Pi Day

So, it's Pi Day (3.14), and I think I will take the opportunity to do a little catch up. First, here's a photo of new progress on an old, old UFO -- with circles -- that I've been working on again this winter:

This was the first project that I shared on my blog, back in 2011. I am amused to see that I also thought it would be my first quilt finish! One of the best things about blogging is that we can look back and see how we ourselves have changed over time.

It was a lot of fun to make the yoyos, and it was even pretty fun to applique them all to the batik strips. But, sewing those strips together with all the lumpy yoyos is quite a stinker, and I was completely stumped about how to quilt the big bulky thing. I think it may be the most impractical quilt ever! How will I wash it?

But the instructions are excellent -- the designer Terry Atkinson must have spent days doing math to get the yoyos all spaced so evenly. So that is a good fit for Pi Day! And as it comes together, I can see that it will be gorgeous, even if it only spends its time folded on the edge of a couch somewhere.

I'm halfway, and I've decided that two rows a day will be manageable. Right now, though, I am putting the borders on Allietare. And it's looking good too!

After I sewed the last seams and spread the centre out on the bed, I got out the tape measure. The moment of truth! The length and width of this square quilt were exactly the same, so that is the quilting equivalent of a "drop the mike" moment. I immediately put the tape measure away again!

And hey, aren't these cherries a good fit for Pi Day?

They are one of the easier blocks in the 150 Canadian Women quilt along, in honour of Canada's 150th birthday in 2017. I've been relaxed about this project, because so far it's been easy to sew two weeks' worth of blocks in one sitting. But I've noticed that the blocks are getting harder! So I want to get a little more caught up.

I've really been enjoying this project, and learning so much about significant women in Canadian history, who were never mentioned when I took history in school.

This maple leaf, with the light sky blue background and two kinds of stars, is for Roberta Bondar, the first Canadian woman in space.

Mostly I am sticking to the red & white colour scheme of the quilt, with just a few exceptions. These light grey and red floral fabrics just happened to be piled together in the cupboard. I liked how they looked, so now they are together in a block!

At the end of the day, another seven are done:

Pi Day will be a Sew Day here, in the deep freeze with some superfine, cold blowing snow. Not bad for us, since the worst of the snow is south and east of here. A Snow Day for many, so stay warm and stay safe, wherever you may be. :D

Hen Party Finish

Done!

Hen Party, 60" x 60" (153 x 153 cm)

Started around this time in 2012, finished today. Five years! And really, three years of collecting chicken fabrics before I started sewing. It is a big, big relief to have this one done and dusted. To see all the posts on this quilt, please click here.

Does your family support you as a quilter? Mine really does not. I know another quilter at my guild who says that her family "are not quilt people," which I suspect is a touch of the Canadian gift for understatement. It is soul sucking to make a gift quilt when the response ranges from disinterest to active discouragement. And I know a lot of quilters, and stitchers and embroiderers, and probably knitters and crocheters too, have that same experience. We have to stop doing it! Older, wiser women warned me of this situation years ago. But, I always seem to learn things the hard way.

Today, though, I feel amazing! This is the last family quilt, the last quilt I "owe." From here on, it is my quilts, my way. I can see very clearly now that it has been bad for me creatively to try to second guess someone else's taste. Especially when it is a losing battle, and they don't really understand quilts in the first place.

And the truly ironic thing is that this quilt has ended up being my taste anyway, and it took me five years to justify doing it the way I wanted to do it. How crazy is that? But, now I know, and I don't think I'll forget again.

Somehow I miscalculated the width of the binding, and I thought I was going to have to hand sew it. But when I looked at it again today, I was able to trim the seam allowance, finagle the corners a little, and machine sew it from the front, same as the Mod Pillows. Whew! Now I am wondering if I can do the same with Cardinal Stars. I'll look at that tomorrow.

But right now...

Updates

It's over two weeks since my last post, so I think I will do a general update today. A little of everything -- embroidery, hand piecing, machine piecing, quilting, and binding!

As many of you know, I badly wrecked my back last fall. Now, it's healed very well, and I would say it is better than it's been in years. But a strange by-product has been that hand stitching is clearly bad for my back -- somehow I sit and tense in very awkward ways when I hand stitch. So I can't do it. An unfortunate casualty of this new situation has been my guild challenge quilt, that I started in September. You can see the challenge fabrics here. It was due yesterday, so I think it is now safe to show you what I was doing before my back went out:

I started by embellishing the large scale print with hand embroidery. Stem stitch around the petals, pistil stitch in shaded tones around the centre, and I have some silver lined, forest green glass beads for the centre.

