Country House Landscaping

Gosh, I see it is almost two months since I last showed this block! It's the centre block for Lynette Anderson's 2015 BOM, My Country House. I had to re-sew the roof seam on the machine before I could applique the trees. "I'll just wait until I have white thread in the machine," I thought. Did that happen? No. Finally I threaded the white thread specifically for that one seam. It only takes a minute -- silly, isn't it?

Anyway, it gave me lots of time to mull over the width of the strips for the trees. In the pattern the trees are a little Christmas-y, with stars at the top and an evergreen shape. The tree trunks are thicker than the branches. My version is smaller at 3/4 scale, decidedly summery, and I knew I wanted to change the tree shape and put leaves all the way around the top. Finally I decided to make all the stems everywhere on the quilt the same 1/4" size, using the Clover 1/4" bias tape maker. I like the feathery look to the trees. Plus, with the smaller scale I think consistency with the stems will be cleaner, and help to tie the whole quilt together.

The stems started out pretty wild...

...but they were soon pruned down to size. The leaves are big chunky detached chain stitches, done with four strands of floss, two medium and two light green. When you compare this with the first photo, you can see other changes as well. The doorknob was done in padded satin stitch:

While I was sewing the doorknob, the window above the door started to look too empty. As an experiment, I filled the space with the same motif as the gingerbread along the eaves. It seems like the obvious choice now that it's done, doesn't it?

But after that, the original gingerbread along the eaves looked very dingy, and I became convinced that I had used a different, less white, thread. After another day or so of dithering, I took out the original stitching. The new gingerbread was stitched with four strands of floss instead of the original two strands, and fewer "spokes" in the wheel:

I think it is better. With the heavier thread I thought the colonial knots in the original would be too much. Now that I am looking at the photos, though, the knots looked pretty good, so I may still try them. Without the knots, I did have to add an extra red brick on either side to fill the empty space.

The felted wool sheep were the last addition. Two of them are peacefully munching the daisies:

And the one on the far left is looking up...

...at the big blue chicken which will sit on the right chimney. But, the chicken will overlap the top seam, so it is still on hold.

With the trees for landscaping, and the sheep as landscapers, I think the block has really come to life. Given that I started this block on January 2, I am glad to have it done!

MCH Month 3 Finished

Probably for the first time ever, I have finished a block in the same month that it was released! This is Month 3 of Lynette Anderson's 2015 BOM, My Country House. Of course it helps that it was the easiest month so far, and I simplified it further:

Instead of piecing the heart, I just fussy cut it whole from the same red fabric that I used for the house door in Month 1.

I've had the stems sewn down for over two weeks, but then I waffled quite a bit about how to sew down the hexie flowers. Click the photo to see it larger:

I pieced the flowers with 100 wt silk thread, which is completely invisible. But it felt wrong to use the same invisible thread to applique them down. So I had three options:

1. Sew down the flowers invisibly with the 100 wt silk.
2. Use cotton thread for the applique, same as the stems and heart. But, should I then change colours for the coral and orange hexagons?
3. Use perle cotton and a running stitch for the applique, same as I did for Jacks and Cats. But what colour should that be? Yellow, orange, coral, or even black?

I do not believe that an invisible applique stitch is the only right way to applique. Rather, I think it depends on the type of project and how it will be used. In this case there will be a lot of wool applique, which I like to whip stitch down with a single thread of embroidery floss. And I appliqued the stems with cotton and a regular, visible applique stitch, so they would relate to the leaves.

Finally I chose to use pink perle cotton and a running stitch to applique the flowers. I had some size 8 perle cotton in my stash, so I used that, but ideally I think a narrower size 12 would be better. I think the pink blends well with the coral and orange, and it will look nice as a big stitch quilted detail on the heart, once I get that far.

