The Most Quiltiest Time...

Here's the sky outside at about 8:15 this morning. I'm sure that all over the northern hemisphere people are looking out at similar scenes these days. The clouds are so thick that the street lights come on in the middle of the afternoon, and inside we have the lights on all day. Nothing inspires me to quilt more than a day like this! To me it's the most, quiltiest time of the year.

Bonnie Hunter's first clue for En Provence came out this morning. You can read it here, for the next two months. We're making a whole bunch of all-white four patch blocks. "Woo hoo," I thought at first, "easy!" But...then I thought maybe this would be a fun place to do something silly with my flamingo fabric...

"Maybe I should wait and see how the squares are used before I make any commitments," I thought. (Although, on further reflection there's no way I'm going to fussy cut this fabric 200+ times. But, I decided to wait and see, so that's what I'll do.)

Outside, it is still perfect quilting weather:

Plus, I've been waiting all month to start a new project today. A new project. Today.

Allietare is the obvious substitution. It's so close to finished.

All the red blocks are done, and I just have seven of the black star blocks left.

So, I put this one together. Six left.

Then I remembered that it's AHIQ again this week! Thank goodness! The Allietare blocks are beautiful, but they are slow going with a lot of seams to match. 

Back in October I started a new improv-ish project. But I only made a couple of blocks before my back fell apart. Now I have like a "free week" to get that moving. This is it -- Liberated Stars!

These are Gwen Marston's style of liberated star block. I love the way they look, and they are fun to make, too. I should have had some in my Gwennie Medallion, but I wanted to re-purpose those bear claws instead.

Now I've decided to make a whole quilt of liberated stars. Liberated Stars for a New Day.

Yes! Remember this crazy thing?

That will be the centre. It's still a medallion, but Sue Garman's feathered star is the only thing left of her pattern. Last year I simplified it by enlarging all the pieces to suit my low-thread count fabric. This year I am going to liberate all the stars, large and small. 

I plan to make it much scrappier, too. I bought a lot of that Heirloom Manor collection from Connecting Threads (on sale now), which is very brown and tan. Now it will be primarily used for the backgrounds, and I'll use brighter scraps for the stars.

In fact, all those bright yellow star points are reclaimed fabric from Cardinal Stars. I had tons left over when I redesigned it, and I just couldn't bring myself to throw it all out.

I spent one evening watching tv with the seam ripper, and reduced the old hsts back into triangles. I know it seems crazy, and you may be relieved to know that the black triangles all went in the garbage!

But, I really think it was worth it, because you need triangles anyway to make the liberated stars, and everything was just the right size.

And this intense yellow does look sharp on the navy background:

There are some Brinton Hall leftovers in the centres, too. 

Scrappy and liberated seems way more interesting than my previous plans for this quilt. I've been thinking about and redesigning Stars for a New Day for years now. I guess it takes as long as it takes, because this is the plan that has traction and that I am 100% happy with. Another star quilt!

Let's hope I can do a little more before Bonnie's next clue for En Provence. :D

Log Cabins and Stars

For the Gwennie-Inspired Medallion quilt along, the theme for Month 3 is log cabins, and the Month 4 theme is stars. I hoped that my bear claw blocks, that I rejected in Month 2, would still be useful. This is their chance! Mama bear and baby bear are now Ursa Major and Ursa Minor, the two most familiar constellations in the northern sky.

In North America we know the Big Dipper and the Little Dipper, which are the brightest parts of Ursa Major and Ursa Minor. In Europe they see it when it is rotated around, and call the Big Dipper the Plough.

The Big Dipper has seven stars, and the Little Dipper has six, so I chose seven big bear claws and six small ones, and filled them out with some log cabin piecing. Two for one!

But really, it was the "log cabin" theme that unlocked the entire design for me. I thought it would be different to wrap strips around the whole medallion, log cabin style. A few others had the same idea! From there it was a short hop to the idea to continue the light/dark layout through all the borders.

I also sewed together all the small "crumbs" that were left over from the log cabin strips, and used them to fill in a few of the gaps.

And I used the brown and grey printed plaids from the centre block to make two 1/4" (6 mm) key line borders. I've been keen to try this tutorial by Barbara Robson for a skinny border, and I'm happy to say that it is easy and it works!

Those are the same plaids, by the way, that I've been using to make rosettes for Brinton Hall.

The last theme, for Month 5, is "Something Fishy." That will fit perfectly on the remaining two blue sides of the medallion! It's all coming together now. :D

Fortunately for me, Lori says the final link up will be open all month. I'm going to take a week or so to finish it up before my next post. Might as well do it right!