Here is another one:

My plan was to make six "vignettes" like this from the one fat quarter. Four are mostly done.

Then I also started fussy cutting the smaller white print...

...to make hexagon rosettes:

The small ones on the right are the finished size. Half inch (12 mm) hexagons! I wanted 20 rosettes in total.

What's the plan? A half-scale version of the first two rounds of Brinton Hall:

Last fall I was going flat out with my full scale version of this quilt. I already knew the pattern well, so I thought it would be doable in the allotted time. It will be awesome, I thought, to have both the big and little versions together in the show! Well, as I said in December, "Woman plans, God laughs."

Nevertheless, eventually I AM going to figure out a better ergonomic approach to hand stitching, so this is all packed away until then.

And my machine sewing projects are really coming together. The centre of Allietare is down to four pieces:

This is my "quadrants" strategy for a diagonal-set quilt. No seam is longer than 5 blocks. I plan to fussy cut the borders, so there is still a way to go.

Then those muscles were getting sore, so I decided it was time to finish quilting the border on Hen Party:

You can still see the shadows of the previous straight line quilting that puckered so badly. It took me weeks to unpick it, months of dithering, and one day to quilt it again! I like this fat, free form stipple a lot better. And, I think I've finally got the hand/eye/foot coordination figured out for free motion quilting. No stitch regulator here!

In my stash I had a striped fabric that I knew would be perfect for the binding. It ties together all the main colours of the quilt:

Imagine my dismay when I pulled the piece out of the box, and it fell apart! I thought I had yardage, but in fact I had three fat quarters left over from kits. But nothing else works as well, so I'm piecing it all together. This binding will be machine sewn.

The binding on my Cardinal Stars quilt, however, is still only half done:

This was about one quarter sewn when I wrecked my back, and there is no way to switch to machine stitching it now. Long sessions with it have proven too painful. Now I'm thinking that maybe if I set myself to do no more than two threads a day, I will eventually get it done.

In any case, Allietare is going well, Hen Party is finally going well, other projects to be updated separately are all going well, so it's not like this focus on machine sewing is a big sacrifice. My tentative plan for my summer break is to put new effort into figuring out machine applique, both raw edge and turned. But for now, I have plenty to do.  :D

Flamingos en Provence Flimsy

Yesterday I sewed the last long seam to finish the pieced centre of my version of Bonnie Hunter's 2016 mystery quilt, En Provence (now available to buy as a digital pattern, right here). Bonnie's quilt has 16 blocks, and I simplified it to nine:

Since I still wanted a bed sized quilt, my plan was to sew a pieced border that would transition to my flamingo feature fabric from Iza Pearl. I carried the cornerstone diamonds out into the low volume border:

The diamonds were outlined with one of the flamingo collection fabrics, a leafy green blender. I love how it looks in the photo above, but it did get lost a little when I sewed on the final wide border today:

Flamingos en Provence flimsy, 86" x 86" (218 x 218 cm)

I do kind of wish now that I had made it full size, with all sixteen green blocks and less border. But, I just have a few strings left from my two main white fabrics, so it's done! And I like it.

Huge thanks to Bonnie for another great mystery! And thank you to all the other mystery participants too -- this year I picked up a few good ideas from other quilters in the link up:

• Let the seam allowances go the way they want. A couple of Allietare makers said this last year too, but this is the first time I tried it. It is much easier and faster to just twist the seam allowances as needed so they all butt together.
• Sew in quadrants. When you sew together the quilt in four quadrants, and then join them at the end, there is only ever one long seam. That made it easier and faster, and it's going to be a big help as I finish Allietare, too.
• Count down the pieces. A couple of quilters counted down how many pieces they had left to sew, until the whole thing was in one piece. I thought that would be motivating, and it was! When there are a lot of pieces, the seams are short, so it feels like fast progress. And when the seams get longer, you are also down to the last 20 or 15 or 10 pieces, and the end is in sight. Worked for me!

So, I'm thrilled to be done pretty much on schedule. I had hoped to be done by the end of January for OMG, but my fall back position was always Bonnie's final link up in February. It'll start on Monday, right here.

To see all my previous posts on this project, please click here.

And now I am done with schedules for the year! But the list is still long -- Allietare, Hanami and Hen Party are my first priorities, and my next "new" quilt is still going to be Prairie Star, with new improved fabrics and hopefully, better feng shui. Stay tuned!

