Planning the Basket Quilt

I am thrilled with how these big prints* are working with the little baskets so far! And I am realizing that the whole quilt will be fussy cut...even the backgrounds!

It just doesn't seem right to leave the large background prints to chance, when the baskets are so carefully composed. The dotted fabric above, and the zig zag below, are all scissors-cut. It's not actually that bad. Easier than trying to line up the rotary cutter, I decided.

The quilt will not be particularly scrappy. I have four background fabrics in the "dove" colourway -- the dots, zig zags, some butterflies and stylized flowers. I also have four main basket colours -- green, turquoise, orange and pink. Since everything is already so structured, I've decided to use a consistent formula matching up the baskets and backgrounds. All the zig zags will have green baskets, and all the dots will have turquoise baskets (although the fabrics themselves have a lot of variation).

I expect that this will make the final layout a breeze. Plus, it will reduce decision paralysis along the way, while making it easier to keep track of where I am. Especially since I don't have a permanent design wall.

So, 8 down, either 171 or 305 to go!

*Note that the green bamboo fabric is my stock, photo-background fabric, not part of the block. It's so useful for photos that I may never put it in a quilt!

Reconstruction

Now that Edward's quilt is finished, I've been thinking about this project, which I started at the same time in November 2010. The last time I pulled it out I had taken apart all these squares and I planned to wash them, re-cut and re-assemble them. This week I decided to skip the washing and go straight to the re-cutting.

All the red HSTs went from 4 1/2" to 3 1/2":

And all the yellow HSTs went from 2 1/2" to 2":

Is this a good idea that I would recommend to others? NO! This is pure stubbornness on my part. I have been using the June Tailor half and quarter square triangle ruler, which is very accurate, but still awkward and tiring to use. I started with a plan to make four blocks in a single batch, and I ended up just managing the one, because I simply couldn't cut any more HSTs.

The block is now 12 1/2" unfinished. It's not perfect, but it'll do. I have redesigned this quilt at least a dozen times, and I am ready to see the back of it. As it stands now, I will only need eight of these large blocks. Hopefully I can manage that!

I am worried, though, that I may have to buy more of the purple and black background fabrics. Those corner squares weren't in the original design! It's Kaufman Kona, so at least more will be easy to find.

Finally Finished!

Black, White and Read All Over, 64" x 64"

Edward's quilt is finally finished! Started in November 2010, the flimsy was finished and the quilt was basted in 2012. I started the quilting on my old machine, which had to be taken for repair and cleaning twice during the process. And it still wasn't until I got my new machine this spring that I managed to finish the quilting.

It is straight line quilted:

I like quilting double lines like this, because it fools the eye into thinking the lines are straighter than they are!

In the close up you can see that all the fabrics have some kind of kanji script, either real or imaginary. So theoretically, you could "read" the quilt. Hence the title:

You can see the label was optimistically stitched in 2012, lol! The design is from Carrie Nelson's Schnibbles Times Two book. She sews the label to the back before it is quilted, which I tried here as well. I worried about it catching during the machine quilting, but it didn't. With all the problems I did have on this quilt, the label wasn't one of them.

The backing is a new flannel sheet that I got on sale. It really was too heavy for my old machine, but the new machine handled it fine. I like the masculine Buffalo check!

So, Edward's quilt is my second finished flimsy, and my second finished quilt. While we were out taking photos, I took a better picture of Nine Patch Jubilee as well. That was my third finished flimsy, and first finished quilt:

Where is flimsy number one, you ask? LOL. Packed away. Maybe I will get it out some day, maybe not.

Anyway, it feels great to finally have this one done. I even have a 3" scar on my forearm from one of the basting pins that came open when I started the quilting in 2012! But it's fading...

Best of all, now I have room for a new project in my sewing area! Home Sweet Home will get the nod, I think.

Housekeeping

I'm claiming my blog on Bloglovin, at last:

Follow my blog with Bloglovin

I've had the Bloglovin button for followers in my sidebar for about a year, but I'm finally making the switch myself to use it as my main blog reader instead of the Blogger dashboard. The dashboard reader has been very unreliable lately, some posts have been late or missing. And the Bloglovin reader is very clean and easy to use, with nice large photos (the most important part!).

Otherwise, it's been a steady stream of birthdays and holidays all spring, plus several trips to the garden centre, so I haven't done much sewing lately.

