WIP Wednesday

Isn't this Jolly Jungle fabric cute? I just adore it. I remember that the local quilt store where I bought it sold out very quickly, so I know it was popular.

I know I have been MIA for the past two weeks. I had volunteered to take over WIP Wednesday at The Needle and Thread Network, but then that weekend our basement flooded, again, So that resulted in a quick change of priorities, and I had to bow out. We've had two more floods since then, so I think that was a good decision! We have a big job now to get it all fixed. But, I am happy to report that my stash is still ok, thanks to the plastic bins I use for storage!

I've had very little time to sew, but today I finished assembling all the rows on my Collector quilt, and I joined the last three to make the bottom corner:

What a relief to get back to some sewing!

My original plan was to make the setting triangles out of solid black. But, when I went to my stash the solids were way at the bottom, and this new colourway of Kaffe's Millefiore, "dark," was sitting on top, so I used that instead. I think it is better. Weather permitting, a couple more days of sewing should get it to the flimsy stage.

I'm also still plugging away at the hand stitching on Down in the Garden (DitG). I took a photo last week after I finished all the flowers on the "blue" birdhouse:

To me, the flowers look like butterflies! The vines are nearly finished now, so hopefully this one will be done soon too.

My resolution to stick with one hand and one machine project at a time is still working. I'm very keen to finish them so I can start something else! So that's motivating. And, I think the balance is also working well, with one "quick" project and one slow. After Collector, I have one more quick UFO to finish up, or maybe two, and then I may start something new!

DitG Pink Birdhouse

Here's the second birdhouse stitchery from Leanne Beasley's stitchery quilt, Down in the Garden. Now that it is summer it so nice to be able to take things out and photograph them in the sunshine. What a difference!

Although it is not this obvious in real life, you can see in the photo above that the green Pigma micron pen that I used to mark the stitching lines did run a bit when it was painted over with the pale yellow Tsukineko ink. I have read complaints that the blue Pigma pen tends to run as well. I assumed that there was some chemical in the Tsukineko ink that was to blame, but maybe it is just the blue Pigma ink that is unstable. Anyway, I don't mind it here, I think it adds to the atmosphere a bit.

The flowers are simple chain stitch lazy daisies with long anchoring stitches, and the buds are also short, round detached chain stitches.

I really like the curling vines on these birdhouses. It's a lot of flowers! But I made a push last night so I could get it in just under the wire for WIP Wednesday at The Needle and Thread Network. Why? Because this week will be Monika Kinner-Whalen's last week running it, and next week, I have agreed to take over! Yes, another Monica. I am excited, because I have a lot of ideas for it.

Out in the backyard, our young lilac is putting on its best show so far:

And, while I was out there taking photos, this butterfly came to visit:

Lucky shot! Except for the blog name (and resize), the photo is completely unedited. Don't you love that combination of lilac and sky blue?

DitG Block 5 finished!

We've had some beautiful, clear sunshine today, and I was finally able to get a good set of photos for this block. It's the centre, Block 5, of Leanne Beasley's stitchery quilt Down in the Garden. Yes, I know it's wrinkly, but I don't want to iron it until I'm ready to assemble the quilt.

 

There has been quite a lot of "let's see what happens" so far, but in the end I'm well pleased with how it came out. I really like the double curve, ogee outline around both this block and the birdhouse blocks. I also like the way Beasley used the green sprigs and the outside points to suggest a diamond shape inside the curves. I chose the coral and pink colours for those flowers to emphasize the diamond, and I think that worked well.

My original plan for the small lazy daisy flowers was to make them dark blue, same as here. It was not successful, and I am sorry that I didn't take a photo to prove it! In the light blue, the small flowers provide some contrast and support for the large flowers. I was really surprised by how much better the large flowers looked once those little blue flowers were stitched! It was a good lesson to me. And, I think that same colour of blue is going to fix my problem with Prairie Star as well.

With all the stitching completed, this block has ended up quite a bit darker than the light, watery effect that I originally intended. This was mostly because the Tsukineko inks were too difficult to control when they were really watered down, so I had to keep them more intense and pure. I think this has also made the project more formal, and I'm not sure all those gingham fabrics that I hoped to use are appropriate any more. But the inspiration fabrics by Tamara Kate still work well.