Still Sewing

I fully expected to log on this evening and see everyone's finishes for Bonnie Hunter's 2016 mystery quilt, En Provence. But the link up's not there! Just as well, because I'm not finished yet anyway. Perhaps Bonnie was distracted by the epicness of this year's Super Bowl! For some reason, I kept watching even when it was clearly over, and I was glad I did! What a game.

Since I'm late with En Provence anyway, today I decided to pull out Allietare and see how it looked. It was still in blocks, which was worse than I thought. But now it looks like this:

This is three large sections laid out together. Mine seems to be more red than many of the others I've seen. Those red Kaffe Collective fabrics really glow! The black stars will be 5 x 5, so you can see I'm almost halfway already. I've realized that I don't need to iron every seam as I sew, and that has sped things up remarkably.

It was also interesting to compare Allietare with En Provence:

About half the whites are the same in each project, and it does give them a similar feel. Plus I put a bluish constant fabric in the background of both, so that ties them together too.

I'm thrilled with them both, so I'm not complaining! But next time (yes, I'm already thinking about the next one), I'll have to try something different.

En Provence is currently in 23 pieces, so it's still coming along. That's the centre block plus sashing in the photo above. Shouldn't be tooo much longer!

Sashaying en Provence

I think I'm still on schedule to finish the flimsy for Bonnie Hunter's 2016 mystery, En Provence, by the end of the month. As of today, all the sashing is done:

Like several others, I made a couple changes in the sashing. Instead of hourglasses, I made the dark green Tri Recs sections. That will make the circle effect of the blocks more pronounced. Actually, it is also more like Bonnie Hunter's previous mystery, Celtic Solstice. I didn't make that one, and now maybe I won't have to!

I also used an all-white four patch section in the centre of the sashing, instead of the dark green/light green four patch in the pattern. Somehow, the circle works better if that is white.

Here are four more blocks done, one with three sides of sashing sewn on:

And, to zoom in on a few details...

In my stash I found this coral and pink Iza Pearl print from the Garden Party Tango collection. The flamingos are all Iza Pearl too. Obviously, this one needed to be fussy cut!

I also found two large scale Free Spirit prints.

I call them "optimized," rather than strictly fussy cut. :D

And, zooming in even further, you can see some of the light aqua flamingo blender in the "white" four patch in the centre. The pink flamingo blender is also scattered among the whites.

So, fingers crossed, the next post will be the finished flimsy.

Journey to Provence

Have you ever done this?

Mountains en Provence?

You have to be very organized to screw up in this particular way! Yesterday morning I slowly and carefully started to put together my new hourglasses for Bonnie Hunter's 2016 mystery quilt, En Provence:

I slowly and carefully picked up two pieces with my left hand and one piece with my right, pinned them, butted the seams, and sewed almost all the way across before I realized! Not a good start, but after that things went smoothly. And I think everyone will agree that the black is a lot better in these units than the light aqua I tried first, here.

But, to back it up, I have been sewing like a maniac for over a week now. When Bonnie revealed the mystery on January 1, which you can see here for a few more weeks, I was way behind. I had finished Clue #2, the Tri-Recs units in our constant fabric, and Clue #3, the green four patches. After the reveal I decided to go back to Clue #1 and make over 100 white four patches, about a zillion more Tri-Recs units (that's certainly how it felt) for Clue #4, and the big HSTs for Clue #5:

This is NOT all of them

For the low-volume, all white units, I pulled some fairly high volume fabrics from my stash:

I am actually sick to death of all my low volume text fabrics, and fortunately they are nearly gone anyway. I will not be buying more! But I do like how these new fabrics worked. And they've already given me a new idea for another quilt!

Don't worry, I will finish this one first! To avoid distractions, I forced myself to get all the units done before I made a block. And, I also sewed as much of the block background as possible before I put in the pinks. The selection of pinks is a little different now than last time:

And tonight, finally, one block is done:

It is pretty sparky, I think, with the high volume blacks and whites, as well as the contrast between my very dark and very light greens. But I like it, and the sashing will tame it a little. The white fabric in the corners will be a constant in the sashing, so that will tie it all together more. I have a fancy border planned for the flamingo fabric, and I have high hopes for how that will turn out.

One block done, eight to go, plus pieced sashing and pieced border. My One Monthly Goal is to finish the flimsy by the end of January, and I think I am on track. In the meantime, check out all the other En Provence quilts in the link up here, including a few finished quilts. The key to finishing fast is to stick to the pattern, but I am happy with my progress too. :D

OMG, Butterflies en Provence!