I also waffled about whether to stitch the vein on the leaves, because that is a big commitment for the 48 leaves still to do in Month 2. But, since I went with the perle cotton on the flowers, I decided it would be a nice touch for the leaves. Fortunately, I had the perfect colour in my stash! It is also size 8, DMC 580 perle cotton, and back stitch. And it didn't take long at all.

At 3/4 scale, I was just able to squeeze the 40.5" block into one width of fabric. I still need to finish the trees on Month 1, and then I'm going to move ahead to all the pieced blocks. There's a postage stamp border between Month 1 and Month 2, and I have the idea that it will be more efficient to make the stamps from the leftovers of the pieced blocks. I'm not sure it really is efficient, but I will try!

Hanami

Hanami is the Japanese word for "flower viewing," and it is generally used specifically for viewing cherry blossoms. Right now the cherry trees are just starting to bloom in Japan, and, after a big push this week, I have managed to get a tree to bloom right here in Toronto too!

I started making half square triangles (HSTs) for this quilt in December, but then other projects took over and I thought that I'd missed the season. I'd actually banished it to the basement until Mary Ellen left me a comment about an HST exchange last week. After some online research I realized that I still had time, so here I am!

Today I'll talk about my inspiration for the quilt, and in future posts I'll discuss my method.

In 2011 The Quilt Show had Edyta Sitar as a guest for episode 802, to talk about quick, paper pieced HSTs and quilt designs for them. Some TQS members organized a big HST exchange, and TQS member Wilma Moss made a Tree of Life quilt with her triangles that really caught my eye:

Big Thicket by Wilma Moss, adapted from an Edyta Sitar design

Thanks to Wilma for letting me post the photo! You can read about Wilma's quilt in the TQS quilt gallery here, and she also has a website, Brick Cottage Quilts.  I loved the mix of fabrics and those flashes of bright colour in Wilma's quilt, and I started to think about using up some of my large scale floral fabrics in a similar way.

Then last fall Audrey at Quilty Folk created her own version of the Tree of Life block:

Tree of Life blocks by Audrey at Quilty Folk

Many thanks to Audrey as well! I really love the compact trunks on her trees, and the round shape of the crown. Her colour scheme was quite inspiring too! Once again I thought about flowering trees...

Then the Bonnie Hunter mystery quilt Grand Illusion started at the end of November, and many bloggers started sewing masses of HSTs. I am unlikely to ever do someone else's mystery quilt, because making and/or tweaking the design is half the fun for me. But I thought, how could I surprise myself?

The answer was to incorporate some random elements into the design, and a Tree of Life seemed like a perfect opportunity for that. I reworked Audrey's design, keeping the outline but changing the construction so I could make it entirely from HSTs:

For about ten minutes I even considered making the whole background from light/light HSTs as well! I dug into my stash looking for a mix of bright florals, but I soon realized that I had enough pink to make all the trees pink, and the cherry blossom orchard idea was born:

I thought, wouldn't it be cool to get it done by the start of the hanami season? Well, it IS cool, and I am pretty stoked.

And it will be even cooler if I can get the top finished by the end of the season in early May! One down, twelve to go. :D

Diamond Economy

Somehow, a diamond economy sounds better than economy diamonds! Either way, I think it's better than square-in-a-square-in-a-square-in-a-square, lol.

Anyway, I finished these up this morning, and yesterday I finished the last eleven four patch diamonds. As I did the final trim, I found a little bit of serendipity:

An orange flower was centred perfectly in the block, completely by accident, not once, but twice!

So, I'm on a roll, and next time I plan to show you what it's all for.

Oh, and by the way, that extra pin in the seam that I mentioned last time made all the difference! The last batch was much more consistent. And, isn't it interesting how the blue sky outside made these photos bluer than the last post? The colours were more accurate last time.

Four Patch Diamonds

Here's another Monday preview! I need 28 of these 4" blocks, and I have 17 done. One more day should do it.

