Country Beehive

Until now, I have been pretty much sticking to the script on Lynette Anderson's 2015 BOM, My Country House. But for Month 9, Lynette's design for the beehive has two flowers on the same stem, very close to the right edge of the block. Since I am using thick wool felt for those flowers, I would have had to sew them on after joining the block if I kept to the design.

So, I used the same elements in a different layout:

The beehive fabric is the same as the house fabric in the centre block. I thought it would be interesting to echo the same layout as the house block, using the flowers the same as the trees:

However, if you think about the perspective in the beehive block, with the stems behind the horizon, suddenly they look about twelve feet tall. Truthfully, they are reminding me of the Martians in the original War of the Worlds movie:

At around 0:36 you'll see the resemblance!

But, I'm not doing it again. I think once the block is sewn into the whole quilt, and not standing alone, it will be less obvious.

Plus, I'm really happy with how cute the bee is:

I have a few more bees cut out, to scatter around the rest of the quilt. So, on I go! The last three applique blocks are all nearly done, with a just a few embroidered details left. They will make a nice break from the heavy sewing with Allietare!

It is a long time since I linked up with Slow Sunday Stitching, so it will be fun to see what they are all up to over there. Check it out to see for yourself!

And, how do you like my changes to my blog layout? Now it's a little wider, the text is larger, and there's room for bigger photos. Of course, I changed the header photo too. If it's a problem for anyone, please let me know!

Ready for Allietare!

For several years now I've watched other quilters around the blogosphere sew one of Bonnie Hunter's yearly mystery quilts. I always say, "oh, that is too much sewing for me!" Plus, it is very, very, very hard for me to give up creative control like that.

But this fall I've been feeling like it's time to get over this idea that everything I make has to take forever. Many people finish one of Bonnie's detailed, bed-sized quilts in the allotted six weeks. It's time to break through my hang ups and finish something fast!

Bonnie's hotel room view in Italy

Plus, I was immediately inspired by the above photo from Bonnie's introduction to this year's mystery, "Allietare!" I love the yellow ochre walls! I remembered that Kaffe Fassett was also very inspired by those Mediterranean colours. In particular, I remembered this photo...

...from Kaffe's first book, Glorious Knitting. I've always wanted to make this sweater, but I look terrible in gold. So here's my chance to use the colour in a quilt instead! I have plenty of gold and ochre Kaffe fabrics.

Bonnie's mystery quilt colours will be gold, red, black, white and grey. All the colours can be made up from scraps except the grey, which she says should be a single 1.5 yard piece of fabric. I had everything except the grey in my stash.

So, if I'm going to make one change to personalize the project, the grey is the obvious place to make it. Since it's a mystery, I can only guess about the function of the grey in the quilt. If it's going to be a black/grey/white gradient, then I'm in trouble. I'm hoping that it's going to work something like the grout around tiles, a shadow to highlight the bright colours.

Thinking of the two photos above, and using a little colour theory, I thought that something between the blue sky and purple stars might work instead. I bought a blue/purple/grey batik, and a blue/purple print by Kaffe's partner Brandon Mably.

Now, which one is best?

Use your hand to cover one side at a time. Interesting, eh? To my eye, the batik on the left makes the reds and golds seem brighter, while the rings on the right seem to make them faded and dull.

In real life the batik is a little more green, and the rings are more purple. Before I laid them both out, I really thought the purple-y rings were going to be the right fabric, because shadows tend to be purple. But, if the purpose of this fabric is to lift the reds and golds, then the batik is definitely the winner!

I think there are two reasons. First, the rings have more contrast, so they catch the eye first and compete with the other fabrics. Second, the rings are flat, solid colours, so they seem on the same level as the red and gold prints. The mottled and shaded batik, on the other hand, looks much further away than the prints. So hopefully, more depth and contrast between the fabrics will create more drama in the finished piece!

Now I'm dying to see how it works out. One week to go!

Modern Utility Quilt

In her wrap of the second AHIQ link up, Ann said that "Modern utility quilts are an official movement."

Well, I thought, "my letters and words are not destined for a utility quilt."

But... I really could use a small quilt to cover my hand sewing chair, especially during the summer. And then, I was very inspired by the windmill quilts made by Ann and her quilting sister. Especially all the gorgeous Hawaiian fabrics her sister used. This seemed like a good way to use up some of those big prints in my stash!

My stash has a box called "Novelty," and I knew I had this fabric in there:

I bought it on a whim at a show, and I thought I'd probably never use it. But, now it is the inspiration for a whole quilt! I love the pink, red and white palette.

