Last Two

The last minute work on Allietare continues!

One...

Two...

...and the setting triangles are finished too!

So, all the individual blocks are now done. Next step, sew them together.

That's probably what I'll start on today. We had another easy clue for En Provence yesterday. Somehow, these easy clues seem less urgent! But, I'm sure it could catch up on me if I let it go.

I guess if I was really organized I could be doing the En Provence clue as Leaders & Enders... Well, no, actually, I'm pretty sure I'm going to paper piece the triangles in clue #2. I have the Tri Recs ruler, which I just bought specially for this quilt, but I think paper piecing will be less cutting strain. We'll see!

Anyway, have a great weekend!

Two More

I'm still counting down my last Allietare blocks.

One...

Two...

And halfway through the setting triangles!

Two blocks left!

Two...

I'm still plugging away at Allietare. One...

I love how that taupe Star Flowers fabric in the middle almost disappears.

I do try to enjoy the details. There's no question that all the attention to detail I gave this quilt slowed down the process. But, it doesn't hurt to remind myself that this is a hobby for fun, not a job.

Even if I do have to put myself on a schedule once in a while!

Two...

Four left.

I must finish this flimsy! So, I'm going to count down the remaining blocks.

I'm really getting keen to see it together! There have been so many great Allietare finishes around the blogosphere this week. It's time to get mine done too!

White Squares

The first clue for Bonnie Hunter's En Provence mystery quilt is to make 200+ all white four patch blocks. Today we are all showing our work. I've been thinking that this may be the most "low volume" link up ever!

I've changed my mind about how to handle these several times since Friday. My first thought was to use my flamingo feature fabric:

But then I realized that 200+ squares would be a LOT of fussy cutting, and I changed my mind. Please click here to read the whole flamingo story, including my revised colourway.

Let's be honest, I was thinking that all those white squares would be really boring. But then I remembered that I had done exactly that in both Mod Trips and Hanami, with their pieced, low volume backgrounds. And I'm very happy with both of them! So, I'll just do it, I said.

I pulled out my white fabrics. Most are leftovers from Allietare. I still have larger pieces of these:

And small dribs and drabs of these:

I'm now using these for the third time, and the excitement is wearing thin. But, I have a couple big chunks of this...

..."Big Blooms" by Patty Sloniger for Michael Miller. This is a really lovely quality fabric, with a high thread count and crisp print. I used a fair bit in Allietare last year...

...and when I restocked with another yard this summer, the owner of the shop asked me what I would use it for. "Just stash," I said, and I mentioned that I'd put it in Allietare, "but the pieces were so small that you couldn't really see it."

So yesterday I thought, am I really going to cut it up in tiny pieces again? No! Plain squares of the Big Blooms it will be, and hopefully my 1.75 yds will be enough for the whole quilt. If I have to, I will piece a few blocks to fill in. Or, I may even want to piece a few just to change things up. But for now, Clue 1 is done!

Looking at the math, these white squares account for almost all of our allotted white fabric. There is at most 1/2 yd left. And, they make up about one quarter of the finished top! So, that is a lot of progress considering I haven't sat at the machine yet. :D

Please click here to return to the link up and see everyone else's white squares low volume blocks. Happy quilting!

The Most Quiltiest Time...

Here's the sky outside at about 8:15 this morning. I'm sure that all over the northern hemisphere people are looking out at similar scenes these days. The clouds are so thick that the street lights come on in the middle of the afternoon, and inside we have the lights on all day. Nothing inspires me to quilt more than a day like this! To me it's the most, quiltiest time of the year.

Bonnie Hunter's first clue for En Provence came out this morning. You can read it here, for the next two months. We're making a whole bunch of all-white four patch blocks. "Woo hoo," I thought at first, "easy!" But...then I thought maybe this would be a fun place to do something silly with my flamingo fabric...

"Maybe I should wait and see how the squares are used before I make any commitments," I thought. (Although, on further reflection there's no way I'm going to fussy cut this fabric 200+ times. But, I decided to wait and see, so that's what I'll do.)

Outside, it is still perfect quilting weather:

Plus, I've been waiting all month to start a new project today. A new project. Today.

