Fabrics for Prairie Star

You know, just as I wrote that heading, I realized that this will be another quilt with "Star" in the title!  Oh well!

It is only a couple of weeks since I received the pattern for Judy Niemeyer's Prairie Star quilt.  I think it took me less than 24 hours to come up with the colour scheme!  For me, that is by far the funnest part.  Although, the fabrics arrived today, and that has been pretty fun too:

This quilt will be for my dad, who loves bright colours, and fortunately is ok with flowers.  He has been very clear that he wants a "lively" quilt!

You may recall that the original pattern looks like this:

Judy's design is done with batiks, but I knew that my dad wanted red and yellow, and I didn't like my options for batiks in those colours.  Once I decided on prints I went to the Collecting Threads website just to see if they had anything I could use, and they had just posted their new Riviera II collection.  I knew it would be absolutely perfect.  Talk about synchronicity!  So most of the fabrics above are from that collection, with a few from their older Folk Heart collection, which I'm glad to include because I loved it too.  And there are a couple of lights from eQuilter to round it off.

Judy very kindly included a blank layout of the quilt so we could do our own colourway.  I LOVE it when designers do that!  So here's the plan:

You can see I have gone back to a more traditional Lone Star colour layout.  I think it is going to be pretty amazing!  Fortunately my dad likes the fabrics, so I'm off to a good start.  But not right away, hopefully!

First Month 5 Ring

I have been very productive, but it has largely been more of the same, so there hasn't been much to show.  All my Sedona Star Month 3 and Month 4 rings are complete, and I've started on the paper piecing for Month 2.  The templates and fabric strips for Month 2 have been sitting on my sewing table for over a month, and I have to move them every time I sew, so I am really looking forward to getting them done and out of the way!

Yesterday we had a free sewing day at my guild Rouge Valley, and I finished a lot of the units for Month 5.  This morning I put the first ring together:

I did manage to fix my wobbly Month 4 a couple of days ago, it is now completely flat.  So once again I was feeling confident this morning as put together this ring.  And sure enough, it has a wobble too!  But I don't think it is so bad that I have to redo anything.  The overall size is just a smidgen small, so it will fit into the outer template fine.  I am finding that it is so important to stay focused on this quilt!

All these points are supposed to be the same size.  The reason the light yellow ones look longer is due to the way the seam allowances are pressed.  I am pretty sure it will look fine once it is sewn into the outer block.

I really love all the fine sharp points on this block.  And I realized when I was cutting the fabrics that this time I actually followed the instructions for the colour placement!  You won't see that very often on this quilt.  Anyway, there is still lots to do.  Happy sewing!

Sedona Star Month 3

No, I haven't fixed my wobbly Month 4 ring from last week yet.  I decided it would be better to regroup on something easier, and then go back to it.  So, I've had a very satisfying day doing my first ring from Month 3:

I also put together all my Month 2 templates, so they are ready for paper piecing too.  A couple of weeks ago I said I was going to applique the Month 2 points.  But, when I pulled out my paper-pieced practice block I still really liked it.  With the fusible applique my background fabric would show through.  Plus, all these sunflower blocks are paper pieced, so it will be more consistent to paper piece the points in Month 2 as well.  So, that's what I'll do!


Related posts:

Sedona Star Month 4

Designing the sunflower blocks

Month 4 Disaster!

I definitely should have stayed in bed this morning.  But instead, I spent the morning merrily working on the last ring for Sedona Star Month 4, congratulating myself the whole time because I felt I had really mastered it.  I got it all together and this was the result:

The first two were perfect!  What happened with this one?

I checked my seams again with pins at the corners, and found that even though I was right on the lines, several of the corners were off by about 1/16".  And because they were always off in the same direction, it added up.  Overall, the size of the circle is 9.75" instead of 10".  And you can see how wobbly it is.

So for the rest of the afternoon it looks like my seam ripper will be busy.  Without fail this month, every time I let my mind wander or I get cocky, I make a mistake.  It really requires complete focus.

Oh, well, it is fixable. 

Plus, halfway through the morning, a heavy painting spontaneously fell off a shelf and broke my beloved Enso meditation timer/alarm clock.  So that's going to be expensive to replace.

What a day!

Even More Collector Blocks

The other day I had reached the saturation point on Sedona Star, but I was still in the mood to sew, so I put together a few more square in a square Collector Blocks.  Do they ever seem easy now!

The ones on the top and bottom right are Kaffe Fassett's Lichen design.  I love this design, and I am very unhappy that it has been discontinued!  I particularly like the way the grey/brown one at the top plays well with the spotted background fabric.

I may make up the last 10 of these later today, but first I want to make at least half of another Month 4 ring.  Lots to do!