Childhood

Knock knock

Who's there?

Olive

Olive who?

Thank you!

I love you too!

For the non-English speakers (or you know, those who may not remember), "olive who?" sounds like "I love you." So you have just baited the other person into confessing their love! I remember my little sister telling this joke with glee when she was about five years old.

So, this is my solution for Month 2 of the Gwennie-Inspired Medallion quilt along. The theme is "Childhood," and I think a silly riddle checks that box. I was able to continue my "olive" theme from the first month. Improv letters like this are not uncommon in Gwen Marston's quilts either. And, I'm migrating to mostly solid fabrics, which is another thing many of Gwen's quilts do.

The theme for Month 3 is "Log Cabin," and you can see that foreshadowed in the way I'm attaching the borders:

And, since childhood was a long time ago, I did go ahead and use hourglasses in the corners as well.

So, I'm very happy with it now!

Remember these bear claws that I made and rejected for round 2?

This was a story about going camping and seeing a mother and baby bear running through the campground one night. Childhood memory + baby bear = twice as good, or so I first thought. But I've realized the problem was simply that the colours were too dark, too soon.

Now I know that they aren't bear claws at all. They are stars.

Months 3 & 4, log cabins and stars, coming soon! In the meantime, check out the other improv quilters at the Ad Hoc Improv Quilters' monthly link up, right here.

Sunshine Flimsy

I finally got it all together today:

60" x 81" (152 x 206 cm)

When I first edited these photos several hours ago, I was having doubts. But now that I see it again, it makes me laugh. So that is a good thing! Silly and fun, I would say.

On the whole, it is darker than I expected, considering it's supposed to be a yellow and white quilt. But, it's probably more practical this way. And it is meant to be functional.

I didn't put it up on the design wall for the layout, because it is pretty big. So, these two inverse-match sunflower blocks ended up beside each other right the middle of the quilt. This was the lesser evil, because once again, those ginghams were very eye-catching, so they had to stay separated.

I hope to get this quilted and bound by the end of the month. Fingers crossed!

Sunny and Derivative

Ok, I think my summer break has been long enough. I am pitying the Modern Quilt Guild, who are in a storm of controversy over a recent post about copyright and derivative work. (Edit Sept 2016: The post has been removed now. You can read their new approach here. There is also a link there to the original post.) I know I had more than one heated discussion about copyright when I did the website for my quilt guild. The fact is that current copyright law is out of date, and quilters are not the only ones who think so. This 2013 statement by the US Register of Copyrights sums up well the frustration people are feeling. This is my favourite line:

...if one needs an army of lawyers to understand the basic precepts of the law, then it is time for a new law.

And if you don't think that the current laws are bad for artists, let me remind you of this injustice...

...which you can read about here, if you don't already know it.

An organization like the MCG (or any guild), has to follow the law whether they like it or not. But, I do think MCG's new, hard line refusal to consider "derivative" works for judging at their shows is out of tune with the current understanding of how artistic production really happens.

We all stand on the shoulders of the ones who came before us. As an example, let's consider my (still unfinished) "Sunshine" quilt, which has made a little progress since my last post in June.

Here, and at the top, are a couple of the smaller 9" and 6" churn dash blocks. This time I used Gwen Marston's "liberated" recutting technique to give each unit its own character. On the larger blocks I had used Sujata Shah's curved piecing techniques...

...but honestly it was a lot of work and I thought the curves would get lost in the smaller units anyway.

As far as I know, it was my idea to apply Sujata and Gwen's techniques to a compound block like the churn dash. It's not earthshaking, just a small, incremental expansion on the earlier idea. Since my first post in February, I've noticed that Missouri Star now has a tutorial for a wonky churn dash quilt too. Did they see mine? I don't know. But, their quilt is pretty cute too.

Mine, of course, has the added enhancement of blocks in many sizes. I'm putting them together in sections like this:

This is not a new idea either. My inspiration was the quilt Bohemian Charm...

by Sarah Maxwell and Dolores Smith of Homestead Hearth, and found in my much cherished Sew Scrappy, Vol. 2 from Better Homes and Gardens. The block sizes in this quilt were weird -- 4" and 10" to start -- so a redesign was always on the cards for this one. They also grouped the blocks into rectangular sections, but filled the gaps with squares.

My first plan was to use squares to fill in the gaps too, but after I made the words...

...I realized I could use up those yellow strings I made by mistake, and that would be better all around. So now those strings are more "happy accident" than mistake!

