blocks were framed around one large chicken. After literally years of creating and dismissing quilting plans for this quilt, I decided to use a bonded batting that only needs quilting every 10", so I wouldn't have to worry about quilting around the chickens inside the blocks. I straight line quilted in the ditch, and free-motioned a little clover motif in each corner:

Some of those first clover motifs were pretty dubious:

That was when I was getting tired at the end of the day, and the weight of the quilt was making things tricky. But, I got better:

I didn't mark anything, first, because I hate marking, and second, because I do like that "freehand doodle" look. So, I'm not going to unpick any of those wobbly ones. And from the back, it looks surprisingly good:

Just ignore the fold lines and loose threads for now!

What I couldn't ignore, though, were the problems with the border. "I'll just straight line quilt a few lines around the border," I thought. "I have mastered straight line quilting," I thought. "Fast and easy," I thought. But strangely, while two sides looked good...

...two sides bunched up terribly:

Whyyyy? I thought I had this figured out when I changed to the pin feed. Somehow the top and bottom layers are feeding through at different speeds, and it must have something to do with the crosswise vs. the lengthwise grain of the backing fabric. But, it is practically ruffled, so it must come out, and that has been taking forever. Once the straight lines are unpicked, I'm going to do a free-motion stipple, which I think will be more forgiving. And at least, after all those clover motifs, I am feeling better about my free motion abilities.

In February, when I was having similar trouble quilting Mod Trips, I said to myself, "this is the last large quilt I am quilting at home." But you know, it turned out well in the end, and everyone liked it, so basking in the glow of success I forgot all the pain! But in March, facing all the same trouble again, I really started to resent the time that quilting was taking from my other projects.

I decided it's finally time to invest in some rental time on a long arm quilting machine. Yesterday I took my Cardinal Stars flimsy to a local long arm dealer that offers rentals.  And after about one hour of class time and three hours of quilting time, it is quilted! By me!

On the back here you can see the pantograph I used, Cloud 9. I am not always the biggest fan of pantos, because they can be a little uninspired, but I have to say they are quite forgiving even when you are never right on the line! It is a good way to build your skill and still have a decent result.

On the front, the panto's flow of curves and arcs blends together the blocks and background:

The polyester thread was my biggest hurdle in deciding to try a long arm. (And the money, of course, but I decided to re-allocate my fabric budget to quilting for a while.) I deliberately took these photos to highlight the thread. It is shiny polyester Glide thread, but not this obvious in every light. I can see why longarmers like it, because it is perfectly smooth and even, with no fluff, even after quilting the whole quilt at high speed. I like it better than I expected, and in future, I will have the option of bringing in my own cotton thread.

Now that it is home I cannot believe how much quilting I did, and that it is reasonably good looking to boot! I am sore, but not any more sore than after a day of quilting on my home machine. And, with one day on the long arm I accomplished more than a month of quilting at home!

So yes, I'll be doing that again. For me, the "aha moment" was when I was basting the edge of the quilt before following the panto across the middle. When I baste the edge of a sandwiched quilt on my home machine, it stretches and puckers and slides around and generally tests my patience to the limit. On the frame of the long arm the edge of the fabric doesn't move at all, and it is easy to sew a scant 1/8" from the edge. Everything stays straight. Amazing!

Now I have a list of new things to try on the long arm, which should use up my stack of flimsies, including Collector, It's Warm Inside, Picnic, and Circa 1998. Although, now that I see how easy it is to quilt a large quilt this way, I am once again considering adding a border to Circa 1998 to bring it up to queen size. We'll see how it goes!

(Hen Party, though, I still have to finish at home...)

Hen Party Flimsy

Hen-rietta says hurrah!

The third entry in my Friday Fall Flimsy parade is Hen Party. I started this in 2012, and it sat in a box for the next three years while I struggled with the border. I thought that I was struggling with how to quilt it, but over the summer I realized that my border design was the problem. It was too stiff and formal for the scrappy centre blocks. So I simplified it, and now it's done:

Hen Party flimsy, 60" x 60"

Hurrah! I don't think I've given enough credit to simple borders like this. They really do give a clean, satisfying finish.

Looking back at my explanation of the border three years ago, it is easy to see, with hindsight, that I was trying too hard. Square peg, round hole, etc. But don't worry, I have another use for those seminole borders!

Also looking back, I noticed that I didn't give many close ups of the blocks. I'm quite fond of Hen-rietta there at the top of the page, but I think this big guy is my favourite:

He barely fits in the 6" block. There's also a happy couple:

And a few eggs, of course:

The new border has some chicken wire, and chicks on the loose:

The blue hen is the state bird of Delaware, apparently. If you were wondering!