There are probably many ways to make this block, but to avoid higher mathematics I've been foundation paper piecing them. I started with some raggedy oversized four patch blocks, and home made paper foundations printed on translucent vellum:

Then I just lined up the seams with the centre cross, pinned it, trimmed it, and sewed through the paper to add the dark green corners.

It worked reasonably well, but I did find that the block tended to shift a bit when I sewed. You can see that with the blue one above. I loosened up the presser foot, which helped a lot. With the last batch I will also put an extra pin right in the cross seam and see if that helps too. In any case, they will do.

I've really enjoyed getting back into the rhythm of paper piecing. I find it very relaxing to not always be worrying about a perfect 1/4" seam, and my high speed machine makes quick work of the short stitches. I even like tearing off the paper! The crisp vellum comes off easily and doesn't leave any little bits in the seam. Hopefully nothing will come up tomorrow and I can get the rest done. Fingers crossed!

Final Line Up for BFF

Last time I posted about Best Friends Forever, I said that 23.5 of the stitcheries were done. Before I did the final wash and cut, I decided to finish up that last ".5:"

And it's a good thing I did! Look what happened here:

I used the acrylic cutting guide from Paper Pieces to centre each stitchery on the 3.5" hexagons I'm using for the setting. It turns out that these two motifs, the basket and the house, were printed too close together. It's the only place I had this problem for the whole quilt -- usually there was 1/2" or more in between.

I'm not upset, because I wasn't a big fan of the basket anyway. When I stitched it I worried that it was too big, which it isn't. But I guess I knew something was wrong!

I always wash my finished stitching (cross stitch too) in plain unscented dish soap (environmentally friendly) to get out any oil or dirt. It works great, and I've never had any colour run. The linen was hung to dry, and then ironed from the back on a clean pressing cloth:

Cute, eh? Even the grunt work has been fun on this project.

Then all the motifs were cut, backed with muslin, and basted to the big paper hexagons:

I miss stitching these, actually. It was fun to come up with different stitches and colours for each one. The stitching for Down in the Garden, which I'm doing now, is not as challenging and is starting to feel dull. I may need to add something else to the mix!

Anyway, here's a reminder of how the BFF setting works:

As fun and exciting as this all looks, I'm not sure I can work on this and Texas Star at the same time without a total English paper piecing overload. And I've kind of set myself a schedule for Texas Star... So it may be a while before you see any more.

Finally, one problem I often have with internet photos is that you lose the sense of scale. So, here's a last photo with one BFF block, one Texas Star, and one of the hexie flowers from My Country House:

Is it different than you thought? They are 3.5", 5/8" and 1/2" hexagon centres, respectively. I should have put a ruler in the photo too. Anyway, lots to do!

Country Flowers

Although I've been quiet for a couple of weeks, I'm still sewing! A little here, a little there. Here's a preview with the two kinds of flowers for the TQS 2015 BOM, My Country House by Lynette Anderson.

The "fried egg" flowers are felted wool from Wooly Lady. I love the colours! Felted wool is my big secret plan to minimize the difficulty, especially with the 3/4 scale, and stay on schedule with this BOM. All the critters will be wool.

The hexies are 1/2", which I decided would be the best fit for my smaller scale version of the quilt. The coral and orange fabrics are long time stash inhabitants, and the yellow and green are both fairly new Quilter's Candy Basics from Connecting Threads. There will be a lot of CT fabrics in this quilt. They seem to match the simple feeling that I want for this project.

Month 3 will probably be the first month to be completely finished. I plan to make good progress this week!

Texas Star Schedule

Paulette made me laugh, somewhat hysterically, the other day when she asked her readers if we were ahead of schedule on any of our projects. We all know I am not good with schedules!

But my one successful schedule so far was completing all the individual stars for this project, Texas Star. Since then I have been sewing them together, on and off, and I have a good sense now of what is involved. So, a couple of weeks ago I did set up another schedule to get them all sewn together.