It's a big block, 15 inches square, and a lot of stitching. I really like all the words and sentiments in the poem, but gosh, the words were boring to sew! Fortunately, my commitment to stick with just the one project made it easier.

I keep thinking that now I am mostly done, which is not true at all! There are still 3 more birdhouses, and all four of the watering can blocks to do. The applique butterflies on the watering cans are wickedly difficult, but I think I have them under control now.

In any case, my plan to focus on just one project at a time is a big success, even though I have changed it to two projects - one hand sewing and one machine sewing. Momentum is building, and right now I'm not even tempted to change projects. I'll show you the machine sewing project next time -- I think it will be a surprise!

DitG Tagore

In addition to the large embroidered blocks that anchor Leanne Beasley's stitchery quilt, Down in the Garden, there are little bits of stitching scattered all around it. I really like these little details that are stitched over printed fabric, so there are two layers of interest. The fabric is from Tamara Kate's 2013 collection, Flight Patterns.

I intended to use these medium dark blue flowers all over the quilt, but it turned out that they didn't work elsewhere, so this is the only place they remain:

The quote is from Indian writer and painter Rabindranath Tagore's Poems on Time. Wikipedia also has this nice piece of synchronicity, written exactly 100 years ago:

Who are you, reader, reading my poems a hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.

— The Gardener, 1915.[165]

These butterfly sections will be scattered around the quilt, while the contrasting bee quote is featured in the large centre block. You haven't seen it since the end of Ink Week last fall, but it is now almost done. I just have a little of the lettering left. But, I also want to do it justice with some good photos, so it will need some sunshine as well. With luck, next week!

First Birdhouse

Here's the first birdhouse stitchery that I've finished for Leanne Beasley's stitchery quilt, Down in the Garden. It will finish at 7" square, and there will be four all together, placed around the corners of the quilt.

Back in November this was the first block that I used for my Ink Week experiment, and the birdhouses were the reason for the ink in the first place. I was very concerned that the flowering vines would over power the birdhouse. So, I thought that colouring it in with the ink would keep things organized and clear. Even though the ink turned out very pale, I think it still helps.

The last time you saw this block, it looked like this:

The leaves and flowers were all in stem stitch, and the purple was DMC 209. Normally I like that shade of purple, but against the almost fluorescent green and blue it looked surprisingly brown and drab. It has been sitting around for months, but this week I took it out in daylight, and realized that it had to change. Here's the same section now:

I changed the flower colour to the periwinkle DMC 340, and stitched everything in back stitch instead. The yellow is true in the second photo, it is very light. I think it was much better to keep the stitching light and fresh too. I've revised the colours for all the flowering vines several times, and I've realized now that it will be best to keep them all bluish and cool.

Now that's all decided, I have fresh motivation for these birdhouses. For a couple of months I've seriously considered redoing them completely in applique to give them more oomph. But I think the real problem is that all winter I was looking at them in artificial light. It all looks different in the daylight, and I think it's finally coming together. (In my head, I mean -- there's still plenty of stitching left to do!)

Final Line Up for BFF

Last time I posted about Best Friends Forever, I said that 23.5 of the stitcheries were done. Before I did the final wash and cut, I decided to finish up that last ".5:"

And it's a good thing I did! Look what happened here:

I used the acrylic cutting guide from Paper Pieces to centre each stitchery on the 3.5" hexagons I'm using for the setting. It turns out that these two motifs, the basket and the house, were printed too close together. It's the only place I had this problem for the whole quilt -- usually there was 1/2" or more in between.

I'm not upset, because I wasn't a big fan of the basket anyway. When I stitched it I worried that it was too big, which it isn't. But I guess I knew something was wrong!

I always wash my finished stitching (cross stitch too) in plain unscented dish soap (environmentally friendly) to get out any oil or dirt. It works great, and I've never had any colour run. The linen was hung to dry, and then ironed from the back on a clean pressing cloth:

Cute, eh? Even the grunt work has been fun on this project.