Those peeping chicks in the border must have escaped through this hole:

So, it feels really good to get that one moved off the shelf, and onto the quilting pile. I still would like to clean out a few more, but I'll have to see how that goes. Plenty to do!

New Machine!!

I've had my eye on this sewing machine since another Ontario quilter whose work I admire recommended it to me. A couple weeks ago I finally had the chance to drive up to That Sewing Place in Newmarket and give it a good trial. Needless to say, it came home with me after that! Isn't it beautiful?

You can see that my sewing table had a previous incarnation as a paint studio. But never mind, the machine is the Brother 1500S, which is a single stitch, high speed sewing machine. It has everything I want, including a needle down function and lots of workspace, and nothing I don't want, like a bunch of fancy stitches I'll never use. My old Janome still works well for those times I'll need the zig zag stitch. Although I am starting to think that will not be too often!

I was very lucky that the owner of the store, Jaret, who is an expert on this machine, was there to give me a complete lesson. Once I got home I was able to get it all threaded and set up without even cracking open the manual. It also comes with an extension table and a knee lift, which are not shown in the photo.

LOL!

So far I've used it to piece the flannel parts of my snowmen blocks, I've done a little free motion quilting on the Homegrown placemats, and I've done some straight line quilting with the walking foot on Edward's quilt. It is really nice. When you get the free motion up to speed, the fabric positively glides under the needle. And the humongous walking foot is making easy work of Edward's wretched quilt. Plus, the machine will hold a full sized thread cone, which I really love.

So, no more excuses! I have a back log of projects that need quilting. Some are so old and long forgotten that I thought I'd post some photos with my to do list:

Homegrown kitchen set -- a little more FMQ in the centres and these will be ready for binding.

Edward's quilt -- long, long, long overdue, the straight line quilting on this quilt has been an ongoing nightmare. I used a new flannel sheet for the backing and the fluff goes everywhere, and it just keeps getting hung up for no apparent reason on my old machine. But the new machine copes beautifully!

It's Warm Inside -- I have some FMQ and an experimental quilting in sections technique to try on this one.

Hen Party -- I almost sent this out for quilting, but I had my own ideas that I wanted to try too. Now I can!

Highlands Houses -- my latest idea is to quilt this all over in a small clamshell pattern. I hope I can pull it off. :)

Spring Planting (aka the yoyo quilt) -- I think I finally have a way to quilt this monster. The yoyos make it very fat!

Since my WIP list has grown again, it seems appropriate to link up to WIP Wednesday at The Needle and Thread Network. Here's to a decent list of finishes in 2014!

Easy, Accurate Paper Piecing Templates

The final piece in the design of my Hen Party quilt was to decide how to finish off the corners of the border.  I wanted the diamonds to flow continuously around the quilt.  Once I realized that I could make the corner diamonds bigger, it all fell into place:

The centre diamonds are the same 3" size as the Seminole-pieced diamonds, and the outer diamond is the full 6" width of the border.

I made my own foundation paper piecing templates for these blocks.  With 1/4" graph paper you don't even have to measure!  Just count out 4 squares to the inch.  I mark dots in all the corners, and then use a ruler to connect the dots.  Easy!

Then I put my original in the copier, set the quality to draft, and run off as many as I like.  The graph lines don't copy, just the darker pencil lines, so you get a very clean template.  Old copiers used to distort the image slightly, so check your copies to make sure they are still exactly to scale.  My Canon All-In-One prints them off perfectly.

I am also still using the Simple Foundations Translucent Vellum Paper, which is so convenient!  When I'm paper piecing triangles like this I start with oversized triangles rather than strips.  This saves fabric, and it also keeps everything on the grain.  The vellum paper makes it easy to be sure the triangles are in the right place before I sew them down.  Vellum is a little more expensive, but because so many of my paper piecing plans involve half square triangles like this, I will probably keep using it.

Hopefully it will not be much longer before I get this top finished.  I am sooo close!

Seminole Piecing

As I mentioned yesterday, I elected to Seminole piece the border for my Hen Party quilt.  I did wonder, when I made the design, if I was biting off more than I could chew, but fortunately it has worked out very well!  The whole key is to slow down and be very deliberate in everything you do.

My border design called for 3" diamonds centred down a 6" strip.  The sides of the diamonds needed to be 2 1/8", so I cut the brown strips at 2 5/8".  In order for the cream edges to be wide enough, I cut the cream strips to 5 1/2".

I sewed the brown strip between two cream strips and ironed the seam allowances towards the centre.  This is an important step, because it makes it easy to match the corners later on.