Here's my progress so far, the first 99 of the 333 total stars:

My plan is to add 12 stars per week, which should see them all joined by the second week of July. It seems far away now, here in the deep freeze, but the key to success is to make the schedule really easy. A few stars here and there in my spare time at the end of the day.

I have been really surprised by how soft the top feels! It's difficult to photograph "softness," but I've been trying:

I've realized that it's the English paper piecing that results in such a soft, smooth surface, because all the seams are left open:

Wrong Side

English paper piecing is definitely much slower than regular hand piecing, but I am so impressed with the result! I had been thinking that Best Friends Forever, which will also be English paper pieced, would be my last project using that technique. But now I think the door is open to another one, down the road!

House Construction Finished

The main building work on the centre house block for Lynette Anderson's My Country House is now complete:

However, as with many contractors, some of the finish work still needs to be done!

After I finished the bricks and the gingerbread, I had to redesign the windows and door to fit into the new smaller space. The new windows are 1" square, and I decided it would be easiest to reverse applique them in. I used a ruler to draw the windows and door right on the fabric, and then thoroughly basted the blue fabric to the back:

On the front I cut open and appliqued one window at a time:

Lake view!

The door was also reverse applique, but I have no progress photos. After I cut away the yellow fabric from the whole arch, I tucked the red door fabric between the yellow and the blue. This left the blue transom window above the door free, and I just appliqued it all down. It was tricky, which is why there are no photos, but I am very pleased with the outcome:

There will be a gold doorknob satin stitched in the centre of the red circle. The white crosses in the windows are back stitched with four strands of embroidery floss. The original design has embroidered flowers in the transom window, but I like it the way it is, so I will skip that.

Any readers who are also making this project will notice that I ignored the instructions and sewed together the whole block before appliquing the chimneys (and the door). This was by design! My plan was to open up the seam just by each chimney and tuck the seam allowance inside. Then I wouldn't have to worry about placement beforehand.

The chimneys are 1/2" square, and I basted everything well before the final stitching:

With the applique finished, I just have to take out the basting, go back to the machine and re-sew the roof seam.

I did the same thing for the door, so the grass seam will also have to be re-sewn. But, the trees still have to be added and tucked under the grass, so for now that is just hand basted closed. The trees are next!

Warm Flimsy

Here's the finished flimsy for my mostly flannel log cabin quilt, It's Warm Inside:

Wait, wasn't this quilt supposed to be finished with a quilt as you go technique? Why is it now a flimsy?

Well, it turns out that for people with severe dust allergies, like me, quilt as you go is a terrible process. I managed to cut the batting for six individual blocks...

... and I felt like I had run a marathon. As you can see I gamely basted them together, but I couldn't bring myself to cut any more batting.

The idea for this quilt as you go design is a couple of years old now, and was conceived for my old sewing machine. I realized that my new sturdy machine would be able to handle the full size flannel quilt. So, I unbasted the squares and sewed the whole top together.

I know that border fabric looks a little busy...

...but try to imagine a bright red binding on the finished quilt. It will bring it all into focus.

I am amazed, actually, at how much the narrow white cotton sashing lifts and brightens the whole quilt. It feels much more cheerful and fresh.

And it's an appropriate finish for today, which has been the coldest day in Toronto this year, and probably for several other years as well. At 7:00 am it was -28 Celsius outside (-18 Fahrenheit), and the north wind was shaking the house. That's unusually cold for Toronto! But, with the cold we also have brilliant sunshine, and it is indeed warm inside.

Is it Valentine's Already?

I guess it's time again to trot out my neverending redwork project, Sweet Hearts. I did manage some work on it after Valentine's Day last year. I finished up the first of the couples:

...and made a fair bit of progress on the second couple:

You can see there is a lot of fine detail left on the second couple. This year I have accepted that there will have to be a lot of back stitching, and less stem stitch than I would prefer, in order to finish all those details. My issue with the back stitch is that it does shadow through the fabric more. The hearts in the first picture are back stitched, and you can see the white centres of the hearts are a little darker than the surrounding fabric. It is more obvious in real life!