Then all the motifs were cut, backed with muslin, and basted to the big paper hexagons:

I miss stitching these, actually. It was fun to come up with different stitches and colours for each one. The stitching for Down in the Garden, which I'm doing now, is not as challenging and is starting to feel dull. I may need to add something else to the mix!

Anyway, here's a reminder of how the BFF setting works:

As fun and exciting as this all looks, I'm not sure I can work on this and Texas Star at the same time without a total English paper piecing overload. And I've kind of set myself a schedule for Texas Star... So it may be a while before you see any more.

Finally, one problem I often have with internet photos is that you lose the sense of scale. So, here's a last photo with one BFF block, one Texas Star, and one of the hexie flowers from My Country House:

Is it different than you thought? They are 3.5", 5/8" and 1/2" hexagon centres, respectively. I should have put a ruler in the photo too. Anyway, lots to do!

Is it Valentine's Already?

I guess it's time again to trot out my neverending redwork project, Sweet Hearts. I did manage some work on it after Valentine's Day last year. I finished up the first of the couples:

...and made a fair bit of progress on the second couple:

You can see there is a lot of fine detail left on the second couple. This year I have accepted that there will have to be a lot of back stitching, and less stem stitch than I would prefer, in order to finish all those details. My issue with the back stitch is that it does shadow through the fabric more. The hearts in the first picture are back stitched, and you can see the white centres of the hearts are a little darker than the surrounding fabric. It is more obvious in real life!

But, this year I've been relaxing a lot more about things than I have in the past. If it can't be helped, then it can't be helped. So, shadowy back stitch it will be!

Here's the over all progress to date:

There are only two now that have no stitching at all. I'm embarrassed to say that a couple of the pieces are starting to yellow! Hopefully a good wash at the end will even things out. The final layout will have sashing, so that should minimize any aging on the fabric as well.

I'm still quite enthused about my final plan for these, so progress may be slow, but it will continue!

Last BFF Stitchery

Best Friends Forever, Month 8 motif

Woo hoo!! Insert happy dance here:

...if you sexy, then flaunt it!

23.5 of the Best Friends Forever stitcheries are done, but only 22 will go in the quilt. I might make a mini or two out of the leftovers, but, not any time soon!

Next up, the English paper pieced setting, then some applique for the finishing touches. Maybe another year!

New Approach

When I started blogging just over three years ago, I had a lot to say about stitching, and the creative process in general. It irritates me no end when people say that they are not creative, when really, everyone is creative. Creativity is just the courage to try new combinations of things we already know, and a whole lot of practice and persistence.

Best Friends Forever, Month 8 motif

I also believe that there is a lot of benefit in a cross-disciplinary approach, and that no matter how committed you are to one craft, you will improve your skill by trying something different.

So, covertly or overtly, that's what I've been trying to demonstrate with this blog, and it will continue to be my practice. Going forward, though, my plan is to talk about it less, and to just let the work stand on its own. I'm hoping that the reader experience will be more like the serene swan floating across the water, and less about all the frantic paddling going on underneath!

Best Friends Forever, Month 6 motif

There's no doubt that writing less will be a challenge, but I am thinking of it like a meditation practice -- if you are always thinking about how to meditate and analyzing what you're doing, then you're not doing it.

So that's the plan, and we'll see how it goes. I am still always happy to answer questions and discuss details in the comments. But for now, let's just enjoy the view!

Fresh, shiny new thread

2014 Year in Review

I was going to do this after Christmas, but yesterday I noticed that the new moon and the winter solstice coincide this year, so now is the time to put the old year to bed, and then make Christmas the celebration of new beginnings that it is meant to be.

So I'm back! Last year Toronto fibre artist Kit Lang did a wonderful post reviewing her projects and learnings from the past year. I believe that improvement, whether you are an artist or an artisan, requires regular reflection and adjustments, so I decided then that I would do something similar this year. Here are the highlights of what I've learned in 2014.

I'd been stressing about UFOs for years, and last January's resolution was to cut them all loose. Clean slate, start over.

Well, it was easy to say, hard to do. All my old projects crept back on the list.

My final thought is that it's like gardening -- cutting away the dead wood makes the whole plant healthier, but over pruning can be equally bad. The trick is balance,

In May I got a new sewing machine, the Brother Nouvelle 1500s high speed, single stitch machine. What a difference it's made!