Then I cross cut the long pieced strips into units that were also 2 5/8" wide.  Then I started to sew the units together in a stepped pattern.  Hopefully the photo makes it clear:

Each border has 17 diamonds.  When I turn the piece on it's side you can see where it's going:

To make sure the diamonds were centred in the final border, I lined up my ruler with the 3 1/4" line along the line where the diamond points meet.  I cut one side, and then turned it around and cut the other side the same way, so that I ended up with a 6 1/2" border strip:

To square off the ends, I added a 4 1/2" half square triangle:

This is bigger than needed, so when I'm ready to do the final assembly I'll trim the sides even and the end down to 1/4" from the point of the diamond.

It seems like a lot could go wrong with all the bias edges here, but the main thing was that all four sides would finish around the same length.  They did!  And I gave myself some wiggle room in the design, which I'll talk about when I get the whole top assembled.

Designing the Hen Party Border

It's taken me a while to organize my thoughts about this border.  I finally realized that it has to be divided into two posts.  So today I'm going to talk about how I came up with the design.

Susan Stewart's amazing quilt "Radiance" won the Bernina Award for Machine Workmanship at Paducah this year.  In this interview she describes how the whole quilt was inspired almost in a flash from one machine embroidery motif.  When I watched it I thought "that's what happened to me!" with my Hen Party quilt.  But now that I am writing it all down, I've realized that's not really true.  The idea for the centre of the quilt came in a flash, but the border took quite a bit of extra thought.

As I've said before, the original inspiration came from the quilt "Peach Cobbler" in Better Homes and Gardens' Sew Scrappy, vol 2, that was published in late 2011.  I took a photo of a corner of the original for you all:

Peach Cobbler

You can see that the designer carried the triangles out into the 2" strip border, and then finished it with 4" squares.  I am a big fan of carrying the block design out into the border, although I intended to complete the diamonds rather than leaving them unfinished.  But I couldn't get it to work with my fabrics, especially when I reduced the size of the blocks.  I thought about using florals in the border instead, but then the border lost all relation to the centre of the quilt.

One day I was looking through the instructions for Sue Garman's "Ruffled Roses," the TQS BOM from last year.  One of her borders caught my eye:

Some time after that I found myself doodling the same border around my Hen Party quilt.  I wasn't concious of the source then, but now I am pretty sure this is where it came from.

With the 1 1/2" corner triangles in my snowball blocks, the cream and brown diamonds that are created finish at 3" high.  I wanted the diamonds in the border to be the same size, and fortunately the math worked out well.  Squares with 2 1/8" sides will measure exactly 3" on the diagonal.  So I decided that Seminole piecing would work well for the borders.

I thought, actually, that Sue Garman also used Seminole piecing in her quilt, but now I see she used four patches:

This image was probably what set me on the track of Seminole piecing:

Isn't it interesting how we pull together inspiration from different sources to make something new? Well, I'm pretty sure several books have already been written on that subject, so I'll stop here.

In any case, the Seminole piecing worked great, and I'll show you that next time! 

Piecing the Snowball Blocks

As I mentioned yesterday, I decided to scale down the snowball blocks for my Hen Party quilt to 6" finished.  When I looked around I found snowball blocks made with different sizes of corner triangles.  I like the block best when the corners are 1/4 of the size of the block, so I needed 1.5" corner triangles.

The block is easy to make.  I cut a great many 2" squares, which is 1.5" plus the seam allowances on both sides.  I drew a diagonal line from corner to corner, and pinned all four corners to the block at once:

Then I sewed right around the block, stitching on the lines, in one pass.  After all the blocks were sewn I went back and trimmed all the seam allowances down to 1/4 inch.

Some people will recommend that you don't trim the seam allowances here, but just iron up the corners so that there are 3 layers of fabric.  I tried it, and it does help to keep the block square.  However, I really wanted to be able to iron the seam allowances towards the dark fabric, so I opted to trim off the excess.  I was glad that I did it, too, because the blocks nested together beautifully when it came time to assemble them.

There is no doubt, though, that keeping these blocks square when you are ironing them is the biggest challenge. I was finally able to use the mini iron and Steady Betty pressing surface that I bought from Keepsake Quilting a few months ago:

I had my doubts about these when I first got them, but they turned out to be very helpful.  The Steady Betty pressing surface is covered with thin foam, which clings to the block.  It also drags a bit on the iron, which is a drawback, but not a huge one.  So it helps keep the blocks square when you iron them.

The mini iron is also great.  It gets very hot, so I was able to just let the heat do the work rather than using a lot of muscle.  Because it is so easy to handle, I didn't burn my fingers once!  And because the iron is very lightweight, I was able to press all those corners while seated, which is another bonus.

Tomorrow I'll show you the borders!