I used Bonnie Hunter's string piecing technique:

The strings are chain pieced onto papers cut to size. I didn't include the seam allowances on the paper, but next time I will, because it would be easier to judge the size that way. They are trimmed when I'm ready to assemble the sections.

Oh, and for those words, I didn't "figure out the math," and I've never read instructions on how to make letters either. I just took yellow and white strips and put them together by eye, same as some people can play music by ear. But the idea to piece letters and words definitely came from photos online.

So, it could be said that this quilt is derived from ideas by Sarah Maxwell, Dolores Smith, Sujata Shah, Gwen Marston, Bonnie Hunter, and probably others too. But I wouldn't expect any of them to knock on my door and say "Hey, I own your quilt. Stop putting pictures of it online." They all had their own sources of inspiration.

I'm not saying this could be an award-winning quilt that the Modern Quilt Guild would refuse to hang in their show. I'm asking you to look at all the meaning and value inherent in the combined influences of the quilts that inspired even this trivial jumble of fabric, and to say that we shouldn't turn our backs on that. Truthfully, I don't think it's possible, but I think it would be a huge loss to try.

Current copyright laws may not accept that art evolves, and the student can outperform the master, but there is nothing stopping quilters from recognizing and celebrating their place in the ongoing discourse of quiltmaking. Eventually, the laws will catch up.


And if you are not now completely exhausted, check out the other blogs at the Ad Hoc Improv Quilters link up, right here!

Improv Wrap Up

 and Summer Break! 

So, this is my last post until after Labour Day (September 5). After my summer blogging vacation last year, I came back full of inspiration and enthusiasm, and I am looking forward to the same effect again this year. Some quality, unplugged time now will be the best way for me to keep things fresh long term.

Last year I made a bunch of plans for what I was going to do over the summer, and I did hardly any of them! So I'm not going to try that again. I also had a bunch of plans for what I was going to do in September (mainly quilting), and in less than 24 hours after my return that all went out the window when I read about Ann and Kaja's new Ad Hoc Improv Quilters link up. So it's appropriate that my last post of the school year should be about improv -- my second Modern Utility Quilt, "Sunshine," for AHIQ, and my Gwennie Medallion.

I'm ending where I started, with improv letters and words:

I have to say, they do look better than my first efforts! I had cut that yellow fabric into random strips for a string quilt, and regretted it soon after. So this is a much happier plan. I was just able to eke out both words from the strips I had. I made the smaller letters first, and then the more complicated letters got larger. They have finished at about 4" (10 cm) high.

I hoped to finish all the churn dash blocks by now...

...but my wrist had other ideas. There is a lot of trimming with the rotary cutter on these improv blocks and especially on the improv letters, so I am now on enforced rest again.

Have you noticed anything unusual about these blocks yet?




The solid white backgrounds are deliberately misleading.




Why?




Because they are different sizes:

So far I've made them in 15", 12", and 9" sizes, and the 6" ones were in progress when my wrist packed it in. So close! Hopefully it will all be together by the fall. (And maybe quilted, too, although I am trying not to make plans!)

Although I am now the proud owner of two books on Liberated Quiltmaking by Gwen Marston...

...my Gwennie Medallion is another casualty of my sore wrist, so I will punt on that too until the fall. Right at the beginning of the month I made a bunch of blocks for the first border of the medallion quilt along...

...but they don't match my "olive" theme. (You can see I am still on this "blocks in different sizes" kick.) Since I started out with olives, I think I want to keep them going. The theme for the first border is supposed to be "childhood," which is a challenging theme to align with "olives." These mama and baby bear blocks are just headed in the wrong direction.

My best thought right now is to do something with hourglass blocks, in mostly the same fabrics as above, because childhood was a long time ago! You see my problem. Over the summer I will check what the themes for the next rounds will be, and I expect that it will all come together by the end.

AHIQ has opened up a whole new world of improv quilting, which has empowered me to take on this Gwen Marston-inspired project as well. At a minimum, it's made me a lot more relaxed about perfect lines and corners, even on traditional projects. So that has speeded things up a little! But most of all, I find myself thinking that a project feels too rigid when everything is exactly perfect. I've noticed that the less perfect projects seem to make a better emotional connection with the viewer, and for me, that is the highest goal of any art or craft. I'm interested to see where things go next!

In the meantime, check out all the other quilters at AHIQ here, and the brave Gwennie Medallion makers on July 1 here, have a great couple of months, and I'll see you in September!