I've never thought that it's reasonable to spend thousands of dollars on fancy gadgets for a hobby, but I can feel my opinion changing on that. I'm finding that better equipment gives a better result, and makes the process a lot more enjoyable as well.

Also in May, I was able to get this project, It's Warm Inside, from start to finish in about 3 weeks. That was the fastest I've ever done anything quilty! It broke down some mental barriers for me about starting and finishing in a timely manner.

Why was this one so easy to finish?
1. I had all the materials ready to go.
2. It was just 16 blocks, so there was no time to get bored.
3. I planned and cut the whole quilt before I started to sew. Then I wasn't slowed down by decision making during construction.

No, it's still not quilted, but I count it as a success nevertheless!

Mod Trips

Finishing those 16 log cabin blocks empowered me to get back to these Scrappy Trips blocks that I'd started in 2013. You could say they were a UFO whose time had finally come!

I applied what I'd learned. Rather than choosing, ironing and cutting fabrics for the blocks one at a time, I chose and cut everything for the rest of the quilt in one go. This streamlined the process, and it helped me make better choices, because I could see how everything worked together.

Even still, it was a grind to get the 25 blocks done. I think my threshold is around 20 blocks!

On the other hand, the two pillow covers I made from the leftovers were really fun. I think I liked the puzzle of how to fit them all together. That's something I plan to do again!

Over the summer I also put myself on a schedule to finish my "forever project," Texas Star. The schedule was easy, just six stars per week, and it worked.

I had to put my other forever project, Trick or Treat baskets, on hold while I finished Texas Star. Then, as I was finishing up Mod Trips above, I came to a big realization. It's not enough for a project to be interesting, I also need to have an emotional connection with it. Mod Trips is nice enough, and I'm happy it's done, but it's all intellectual.

And the baskets will be the same thing, too much head, not enough heart. I like the grey colour scheme and the fabrics intellectually, but I don't love them. I may start it again down the road in different fabrics, but this version is definitely dead.

Although it's nowhere near finished, this new project Jacks and Cats was still an important lesson. I learned that it is good to have a big stash.

I hear the groans! Over a year ago I resolved to only buy fabric for specific projects, and to stop buying just for stash. But I've changed my mind.

What I've found is that when inspiration strikes, it is very helpful to be ready to go. I bought the magazine and started this project on the same day. The whole thing flowed together beautifully, and it was super fun to be able to ride that initial wave of inspiration. For me, I think that's the best way to work.

Yes, I'm a little worried that now the brakes are off the shopping cart, but actually, I've bought less fabric recently.

Ink Week Finale

November's lesson was about the importance of the blogging community. Really, it should be whole separate post, but I'll just keep going here.

I am so appreciative of all you, bloggers, readers, and commenters, for the support, encouragement and inspiration you provide!!

My project Down in the Garden, had been languishing with just a few of these herb pots done, when I noticed that Kaaren at The Painted Quilt had started it too. She encouraged me to get back to it, and crucially, added my blog to her blog list.

That's so important, because I can see the traffic coming in from her blog, and it's very motivating. It is very helpful to borrow someone else's confidence when your own is flagging! It gave me the encouragement I needed to just go for it with Ink Week.

Then Mary Corbet recommended the series, and sent a huge spike in traffic my way. But, right between parts 3 and 4, a family emergency briefly knocked things askew. Once again, it was knowing that people were watching and waiting for the rest of the series that got me back on track and helped me to finish. And I'm so happy I did, because it turned out even better than I'd hoped!

So, when I say that I appreciate you all, it's not empty words. I really mean it! You make me better. Thank you!

Near the End on BFF

At the end of Ink Week, one thing that became clear to me was that I was ready to close out my current stitchery project, Best Friends Forever by Rosalie Quinlan. Now that all the individual stars are finished for Texas Star, I am also ready for my next English paper piecing project, which is going to be the setting for BFF. So I have two strong reasons to finish the stitchery portion of this project!

Today I have just finished the telephone, which is part of a motif from Month 6, and I'm about to turn on the tv and backstitch all the lettering while I catch up on a few episodes of CBC's Strange Empire.