The Novelty box had other food-themed fabrics as well, including a couple yards of this sushi fabric:

I remember that I actually wanted more than two yards, but it sold out before I could buy it! I do love all the colours, especially the rich Chinese red. And that teapot is looking pretty good sewn up, too:

I found enough pink, white and red foodie fabrics for half the quilt, and then I filled it in with some ginghams (tablecloths!) and dots. With a hint of cucumber, citron, and lime:

Sounds tasty, doesn't it?

I think Ann's quilt is from Sujata Shah's book, Cultural Fusion Quilts. Ann's quilt blocks are square, but I thought they might look good as rectangles. A little more modern, a little more dynamic. The only catch with a rectangle is that you have to make half pointing left, and half pointing right.

Here are a few on the design wall, just to see:

I really, really wanted to do the whole thing fast and have a small flimsy finished in time for next Tuesday's link up. Unfortunately, I lost my head and ended up cutting way, way too much. So now it is queen-sized! Another big quilt! We'll see how far I am by Tuesday. Right now I'm only half way through the blocks:

And now I still won't have a suitable utility quilt for my chair. But, I bet the same block would look great in all my old Asian fabrics! And I think the box of Christmas fabric I have would benefit from some of this too. Maybe next year!

Design Wall Monday

Since I don't have a permanent design wall, this is the first time I've had something to share with the Design Wall Monday link up. My "design wall" is a white flannel sheet that I drape across the front of two Ikea wardrobes. It works quite well!

But, it is just 2 m (78") wide, so sometimes new solutions are required.

On the wall are the first few rows of Carrie Nelson's X-Rated quilt design from this book. I'm calling my version Aloha Kisses, with all its Hawaiian-themed fabrics. I originally planned to make it as a throw quilt. But since the weather has started to get colder, suddenly I feel the need for bed-sized quilts! I bought fat quarters of all these fabrics, so I have plenty left to make it larger.

This quilt has to be laid out and all the pieces carefully numbered, or it won't go together right. Rather than lay it out in sections, I realized that I could use one square to represent the whole cross:

Now I can fit all the fabrics on the wall at the same time!

It was still a challenge to fill in the missing pieces and pack it up in order. But, I feel optimistic that it will work.

I won't be sewing it, though, until the new year. I want to see if I can sort out some Leaders and Enders to use with the white thread I need for this project. Plus, this year, also for the first time, I've decided to do Bonnie Hunter's new mystery quilt, Allietare. So I'm clearing the decks to make room for that.

In the meantime, check out the other design walls at the link up here!

Feathered Star

I'm still not sure that I should have done it, but I did, and here it is!

This is Sue Garman's feathered star pattern, which is Month 1 of Stars for a New Day. It was the 2009 Block of the Month at The Quilt Show, and now you can buy the pattern on Sue's website. I've been holding onto the instructions since 2009, waiting for the right time to start it.

Almost three years ago I bought some of the Victorian Modern collection by Weeks Ringle for this same quilt. But that just never felt right.

This fabric is all from Connecting Threads, and most of it is their new Heirloom Manor collection. I loved it immediately, and I also thought it would work well for some fancy, fussy-cut English paper piecing. "But I'm not going to do that," I said to myself! "I'm still working on Texas Star, which is all EPP, and after that I have Best Friends Forever."

Then I remembered Stars for a New Day, and I bought it. While I was washing it all, I thought again how ideal it would be for fussy cutting. "But that would be stupid," I said to myself. "Just because you can, doesn't mean you should."

Ironically, it was while I was doing some improv sewing that I decided to just go for it. Improv seems to foster a "why not?" attitude, I've found.

This freezer paper frame idea is adapted from Janet's idea at Quiltsalott. You position and lightly iron down the frame...

...then iron the template down in the middle, and peel off the frame. I reused the frame, but made separate templates for each piece, and scissors cut them all with a generous seam allowance.

I ended up fussy cutting almost every piece. The navy diamonds and small tan triangles were cut to avoid the pattern and make them more solid-coloured. In for a penny, in for a pound!

In the end, though, the fussy cutting was not the tricky part of the block. The tricky part is right here:

If you ever find yourself judging a feathered star, that is the place to look. But, you definitely shouldn't judge it unless you've tried it yourself! The first one took me five tries, and then I wised up and basted each seam first.

Until I got to that point, I was thinking that it is a surprisingly forgiving pattern! The blue feathers are foundation paper pieced, so it is easy to keep them all sharp, and Sue's pattern eliminates the Y seams.