Allietare is the obvious substitution. It's so close to finished.

All the red blocks are done, and I just have seven of the black star blocks left.

So, I put this one together. Six left.

Then I remembered that it's AHIQ again this week! Thank goodness! The Allietare blocks are beautiful, but they are slow going with a lot of seams to match. 

Back in October I started a new improv-ish project. But I only made a couple of blocks before my back fell apart. Now I have like a "free week" to get that moving. This is it -- Liberated Stars!

These are Gwen Marston's style of liberated star block. I love the way they look, and they are fun to make, too. I should have had some in my Gwennie Medallion, but I wanted to re-purpose those bear claws instead.

Now I've decided to make a whole quilt of liberated stars. Liberated Stars for a New Day.

Yes! Remember this crazy thing?

That will be the centre. It's still a medallion, but Sue Garman's feathered star is the only thing left of her pattern. Last year I simplified it by enlarging all the pieces to suit my low-thread count fabric. This year I am going to liberate all the stars, large and small. 

I plan to make it much scrappier, too. I bought a lot of that Heirloom Manor collection from Connecting Threads (on sale now), which is very brown and tan. Now it will be primarily used for the backgrounds, and I'll use brighter scraps for the stars.

In fact, all those bright yellow star points are reclaimed fabric from Cardinal Stars. I had tons left over when I redesigned it, and I just couldn't bring myself to throw it all out.

I spent one evening watching tv with the seam ripper, and reduced the old hsts back into triangles. I know it seems crazy, and you may be relieved to know that the black triangles all went in the garbage!

But, I really think it was worth it, because you need triangles anyway to make the liberated stars, and everything was just the right size.

And this intense yellow does look sharp on the navy background:

There are some Brinton Hall leftovers in the centres, too. 

Scrappy and liberated seems way more interesting than my previous plans for this quilt. I've been thinking about and redesigning Stars for a New Day for years now. I guess it takes as long as it takes, because this is the plan that has traction and that I am 100% happy with. Another star quilt!

Let's hope I can do a little more before Bonnie's next clue for En Provence. :D

Flamingos!

Iza Pearl Flamingos

Flamingos!

Bonnie Hunter's Provence

For Bonnie!!

Right after the final reveal of Allietare last January, I started making colour plans for the next Bonnie Hunter mystery. For Allietare I pretty much stayed in the box, and only changed one colour from Bonnie's palette. This time, I wanted something totally different! My plan was to go with pure blue and white, and carefully manage the values to reveal the pattern. Cool and elegant, I thought.

Flamingos

Sometime mid-summer I got an email announcing the release of this gorgeous Flamingos collection by Melissa Ybarra of Iza Pearl Design. I love that watercolour style of print, I loved all the greens and aquas, and I've always loved flamingos. Wouldn't it be crazy, I suddenly thought, to forget the blue and white, and somehow use this collection for Bonnie's next mystery? I particularly liked all the blenders with the mini flamingos.

But, I squelched down the idea. I had a good plan. Then, for the first Slow Sunday Stitching link up after my summer break, hostess Kathy had a photo of a flamingo pool toy. I know Kathy has done Bonnie's mystery for several years, so there was that association again -- Flamingos, and Bonnie! I went shopping.

However, Bonnie's announcement of the new mystery, En Provence, was very tempting too. Her colourway is almost half purple, and she mentions a "halo" of magenta. Even though purple is not my favourite colour, this sounds very promising to me! The effect with dark and light purples, and some kind of bridge in magenta, could be really gorgeous. And yellow sunflowers! I love those too. Dilemma.

In the end, I still didn't have enough purple in my stash. And it turns out that flamingos are completely appropriate anyway!

Flamingos in Provence

By User Jjshapiro on en.wikipedia - Originally from en.wikipedia; description page is (was) here16:50, 28 August 2005 Jjshapiro 480×360 (68,708 bytes) (Flamingos in the Camargue, photographed 2004 by Jeremy Shapiro. {{GFDL}}), CC BY-SA 3.0, Link

The word flamingo originates via Spanish or Portuguese from the old Provençal word for flame, and the Greater Flamingo nests in The Camargue nature preserve which is... en Provence. So that is a surprising amount of alignment for a theme that was supposed to be completely different! I had no idea there were flamingos in France.