But, this year I've been relaxing a lot more about things than I have in the past. If it can't be helped, then it can't be helped. So, shadowy back stitch it will be!

Here's the over all progress to date:

There are only two now that have no stitching at all. I'm embarrassed to say that a couple of the pieces are starting to yellow! Hopefully a good wash at the end will even things out. The final layout will have sashing, so that should minimize any aging on the fabric as well.

I'm still quite enthused about my final plan for these, so progress may be slow, but it will continue!

My Country House

3/4 scale -- 13.5" centre block

The new 2015 Block of the Month at The Quilt Show is Lynette Anderson's "My Country House." You can click here to see the whole quilt.

When the quilt was first revealed in late 2014 I was very tempted, but I decided that I already had enough similar projects on the go. Did I really need another? On December 31 I decided that I did. If I reduced it to 3/4 scale, it would make a nice wallhanging. BUT, I decided that I was not going to spend more than one week per month on it, so I would still have time for everything else.

That plan has failed completely, as you can see.

Regular readers know that I always like to give my projects a local flavour. A very typical 19th century brick building here in Southern Ontario is either red bricks with yellow bricks in the corners, or yellow bricks with red bricks in the corners. The library up in Uxbridge is a good example:

Most of the old farmhouses are mainly red with yellow corners, but for design purposes I thought red edges would read better. I made a template for the bricks with 1/4 inch graph paper:

I marked the bricks with erasable pencil:

My plan was to quickly work up the sides with some long legged blanket stitch to represent the bricks. But the fabrics were just too heavy to make neat blanket stitches. Plus the 1/2 inch "legs" were too long. So I have been satin stitching the bricks. For three days already.

I made a similar template with the graph paper for the white gingerbread across the eaves, but I guess I didn't take a picture. The gingerbread is stitched first with blanket stitch half pinwheels, and then I went back and put a Colonial knot at the end of each "spoke."

I know there is a loose thread there, which is driving me nuts. I will see if I can tighten it up without doing it over again.

I lost eight days to flu this month, so I have only spent about five days so far on this project. But there is a lot still to go -- windows and door, chimneys, trees, sheep, funny blue chicken, and the postage stamp border!

But -- don't laugh too hard -- I really believe I can catch up over the next few months!

(Actually, I think I can work ahead, because the piecing is all pretty straightforward. Time will tell!)

Last BFF Stitchery

Best Friends Forever, Month 8 motif

Woo hoo!! Insert happy dance here:

...if you sexy, then flaunt it!

23.5 of the Best Friends Forever stitcheries are done, but only 22 will go in the quilt. I might make a mini or two out of the leftovers, but, not any time soon!

Next up, the English paper pieced setting, then some applique for the finishing touches. Maybe another year!

New Approach

When I started blogging just over three years ago, I had a lot to say about stitching, and the creative process in general. It irritates me no end when people say that they are not creative, when really, everyone is creative. Creativity is just the courage to try new combinations of things we already know, and a whole lot of practice and persistence.

Best Friends Forever, Month 8 motif

I also believe that there is a lot of benefit in a cross-disciplinary approach, and that no matter how committed you are to one craft, you will improve your skill by trying something different.

So, covertly or overtly, that's what I've been trying to demonstrate with this blog, and it will continue to be my practice. Going forward, though, my plan is to talk about it less, and to just let the work stand on its own. I'm hoping that the reader experience will be more like the serene swan floating across the water, and less about all the frantic paddling going on underneath!

Best Friends Forever, Month 6 motif

There's no doubt that writing less will be a challenge, but I am thinking of it like a meditation practice -- if you are always thinking about how to meditate and analyzing what you're doing, then you're not doing it.

So that's the plan, and we'll see how it goes. I am still always happy to answer questions and discuss details in the comments. But for now, let's just enjoy the view!

Fresh, shiny new thread