And, I finally got rid of my guild's historic archives, which were stored in my basement for the past two years. Now, though, I have no more excuses to avoid cleaning out a lot of my own old stuff, so I hope to do that in stages over the summer as well.

On a side note, one interesting offshoot of my effort to use more purple in my projects is that I've become obsessed with purple flowers this spring! These Johnny Jump Ups, or small pansies, seed themselves between our patio stones every year:

They look a little worn, but the colours are inspiring!

Back to stitching soon! :D

Snowberry, Part 1

In early January, while I was busy with my little Highlands Houses project, the 80th issue of Inspirations magazine finally arrived at my house. I'd begun to think it had been lost, because it must have been two months in transit.

I was immediately enamoured of Yvette Stanton's Snowberry biscornu, which uses a variety of traditional Mountmellick stitches on white jean fabric. I realized that I could adapt it to my current needs with supplies that I already had on hand, and I started it right away!

I wanted a general purpose pincushion to replace this poor chicken, which I bought to support Quilts of Valour at the Trenton quilt show a few years ago. Somehow I always feel bad about sticking needles in animal-shaped pincushions! But, he has been extremely helpful, because the fabric is loose enough to hold both embroidery and tapestry needles.

I didn't have any Mountmellick thread or white jean in my stash, but I did have some leftover pieces of 28 ct flax-coloured Cashel linen, and a ball of No. 8 perle cotton in ecru, which I thought might work instead. I stabilized the loose Cashel linen with a knitted polyester fusible interfacing, which has been working very well.

I like that my old chicken is fairly compact and doesn't take up a lot of space on my side table while I sew. That's prime real estate! So I reduced the Snowberry biscornu design on my photocopier from 4 3/4" down to exactly 4". While I was at it I changed the number of berries from five to three, to make the whole thing more symmetrical:

I drew my changes right onto the photocopy with a pencil, and then fiddled around erasing and re-drawing until I was happy with the layout. Then I re-drew the final outline with a Sharpie. Sharpie ink seeps through to the back and gives a clean outline to trace onto the fabric. No one will ever know that it is a mirror image of the original!

With the loose weave of the Cashel linen and the dark lines from the Sharpie, I didn't even need a light box to trace the pattern onto the fabric. I traced first with a pencil, and then again with the blue water-erasable pen to give a clear line. I hate it when the lines disappear while I'm stitching!

Then I jumped right in! The flowers in the first picture were pretty straightforward, stem stitch and padded satin stitch. The berries were a little different for me, though. Some of the French knots in the centres have eight wraps! I think they would look better in proper Mountmellick thread, which makes a smooth knot. But overall, I like the way the flax linen and ecru perle cotton look together:

At this point I had to stop, because the edges were fraying and my sewing machine was then in the shop. So I packed it away until recently. But now I'm making progress again. One set of leaves is outlined with Cable Plait Stitch, which is a bit of a stinker. I'll talk about that next time!

Making Lists

I believe this image (from here) of Andy and Sam in Rookie Blue is from season two, but I like the way Andy looks like she is not quite sure if Sam is right -- in the scene, or for her at all. In last week's episode, now season five, her friend Traci asked if Andy and Sam were back together, and Andy replied that she was making lists. Lists of pros and cons, trying to make the list justify what her heart wants, which is Sam.

In a completely different context, I realized that I have been using lists in a similar way, to try to impose some left-brain order on the right-brain chaos that is my creative life. Just one day before this show I wrote a detailed "project plan" that would get all the quilts that are promised to others finished by the end of the year. In my corporate life developing new products and services I never missed a single deadline, and I was known for keeping my eye on the ball. Sometimes it's hard to understand why I cannot seem to meet a creative deadline to save my life. But recently I've been remembering that it was like this in school too. Problem sets -- on time. Essays -- consistently late, but usually worth the wait.

So, I give up.

Goodbye project plan, goodbye UFO lists (again). The heart wants what the heart wants. You'll be seeing lots of new projects over the next few weeks. Let's see what happens when I let my intuition drive for a while. :)

Starting the Baskets

As I hinted last time, you can see that I went in a completely different direction on my new project, Trick or Treat, designed by Barb Adams. For now I will just be calling it my baskets quilt.