Basking in the Sunshine

It's Improv Week again over at the Ad Hoc Improv Quilters link up. I was so busy quilting Mod Trips this month, that I had no time for improv. But, I figured, why not start now?

For this week's trick, I'm using Sujata Shah's Cultural Fusion techniques to make curvy half square triangles...

...and curvy rail fence units...

...and combine them into curvy churn dash blocks!

A churn dash quilt has been on my to do list for several years. Then when my guild started its crayon challenge, I hoped for a yellow crayon so I could make a yellow and white churn dash quilt. I got purple, but I liked this idea enough to make it anyway.

And, I've been thinking for a while that Sujata's elements could be combined to make interesting traditional blocks.

So, this is Modern Utility Quilt #2, which I'm calling "Sunshine." It's possible that this could turn into a series. And it's also looking likely that these Riley Blake ginghams will keep showing up:

I went to a lot of trouble to get the complete set of those ginghams in all 11 colours and 3 sizes when they were released. I thought I would put them all in the same quilt. But once they arrived, that seemed uninspired, and they sat in a box in the basement. Now I think several quilts will be better!

All the fabric is stash, like my first Modern Utility Quilt, and it seemed like a good chance to use all those large and small scale florals I used to buy. These are the first two blocks I made:

I have to say, I was feeling some doubt at this point. But I had the fabric cut for the first eight blocks, so I kept going:

It was all darker and browner than I expected. And was that citron Mini Pearl Bracelet really a good idea?

In improv theatre, the formula is to always say "yes, and..." So I squelched my doubts and thought, "ok, where do I go from here?" Most of the really pale yellows I'd pulled went back in the stash. The rest I pinned right up on the wall with the finished blocks:

This seemed like a crazy idea at first, but it turned out to be really helpful to sit back and see how everything was working together. So on Monday, I'll be linking up to Design Wall Monday as well!

All the fabrics fit into that range between the citron and gold of the first two blocks. I think the pure white fabric makes the dark fabrics look darker, so there will be less of that combination in the remaining blocks.

I've been looking at this pile of yellow fabric on my sewing table for a few days now, and I'm feeling good about where it's going. But, I promised myself I would get some more things quilted before the hot weather returns, so I will have to pack it up soon.

And before I go, look what I found when I logged into Blogger this afternoon:

I always enjoy these little synchronicities, which I know is why I keep finding them. This is a particularly good one. And it's probably why I "accidentally" logged into Blogger before I had my photos edited. And, check out the rest of the page:

LOL!

Don't forget to check out the rest of the improv quilting at the February link up, right here. Happy quilting!

Picnic Flimsy

The Ad Hoc Improv Quilters link up is on again! Like Audrey, this week I have been diligently sewing the improv quilt I started in November. I finished the flimsy today!

At about 86" x 93" (218 x 236 cm), the darn thing queen size quilt is too big to photograph in one piece. This is almost all of the centre:

Modern Utility Quilt #1, "Picnic"

And this is the border fabric I chose:

The white dots are 1" (2.5 cm). I was thrilled to find something that matched the colour and scale of the blocks so well! The fabric is a Riley Blake wide back, which conveniently let me cut the borders in one piece. And it will conveniently be the back, too. After much thought, I decided that the most forgiving way to cut and sew the border would be to have about 3/4 of a dot showing on the inside and outside edges.

Since the quilt is "improv," I was unsure if I should sew the blocks with matched corners. At first I thought I wouldn't worry about it. But then I decided that I would quilt it myself on my home machine. So I thought it would be better to match the corners, spin the seam allowances on the back, and reduce the bulk in the corners.

In December I finally bought Sujata Shah's book Cultural Fusion Quilts. This quilt is inspired by the "Windmills" quilt in that book, although I see now there are quite a few differences in mine. But, Shah also matches the corners on her blocks!

I know most of my regular readers bought the book long before me, but if you haven't, you should! It is excellent, and I have more projects planned that are inspired by Shah's techniques.

So, this is my first improv flimsy, and my first bed-sized flimsy! To read all past and future posts about this quilt, please click here.

I do plan to quilt it myself, but I have many others to get through first, so it likely won't be until the fall. After my big "scope creep" insight during Allietare, I've simplified my plans for the improv letters that I made last fall. At some point I'll get back to those, and I have a couple more ideas that I'd like to get started. Right now, though, I am quilting Mod Trips, and then I really will finish Allietare.

In the meantime, check out all the other great posts at the AHIQ link up here. I highly recommend Cathy Perlmutter's post, which you can read here. If you are wondering how to get started with improv, Cathy will get you going! Or at least, laughing. :D