Since it's Sunday and I haven't linked to Slow Stitching Sunday in ages, I thought I'd do that too! Recently it's seemed like Sundays have been a good day to devote to the sewing machine, but today I'm going to kick back. Plus, I'm keen to finish this up now!

The original, eight-month Block of the Month had 32 hexagon motifs. As I'm not doing them all, a smaller but still nice layout will be 22 hexagons, roughly like this:

Including the telephone, I need three more, so that's the plan for the next while. My cross stitch snowman is back on hold, by the way. My cross stitching neurons are rusty, and I was making mistakes all over because I was rushing it. BFF may not be Christmas-y, but it will sure feel like a nice gift to get this phase of the project done!

Ink Week Wrap Up

If you missed the earlier posts in the series, you may find them here:

• Ink Week Part 1 -- bird houses
• Ink Week Part 2 -- grey watering cans, yellow flower petals and green leaves
• Ink Week Part 3 -- yellow flower centres and purple daisies
• Ink Week Part 4 -- large and small pink flowers

Today I'm going to wrap up the series about the Tsukineko inks, but the complete project still has many more days to go before it's done!

My original plan was that the coloured inks would be a watery wash to fill in some of the large empty spaces in this stitchery quilt, Leanne Beasley's Down in the Garden. The stitchery was always intended to be the main feature, and to give the structure to the design. What I found on the first day, though, was that the more water you add to the ink, the more unpredictably it behaves. Here's a better photo of that first bird house:

So I think that while it's good to start with a plan, it's also good to be prepared to change it as events arise! I decided that I can live with the blue creeping over the lines in the block above, but that I didn't want that to happen with all the flowers in the other blocks. So the colours became darker and more saturated as I worked.

I bought some specialized equipment to work with the inks, and I was happy with all of it:

• The Color Mixing Cups at the top of the photo are small lightweight plastic containers, each with its own lid. They come with their own tray, which makes it easy to organize and store the ink over a several day project.
• On the left are the Tsukineko Fantastix, which also come with their own caps. I kept the ones that were loaded with ink in a plastic snack bag, and they were good for a few days.
• On the right below the water jar are the plastic eye droppers, which I used to transfer ink from the bottle to the mixing cups, to transfer mixes from one cup to another, and to add clean water from the jar to the mixing cup.

With all three of these tools you need one for every colour of ink that you buy, and for every colour of ink that you plan to mix. They can't be cleaned, but the huge advantage is that they are much easier to control. They give you consistent results across the project. Painting or inking on fabric is very different than painting on paper, I found. It's less precise, so any tool that helps with that is well worth it.

I bought almost everything, inks, tools and fabric, from Dharma Trading Co., who also have some articles on techniques. The fabric was the Kaufman Kona PFD (prepared for dying), which really absorbed the ink well. The high thread count has been a little dense for hand stitching, but it certainly supports the thread well, and I've had no issues with stitch tension.

I will say that stitching over the bright colours, all of which you have chosen and painted yourself, is extremely satisfying! I have used all my favourite flowers as inspiration. The purple daisy colouration is inspired by purple irises, the small pink flowers are inspired by apple blossoms, there are the large coral dahlias, and the little yellow "sunflowers."

Those sunflowers, by the way, took two days of trial and error to get the right combination of stitch and thread colour:

In the end I decided that while the white gap between the ink and the stitching looked nice and "arty" in the purple and pink flowers, it did not work in the sunflower centres. I tried blanket stitch to cover up some of the gap, and it worked quite well. I also left out that yellow straight stitch in the petals, because it distracted from the clean curves of the stem stitch around the petal edges.

I still have more decisions to make about the four small flowers that are in the bird house blocks and scattered around the rest of the quilt, but this should keep me busy for now! I hope you enjoyed the series. It's been a large undertaking, but I've learned a lot. I can already think of a couple more projects for the ink, but I want to finish off a few more of my WIPs first!

Speaking of WIPs, since it's Wednesday I'll link up to WIP Wednesday at The Needle and Thread Network. And if you want to see all the posts on this project so far, including the quilt piecing and other little stitcheries, please click here. Happy stitching!