I started out looking online at reproduction shirtings, and somehow I ended up on Hawthorne Threads (my new favourite fabric website), looking at Heather Bailey's True Colors collection. I've had a green and grey colour scheme on my mind for over a year now, and this time it clicked. So I clicked too, and bought mostly this collection and a couple of other fabrics here and there to fill it in.

I know some of y'all are looking at this with doubt in your heart, wondering if the whole thing is going to be too busy for words. I feel that doubt too, but I also have a really good feeling about the project, so it will be interesting to see how it develops!

I do like how some of the baskets, like the top one, will be clearly outlined, while others, like the second one, will blend a little into the background. Because there is such strong repetition in the pattern, I think this will give an added dimension to the final result. Hopefully!

The original pattern had a diamond cut out in the body of the basket. The diamond would be lost in the large prints on my fabrics, so I left that out. The pattern also has the basket handle and body cut separately, but I joined them in one template to preserve the continuity of the fabric design as much as possible.

I thought about different applique techniques, and even cut out a bunch of freezer paper templates, but in the end I went with one template plastic template, and regular needleturn applique. Template plastic lets me position the template on the fabric to the best advantage.

I was hoping to stitch the project with cotton thread, but when I searched through all my different thread boxes, this Kimono 100wt silk thread was the only one in the right colour. So that's what I used, and it's completely invisible, so I think I am committed to it now. It is a bit of nuisance to work with, but, you can't argue with the result!

Previously I've stitched this silk thread with a #9 applique needle, but I found these longer #10 sharps from Clover, and they are working very well too. They are not as long as a milliner's needle, which I find awkward sometimes, but are still long enough to smooth out the seam allowances when needed. I'm sure I've said before how much I love Clover needles -- they are so sharp and smooth that you hardly feel them go through the fabric.

The whole queen-size quilt calls for 313 of these 5" blocks. I am already considering a large lap quilt instead, which would still be 179 blocks. I have enough fabric either way, so I'll see how it goes!

And, I'm linking up again with WIP Wednesday at The Needle and Thread Network.

Left or Right?

The other day I sat down to do the blanket stitch on this flower, and I suddenly thought that I'd been doing it wrong up until now! I've always stitched blanket stitch from left to right, I guess because I saw it that way somewhere. But I'm right handed, and I've been finding that stitching is generally easier when I go from right to left. It was! It's a much more natural way for me to hold the needle.

Do you ever struggle with a stitch, only to turn it in a different direction and have it all fall into place? It was an interesting experience.

Anyway, this is the first motif from Month 4 of Rosalie Quinlan's Best Friends Forever.

I managed to get some purples back in the mix this time, and I added the lazy daisies to try to minimize the "sliced eggs" look of the ovals. I think that stitching them in green helped too.

I'm starting to think that Best Friends "Forever" may be prophetic on this project! Maybe after this month is completed I'll put it aside in favour of this project with the Flight Patterns fabric that I showed you earlier in the year. I have an immediate use for that project, but not for BFF, so I may re-prioritize. Despite my best intentions, I've got new projects sprouting out all over again, and my sewing area is getting chaotic. Time to clean it up and make some choices!

Shirtings vs. Blenders

or

Scrappy vs. Stained

Today's cautionary tale is not about something I did, but rather about a quilt I saw at a show here in Ontario a few years ago. I've been to shows from Burlington to Trenton and all points in between, so I'll be no more specific than that!

Walking around the show, I saw a great log cabin quilt a few rows away, and as I approached I could see that it was badly stained. "Oh dear," I thought, "I'm surprised she still put it in the show." It looked like the victim of an encounter with a pack of untrained puppies.

But when I got right up to it, I saw that it was not stained at all. The quiltmaker had sewn all the light parts of the quilt from strips of light coloured blenders, that from far away had indeed blended together into a mottled disaster.

Since then, I've paid attention to how quiltmakers can make a successful scrappy quilt with light coloured fabrics. I've found that the difference is to use shirtings rather than blenders.

Every quilt shop in Southern Ontario has a shelf full of light coloured blenders -- those white on white, white on cream, beige on white "background" fabrics. So our anonymous quiltmaker was likely dependent on the local supply. I have quite a few myself:

But when you look at a great, light coloured quilt in a book or magazine, these are not the fabrics they used. In the Summer 2014 issue of Primitive Quilts Catherine Hughes has a very satisfying quilt called "Shoofly Delight" that shows what I mean:

"Shoofly Delight" by Catherine Hughes, Primitive Quilts magazine Summer 2014

Hughes used shirtings, light coloured fabrics with simple stripes or prints in dark colours. The difference is that with the variety of prints, the eye can clearly see the edges of each piece, even though all the fabrics are light in value. So the quilt looks scrappy rather than blended and/or stained.