Here is a helpful infographic that compares my colour plans with Bonnie's:

You can see the potential in that magenta halo of Bonnie's! Mine is much lower in contrast, but I hope the teal will still stand out:

The dark and light green flamingos will be joined with other similar shades from my stash. I still plan a scrappy look, with just a few flamingos here and there to tie it together. And I bought some larger pieces, enough for a wide border, of the main print at the top of the page, and this green leafy one:

I want to use all the most electric lime greens that I have, a wide range of pinks and corals, and very cool white backgrounds.

Although, if the first clue involves sewing the light and dark greens together, I will back off those really bright ones, because they drown out the darks. I'm hoping to sew both the light and dark green to the teal. That will look great!

It looks like a few of my Allietare leftovers (in the baggie) will work too. Ten days to go!

And no, Allietare is not finished, and my back is no better, but I am determined that it won't stop me completely. If I can get around half of the clue made each week, I will be happy. I have a lot of border fabric, so that will give me some options.

Who else is in this year?

Save this Space

So, it's been another frustrating and painful week here at Casa Monica. This is the last day to link up with the finale of the Gwennie-Inspired Medallion quilt along. This is where I am:

The theme is "Something Fishy," so it was a great opportunity to repeat the wavy background from the centre block. Fish are also designed and will be appliqued onto the waves. I'm happy with how it's all looking. But, my back is seriously wrecked again, for the third time since the start of the summer, so no progress there. Soon, hopefully!

You can see all the posts on my Gwennie Medallion here, including the finish when it's done.

My One Monthly Goal was to sew the binding on my Cardinal Stars quilt. And, this is where I am:

The hard part is done -- the yellow flange and red binding are both machine sewn to the front, and they are straight too! But, I strained my hand sewing the binding, so I'll have to take it slower. Frustrating! And, when it's done, you'll be able to see the finish here, as well as all the other posts on this quilt.

So, that's it for now. I can't wait to get back on track!

What's Up?

I know I've been MIA for a while, so I've been going through my camera this morning to see what I can share with you all. I've got some "progress" photos on the last round of the Gwennie Medallion, and my new guild challenge fabrics.

First, though, the autumn colours have been particularly good this year:

Outside, everything is looking beautiful. Inside, well...

The final clue for the Gwennie Medallion is "something fishy." My plan for the fishies has been the same since I read the clue. But, I still haven't started them, because I am wrestling with how to handle the corners.

I thought it would be good to carry the diagonal line of the light/dark log cabin layout into the final corners. I've saved this large triangle of background fabric from the basket block in Month 1. Maybe it could be the start of my corner blocks?

I made some strategic cuts.

The all-blue corner was not too bad. Don't ask me why it's so wide. I'm sure I had a reason.

I paired the blue triangles with some solid red to carry out that diagonal line, and built the block out log cabin style, as I did with the bear claws.

Since the project started my plan has been to have a wide solid red border after the final round. The idea with this corner was to transition the diagonal line out into the solid red.

"If I keep adding strips, eventually it will look right," I thought.

"I have to actually put it up on the wall and see how it all looks together," I thought.

Well, yes, those bloody red triangles were horrible, and no amount of building out would fix them.

Then I thought I would put my initials and the date in the corners instead. I unpicked all the blocks so I could re-use the strips for the letters.

I was happy with that plan, but yesterday I realized that another week had passed, and I still hadn't started. Back to the drawing board!

What I've been doing instead is my new guild challenge project. These three fabrics, from the "Charlotte" collection by Deborah Edwards of Northcott, have to be 50% of the quilt top. It's a small project, with a maximum perimeter of 120", (e.g. 30" x 30" (76 x 76 cm)).

The soft, traditional style has felt like a relaxing contrast to all these Gwennie shenanigans, so I've been spending a lot of time on it. Plus, it's due at the end of February, so there isn't a lot of time for deep thought. Unfortunately, I cannot share any progress photos at all, because it will be blind judging.

So, that's what's up with me, Next week may be a busy one, with a little playing around for AHIQ, the Cardinal Stars finish, and maybe the fishies too!