Anyway, there it is, and now I will pack it away until the new year. While I was working on it yesterday, zoned out in the blue, white, blue, white, paper piecing, I had another idea for a new improv project! But, surely I have enough already...

My Country House Blocks

The last four pieced blocks for the TQS 2015 BOM, My Country House by Lynette Anderson, are finally done! Yes, I've been distracted by various new projects, but they were also a little picky to put together.

The original blocks finish at 9" square, but my 3/4 scale blocks finish at 6 3/4" square, and the math starts to get complicated. So I decided to foundation paper piece all the outside units.

I drafted my own foundations on graph paper at the original 3" finished size, and then used the photocopier to reduce them to 75%, which is 3/4 scale.

I don't know why my cutting mat always seems to be upside down!

Anyway, then I trimmed the units, removed the papers, and put the rest of the block together like a normal nine patch.

This block is called Garden Path. The white diamond is normally continuous around the block, but I deliberately broke it up. My hope is to balance these pieced blocks with the applique blocks, so I don't want the piecing to be too dominant.  We'll see soon if I was successful with that!

Truthfully, I was running out of ideas at this point, but I thought it might be interesting to have a block that is all background fabrics. It looks a bit like a swampy pond to me!

And, here are all four together. If you missed the first nine, you can find them here.

Why Improv?

Organic

"Organic" really is the word that sums up improv style to me. I like the way it looks -- every piece has its own character, just as in real life. I like the method, working with materials that are already on hand, just as Mother Nature does. Adapting to local conditions, and letting them determine some of the result.

But, that doesn't mean there isn't a plan. A seed intends to be a flower. It may not know exactly how it's going to be a flower, but that's the goal.

And if things don't exactly work out, that's ok too! Improv provides the opportunity to experiment and try new ideas in a low-risk environment. It's just old scraps.

For my quilt, though, I already have a general idea of the final layout, the colour scheme, what it's going to say, and what the individual elements are likely to be. I never have a shortage of ideas! And since I have the idea, I think it's best to honour it, while staying open to change as it develops.

Personally, I think there must be an idea before anything can come to life, and the timing of the idea -- before or during production -- is not important. Sometimes I think that improv is a little bit of smoke and mirrors. You're never really creating something out of nothing. Jazz musicians improvise on an existing tune. Improv theatre starts with an initial premise, and often follows a rough plot as well.

The challenge, and the benefit, is in figuring out how to get there. You're solving problems, you're developing new techniques, or using old ones in new ways. It's very much a "flow" experience. I'm feeling more confident and relaxed about all my projects, not just this one.

And, I can definitely say that it stimulates creativity! I've been working on several different projects this past week, including a completely new one that is not improv at all. I'm glad I was able to try out these flowers before the Ad Hoc Improv Quilters link up ends. Check out everyone else's posts here!

Letters, Leaders & Enders

Here's a shot of our maples in the late day sun last week. It was windy, which is why it's a little blurry. This week it's been either sunny and windy, or dark and rainy, so this is the best I've been able to do. This year their colour has been the best ever, which I think is partly due to the dry summer. But mainly I think it's because they are getting a lot more light since we cut down the ash trees that were damaged in the 2013 ice storm.

The moon was up early too:

Yesterday it was really dark all day, so I was happy to be inside and working on my next batch of improv letters:

I was going to put them together today, but here I am blogging instead, so it may not happen!

I also decided this week to see if I can add a leaders & enders project into the mix. Bonnie Hunter has a good description of the process here. I've avoided an L&E project up until now, because I didn't want to sacrifice the quality of my main piece by being distracted by a second project. But with all the short seams in this project (and also in My Country House), I've been using up a lot of thread anchors, so I thought I would try it.

For about an hour I wondered which new project I could start that would be appropriate, until I remembered my hourglass quilt! I ran out of steam on this project in early 2014, because it is super boring. But, boring is perfect for an L&E project, because I don't want to have to think about it at all.

I still need at least 300 more hourglasses, and all the fabrics are already cut and marked. I set up the rest of my lights and darks, right sides together, and piled them up:

I don't know how many are in there, but it is 4.5" tall!

So, can I improv and sew leaders and enders at the same time? Yes! In fact, with all the small fiddly seams on these letters, it was a relief to put in an hourglass set and just rip down the middle of that. Somehow it feels more balanced. At the end of the day I had the first two seams done...

...on 23 hourglass sets (which will be 46 hourglass blocks). It feels really good to get that project moving again. Hopefully this will be a painless way to eat up a lot of the preliminary work on this project.