And, to finally make this post relevant to my current projects, shirtings were also used in the background of Barb Adams' "Trick or Treat," the applique quilt project that came up in my "quilt lottery" back in April:

"Trick or Treat" by Barb Adams, When the Cold Wind Blows 2008

When this project came up I thought I had all the fabric in my stash and I could start right away. But this shirtings vs. blenders issue put things on hold. I very nearly made the same mistake as that other quilter a few years ago! I needed more shirtings for the backgrounds if I was going to be happy with the result.

I tried to go back to a different applique project instead, but I couldn't let this one go. So, I started shopping online for some new fabric. A dangerous situation! And a very surprising result, which I will show next time!

New Machine!!

I've had my eye on this sewing machine since another Ontario quilter whose work I admire recommended it to me. A couple weeks ago I finally had the chance to drive up to That Sewing Place in Newmarket and give it a good trial. Needless to say, it came home with me after that! Isn't it beautiful?

You can see that my sewing table had a previous incarnation as a paint studio. But never mind, the machine is the Brother 1500S, which is a single stitch, high speed sewing machine. It has everything I want, including a needle down function and lots of workspace, and nothing I don't want, like a bunch of fancy stitches I'll never use. My old Janome still works well for those times I'll need the zig zag stitch. Although I am starting to think that will not be too often!

I was very lucky that the owner of the store, Jaret, who is an expert on this machine, was there to give me a complete lesson. Once I got home I was able to get it all threaded and set up without even cracking open the manual. It also comes with an extension table and a knee lift, which are not shown in the photo.

LOL!

So far I've used it to piece the flannel parts of my snowmen blocks, I've done a little free motion quilting on the Homegrown placemats, and I've done some straight line quilting with the walking foot on Edward's quilt. It is really nice. When you get the free motion up to speed, the fabric positively glides under the needle. And the humongous walking foot is making easy work of Edward's wretched quilt. Plus, the machine will hold a full sized thread cone, which I really love.

So, no more excuses! I have a back log of projects that need quilting. Some are so old and long forgotten that I thought I'd post some photos with my to do list:

Homegrown kitchen set -- a little more FMQ in the centres and these will be ready for binding.

Edward's quilt -- long, long, long overdue, the straight line quilting on this quilt has been an ongoing nightmare. I used a new flannel sheet for the backing and the fluff goes everywhere, and it just keeps getting hung up for no apparent reason on my old machine. But the new machine copes beautifully!

It's Warm Inside -- I have some FMQ and an experimental quilting in sections technique to try on this one.

Hen Party -- I almost sent this out for quilting, but I had my own ideas that I wanted to try too. Now I can!

Highlands Houses -- my latest idea is to quilt this all over in a small clamshell pattern. I hope I can pull it off. :)

Spring Planting (aka the yoyo quilt) -- I think I finally have a way to quilt this monster. The yoyos make it very fat!

Since my WIP list has grown again, it seems appropriate to link up to WIP Wednesday at The Needle and Thread Network. Here's to a decent list of finishes in 2014!

16 Snowmen Blocks Done!

All my log cabin snowmen blocks are now done! Here's the final layout:

I have to say that my plan to randomly select my next project has been a success. Even when I was tempted to start something else over the past couple of weeks, the inital burst of energy from the quilt "lottery" generated enough momentum to carry me through. Fortunately, the chosen project was not very large, so that helped too!

The next step here will be to sandwich and quilt the blocks individually, and then join them at the end. But before I get to that, I have a backlog of projects to quilt. More on that in the next post!

Four More Snowmen Blocks

I haven't had much time to sew this week, but I do have another four of the log cabin snowmen blocks to show you.

My original plan was to use just the almost-solid blenders on the front of the quilt, and have a very graphic, more modern look. The white snowflake fabric in the block above was intended for the back. However, once I started cutting the strips for the blocks I realized that I didn't have enough for the top, and I had to "borrow" from the back.

That's what I get for buying the fabric before I finalize the design! But, I'm actually quite pleased with the way it looks, I think it adds a little sparkle to the quilt.