It's time for the Kaleidoscope of Butterflies link up this month. Last month I was on the lookout for some butterflies, and I captured this one "in the wild."

You can see by the lint that this fabric spent a long time in my scrap bin! This stack of triangles is for foundation piecing in Wild & Goosey. The scrap bin is now almost empty! But the stack of triangles keeps growing as I add the leftovers from other projects.

Also this week, Bonnie Hunter revealed the final layout for her 2016 mystery quilt, En Provence. You can see it here, for the next few weeks. I love it! I especially like the circular effect with the purple in the big blocks. And I have to say, I was genuinely mystified. I thought I knew where it was going, and I was wrong!

But anyway, let me remind you of my flamingo-inspired colourway:

Bonnie's quilt has sixteen of those circle blocks, so for my simplified version I thought nine would work well. I am using pink where Bonnie used yellow, and I noticed that her yellow fabrics are quite light. I have that light pink flamingo blender, and I thought that would be perfect!

Argh, no, it is horrible! The light aqua adds nothing, and there are just too many flamingos. Does it look better with the green squares added? It does not. So many pretty fabrics, so terrible all together. Right from the start I had a feeling that it would be risky to change the values in the quilt. But, I ignored the doubts and forged ahead! I should know by now to listen to those niggling doubts.

So now I have quite a few pink flamingos to add to the stack of triangles for Wild & Goosey! What a useful project.

Looking closely at Bonnie's finished quilt, some of her greens (where I used aqua) are almost black. And they are extremely scrappy with a wide range of values, which gives a lot of interest. I needed something very grounding too. I considered dark pinks or reds, but then I thought, why not black? I have some bold black prints in my stash that could give that same range of interest that Bonnie has:

And look, there's that same butterfly fabric again! I haven't cut them yet, but I'm keen to see how they will work.

I also like that the larger pieces in this project will show off some of my larger scale, modern fabrics. Here are pinks I settled on:

They looked good in the sunlight there, didn't they?

By Monday I hope to have at least a block or two to share, and by the last link up in February I am determined to have the flimsy done. So that is my One Monthly Goal for January as well -- En Provence flimsy by the end of the month. Only nine blocks! Plus, pieced sashing and pieced border...

Right now I am still catching up on the clues I skipped. Here are my green hsts from clue #5:

And today I was cutting these fabrics for more Tri-Recs units from clue #4:

After considerable thought, I've also decided to go back and piece some of the all-white four patch units from clue #1. Those are next!

Rose Boll

Happy New Year!

So, I mentioned a couple of weeks ago that I planned to start a second, new (for me), Bonnie Hunter design, in addition to the others that are already on the go. This is it!

Rose Boll

North Americans will know the pun, which I just could not resist. Every New Year's Day our family used to watch the Rose Bowl parade from Pasadena, California. My grandfather was a wholesale flower supplier, so flowers are in our blood. This fabric is from the Savannah Garden collection by Henry Glass.

Last January, while we were all working on Bonnie's last mystery, Allietare, I was also looking at her previous mysteries. I became obsessed with this one, Roll, Roll, Cotton Boll:

The pattern is now in Bonnie's book, String Fling (2012). The main colours in Bonnie's quilt are red, pink and green. I tried many variations over the past year, and finally settled on just a two-colour scheme, red and white. When I realized that I could use all my rose-themed florals, and call it "Rose Boll," the decision was made!

Of course, now I've also started two more red and white quilts, 150 Canadian Women and Wild & Goosey, so I'm going to be up to my neck in red and white this year.

Wild & Goosey

(I know, Wild & Goosey doesn't currently look like a red and white quilt, but the sashing will be red and white flying geese. I've even considered the name "Canadian Goosey." We'll see...)

Anyway, this week I rough cut all my red rose fabrics:

I miscalculated and cut everything about a 1/2" scant! But, it's ok. I can still use it, but now the whole thing will need an extra bit of care when I make the final cuts.

There are some scant seams in the first block to make up for my cutting error. But, I think it worked!

The second block was a little easier:

Actually, with these two blocks you can see the range between the fairly solid red and the boldest floral in the mix. Although I have lighter reds in my stash, these dark reds seemed very determined to be in the quilt. Despite all the florals, I think it's going to be very graphic.

I'll tell you right now, I also have what I think is a good plan for Bonnie's quilt Orca Bay, which is also in String Fling. But I think I can let myself finish a couple things before I start that! And anyway, my next new quilt, for sure, will be Prairie Star, which has been waiting and waiting and waiting...