I admit I've been having one of those "what was I thinking?" moments, about my decision to make this a queen-size quilt. Sure, the hourglasses are easy to make, but I really didn't think much about how long it would take to sew them all together as well. Now I'm starting to think about that too! Hopefully I can do at least some of that in L&E fashion as well. I'll keep you posted!

A Few Words

Following on from last time, I've managed to join up my first batch of letters into words:

The missing first word is "believe," which will be the next thing to sew. This is post #300 today, and the quote is from the Bob Ross Remix video that I shared in post #100. There is plenty of inspiration in that video, so yes, this is just the beginning!

Now that I'm starting to understand the strategies for making the letters and joining them up, it's moving along pretty quickly.

Last time I was worried about the legibility of the c's, u's and i's,

which came from these fabrics.

When I looked at them again I decided that there wasn't enough contrast in the two c's and one i, so I made new ones. Plus, I thought the c's should be bigger to go with those large a's:

The old c's are on the left there, and the new c is sewn in.

It was unplanned, but lucky, that I used the same background fabric for many of the letters that went together in the same word, like the h, a, and n. I think it is easier to read, so I'll remember it for the rest of the quilt. The first "happy accident" of many, hopefully!

Starting to Improv

In early September I was full of enthusiasm for Ann and Kaja's new Improv Quilting link up. I knew immediately that I wanted to make one of those improv word quilts, and the whole concept came together quickly. But then I didn't think I would have time for it, so I pushed it to the back of my mind.

This week I had scheduled the completion of that star quilt from last week, which I believe is now my oldest UFO, but I just couldn't face it. I pulled out my scrap box instead and decided today I would do something totally new. With my oldest fabrics!

I had no idea what was in the box. A few years ago I planned to keep neat, pre-cut 2.5" strips, hence the label. But I gave up on that eventually. So it was a little exciting to open the box and see what was in there!

Plus, I recently pulled all the leftover fabrics from Circa 1998 (when I was considering making it larger!). So, I'm going to supplement with them, too.

There are a few books out there on how to sew improv letters and words, but I figured I could just wing it. I chose a light green/dark green colour scheme, which I hoped would be forgiving, and a less important part of the quilt to practice on.

"t" seemed like a straightforward letter to start with. I just jumped in, cut some strips and sewed them up!

In general, I kept the thickness of the letters to around 1/4" to 3/8". I want to keep the whole thing wall-sized, and there will be a lot to fit in! As I progressed I realized that these first t's are a little large, but they will be easy to cut down.

My only plan was to start with the easy letters and progress to the trickier ones. "o" seemed like a good letter to do next, and these circular patterns felt appropriate.

I discovered that a log cabin style of strip piecing works well for making letters. It's the same technique that I used here for my snowman quilt, only these strips are narrower at around 3/4".

I cut almost everything with the rotary cutter, because it's easier, and a ruler, because I want to keep my fingers! But I didn't worry about perfectly even cuts.

I may or may not round off the o's later. I'll see how it looks as I progress.

"c," "u" and "i" are also all pretty straightforward. I'm not so sure about these fabrics, though! We'll see how they look when they are sewn in.

"h" and "n" are almost the same shape. I used the nearly solid dark green (leftover binding strips)...

...for the tiny triangles that round off the arcs. They had to be well defined, so the solid was safer than a print there.

With just "d" and "a" left, I forgot about the camera and focused on the construction. No music on today! It went pretty smoothly, and I only needed the seam ripper once (on an "a").

I was determined to get at least one word done. Ta da!

Except "y," all the remaining letters are done, so hopefully I can put them together next time. It will be interesting to see how big it is. I really have no idea!

I knew that I would like improv sewing, and I do. I was afraid that I might never go back to regular sewing, but I don't think I'm in danger of that...yet.

Goofy Fun

...West Covinaaaa...

Did you see the series premiere of Crazy Ex Girlfriend this week? Love it! I would not have watched it if I'd known it was a musical, but I'm glad I didn't know. When that first song came out of left field, I was already hooked. It is so well done, and the lead actor Rachel Bloom just owns it.

A workaholic who moves to California is a character I found easy to relate to. :D Now I keep singing that song!

Otherwise, I'm still in a "get it done" frame of mind, so I pulled out another UFO this week. The first block has been finished for quite a while:

Ack, since June 2014! Longer than I thought. Today I finished up the remaining seven yellow stars, which made me think of the Pleiades (Seven Sisters). I tried to lay it out, but I don't know how successful it was. Anyway, the real experiment will be the setting, so I'm keen to get the red parts done so I can move on to the next phase. Onwards!