I hope I still have enough fabric for the back!

First Four Snowmen Blocks

I've had a fun day today, cutting the rest of my flannel strips and piecing the first four snowman blocks for my lap quilt, It's Warm Inside. Flannel is great to work with, I've found. All my fabric goes through both the washer and dryer, and the flannel is practically felt when it comes out. It doesn't fray, it doesn't stretch, the pieces stick together when you sew...easy!

I finished the first four blocks and while I was ironing the last seams open and congratulating myself on a job well done...

Whoops! LOL. Time to call it a day. But I did fix it first.

Last time I said I would give all the measurements, which I am now regretting because I don't know if anyone really needs measurements for a log cabin block. These ones will finish at 12" square. But I know estimating yardage can be tricky, so I think what I'll do is write the whole thing up in a proper pattern once the quilt is done.

So, here are the first four blocks finished, with the red and green block fixed up:

The flannels are all from Connecting Threads, by the way, from their Quilter's Candy Flannel Basics collection. And still available too!

Strip Chain Piecing

Here's my next new project, which I'm calling "It's Warm Inside." This is one of my randomly selected projects from a couple weeks ago. The concept is that we are looking out at the snowmen through window frames, while cozy inside. I was inspired by a photo of this project that was posted on Sew Mama Sew, but made by Shruti from 13woodhouseroad.com. And yes, it's just taken me half an hour to track down those links!

Anyway...my project will be a log cabin lap quilt with several "new-to-me" techniques, including a version of quilting in sections and the strip chain piecing that I used to make the framed snowmen above. Judy Niemeyer uses a variation of this with paper piecing, which I'll be using when I get back to Riviera Star as well. So it was good to get some easy practice first!

Strip chain piecing is a fun technique that I will definitely use again. But, I made a couple of wrong moves, so I can share a few tips so you can learn from my mistakes! Plus, I'll give you all the measurements in case you want to make it yourself.*

I started by fussy cutting the 16 snowmen into 2.5" squares from two suitable fabrics I found in my stash. I had another fabric with snowmen too, but they were too small for the frames and it didn't look good. The white strips are cut 1" wide by the width of the fabric (WOF). For the 16 blocks I only needed 5 strips.

I started the strip chain piecing by putting just the white strip in the sewing machine and taking a few anchor stitches 1/4" from the edge. My fabric is a solid, but if yours is printed put it right side up. Then, with the needle down, lift the presser foot, lay one of the squares face down on the strip and right against the needle. The square and the strip should be right sides together and lined up along the right edge. Lower the presser foot and continue sewing your 1/4" seam. Once you've sewn down the square, keep the needle down, lift the presser foot, lay down the next square, and repeat to the end of the strip.

Benefit #1: No pins are needed, because the presser foot holds down the top of the square, and you can just keep a finger (carefully!) or a stylus on the bottom edge until it's sewn.

Benefit #2: All my snowmen were cut on the bias, but the strip underneath stabilizes the seam so it doesn't stretch at all.

Tip #1: Iron the seam open before you cut apart the blocks, it is more accurate. I didn't do that for the first strip, and some of the edges came out a little wonky.

Also, make sure the seam allowance is pressed away from the centre, which you can see is wrong in the photo. I had to go back and re-iron all these after I cut them apart!

Once you have cut apart all the blocks, you can start another strip and sew as before, laying each block in face down and sewing them to the strip one at a time. When you work clockwise around the block, and you iron the seam allowances away from the centre, all the seam allowances will be "down hill" as you sew, so no pins are needed.

Tip #2: Use a ruler to cut the strips apart, and keep squaring them up as you go. The next raw edge should be 2 1/4" from the opposite seam. I tend to sew a scant seam, so I often trimmed away a sliver of fabric from the centre while I was separating the pieces.

Once the four sides were sewn on, I gave all the pieces a final trim to square them up to exactly 3.5".

The next step will be to cut the rest of the outer strips, which will be in flannel, and finish the blocks. I'm hoping the contrasting fluffy and smooth fabrics will be interesting on the finished quilt. It's a lot of cutting...

...but, working with flannel like this is also "new to me," and it's been fun too, so far!

*Everyone is welcome to make this quilt for personal or charity use only.  Design, photos and text are copyrighted. Please contact me in the comments or via my profile with any questions.