Brinton and Butterflies

Turquoise, green and hot pink butterflies!

It's time for the October Kaleidoscope of Butterflies link up, and I've done nothing at all on my "official" butterfly project, Down in the Garden. I can't believe it will soon be two years since Ink Week (really Ink Fortnight), and I still haven't finished embroidering the blocks. Oh, the shame!

Yes, well, maybe I would have more finishes if I actually did feel shame.

This project, however, Brinton Hall, is steamrolling over everything else. Today I made the 60 3" hsts that I'll need for the second border. The fabrics were all chosen and rough cut over the summer. Today I just had to pair them, sew, and trim.

And a few of them even have butterflies! Out in the real world, I'm also seeing the Monarch butterflies steadily heading southwest along the lake shore again.

I was careful to make sure every hst was a unique combination of fabrics. It was a fun day!

They will finish at 3", and I will set them with 1" warm beige sashings. Leigh Latimore's design uses 1/2" sashings, but I feel like these strong prints need more room to breathe. Plus, the math worked out perfectly! That is always my sign to stop tweaking the design. :D

In fact, I have been redesigning, and tweaking, and redesigning again, this project since the beginning of the summer. I've changed it so many times that I lost track of the different counts. So I had more hst fabric cut than I needed. And, apparently my final design will only need 16 of the hexagon rosettes, even though I made 20!

But, the end is in sight, because I have simplified the final border by removing all the handwork. None of the handwork in Latimore's outer border is in the original Anna Brereton quilt, so that was an easy decision to make.

I will make the pieced "square in a square" block, because that was in the original, and I think it is a good looking block! I am keen to get started on that, it should be a good challenge. Lots of quarter square triangles!

So, this has been 54 of the 60 hsts. I made them in sets of 10, but 9 fit so nicely on my rotating mat there.

Now, I really have to crack on with Something Fishy!

OMG for October

Just a short post for today. One Monthly Goal (OMG) has been going since January, but this is my first time participating. This month I really want to get the binding sewn onto my Cardinal Stars quilt. I quilted it six months ago, and it has been languishing because a) summer is too hot to sit with a big quilt in my lap, and b) I want to make a fancy two-colour binding, and I haven't been 100% sure of how I want to do it.

But, now the weather has cooled off, and I think I have a reasonable plan. The binding strips were cut long ago, and when I opened the box, I was surprised to see that I even ironed the red ones in half already! So I am primed for success. :D

Here's the before photo:

Check out all the other goal-setters at the October link up, right here.

Log Cabins and Stars

For the Gwennie-Inspired Medallion quilt along, the theme for Month 3 is log cabins, and the Month 4 theme is stars. I hoped that my bear claw blocks, that I rejected in Month 2, would still be useful. This is their chance! Mama bear and baby bear are now Ursa Major and Ursa Minor, the two most familiar constellations in the northern sky.

In North America we know the Big Dipper and the Little Dipper, which are the brightest parts of Ursa Major and Ursa Minor. In Europe they see it when it is rotated around, and call the Big Dipper the Plough.

The Big Dipper has seven stars, and the Little Dipper has six, so I chose seven big bear claws and six small ones, and filled them out with some log cabin piecing. Two for one!

But really, it was the "log cabin" theme that unlocked the entire design for me. I thought it would be different to wrap strips around the whole medallion, log cabin style. A few others had the same idea! From there it was a short hop to the idea to continue the light/dark layout through all the borders.

I also sewed together all the small "crumbs" that were left over from the log cabin strips, and used them to fill in a few of the gaps.

And I used the brown and grey printed plaids from the centre block to make two 1/4" (6 mm) key line borders. I've been keen to try this tutorial by Barbara Robson for a skinny border, and I'm happy to say that it is easy and it works!

Those are the same plaids, by the way, that I've been using to make rosettes for Brinton Hall.

The last theme, for Month 5, is "Something Fishy." That will fit perfectly on the remaining two blue sides of the medallion! It's all coming together now. :D

Fortunately for me, Lori says the final link up will be open all month. I'm going to take a week or so to finish it up before my next post. Might as well do it right!