Finished Month 4 Ring

Hi!  Just a quick post today.  Here is the first completed ring for Sedona Star Month 4.  The inside edge is a little wobbly, but hopefully the applique centre will still go on smoothly.  The green fabric is Kaffe Fassett's Aboriginal Dots in Forest.  Two more to go!

Starting to Piece Month 4

As promised, I got a decent start on the Month 4 piecing for Sedona Star yesterday.  It is pretty painstaking work!  Yesterday morning I checked the Show & Tell section at The Quilt Show to see how people are doing with Month 4.  Only one person was finished!  So I had a feeling this month would be trickier.  Usually there would be four or five people done after the first week.  But maybe enthusiasm wanes after the first couple of months too.

My modifications to the template went smoothly, and they didn't seem to add to the difficulty at all:

You can see that I drew in the 1/4 inch shadow on all the templates.  I used 1/8 seam allowances on all the internal seams, which turned out to be no problem at all.  Even though the darker orange pieces would finish small, I still cut the fabric 1 1/2 inch wide so I would have somewhere to put the pins.  You can see that I have also been staystitching the side seams, which gives me one less thing to worry about with the assembly.

The assembly of the sub-units is definitely the biggest challenge:

By the end of the day I had sewn together seven, and I had to redo a seam twice.  Because joining the units is the trickiest part, I am forcing myself to add each unit to the whole as I go.  That way I will not be stuck with the worst part at the end.

You probably realize that I have skipped over Month 3.  I am looking forward to going back to it, because I think it will be a doddle compared to Month 4!  It is fun to see how the designer Sarah Vedeler is increasing the challenge each month.  We will all be Mariner's Compass masters after this!

Overall, I am very happy with how it is going.  It is becoming clear that once again The Quilt Show BOM is going to be impressive.  When you see how all the details keep building month after month, it becomes a very satisfying thing.  Onwards and upwards!

Paper Piecing Sedona Star Month 2

If you're wondering where I posted my picture of my completed Month 1 blocks, the answer is that they aren't finished yet!  I am still experimenting with my turned applique by machine technique.  In the mean time, I went ahead with paper piecing Month 2, and showed my practice block yesterday.  The practice block was made with the real fabrics, so you can see where I am going with it.

As I promised yesterday, here is how I altered the Month 2 template to accomodate paper piecing:

I left the image fairly large, so if you click the photo you can see all the details.  Here's a description of what I did:

1. I assembled the template from plain copy paper and drew on all my revisions.  Then I copy each quadrant onto the Ricky Tims' Stable Stuff.  The edges were trimmed down so that each side, including the centre seam, fits onto just two pages.
2. I pieced it in two sub-units, sewed the centre seam, and then added the appliques and outer border.  You can see that I extended one side of the centre point both up and down.  I am indebted to TQS member FLAero52 for this idea.  She did it slightly differently, but the sub-unit idea is key.  I added a cutting line on either side of the seam, mainly to remind me that it IS the seam.
3. I extended the corners of the grey background grid out to the edges, and also added a trim line parallel to the grid on all four sides.  This is to speed the assembly of the templates.  I trim the copies at the trim line, butt the edges against my Olfa mat, and line up the corner extensions at the 0" and 16" marks on the mat.  Then I know for sure that the assembled template is exactly to scale. 
4. I also added some small lines across the seam line at precise right angles to serve as pin markings when I sew the centre seam.  That seam has to be dead on, or the final shape of the block may be distorted.
5. The background pieces 4a and 4b are an awkward shape.  Rather than using a very large rectangle and then cutting away most of the fabric, I traced the shapes onto wax paper (freezer paper) to use as pattern pieces.  This allows me to cut the angle for the seam so that the fabric will flip up exactly into the right position.  Yes, it IS tricky.  But it works great once you get it.  Please let me know in the comments if you want to see a picture, and I will take one once I get going again.

I ordered this cute iron from Keepsake Quilting today, and the pressing surface too.  With my small sewing space, I think it will be a better solution than a full size iron.  Maybe there was a silver lining to my misadventure yesterday!

Sedona Star Month 2

Since December, when I decided to commit to the TQS 2012 BOM, Sedona Star, I have been debating how to handle the points in the Month 2 blocks:

The instructions call for raw edge, fusible applique, but I don't much like raw edges, or fusibles either.  My applique plan for the quilt has been to use Beth Ferrier's technique for turned applique by machine.  I have a comprehensive review of that technique coming up! 

The centre point on the Month 2 block is very sharp, though.  I know I could do it by hand, because you would sew one side first, and then stuff all the seam allowances against it as you stitched the second side.  But there are nine large blocks!  I thought about machine sewing part of the point and hand sewing just the end, but it seemed very complicated.

I briefly considered converting the block to paper piecing, but I saw problems with that.  However, one of the other TQS members, FLAero52, did it, so I was inspired to try too.  It is NOT EASIER.  There is a lot to figure out, and I did it a little differently than FLAero52.  Here is my practice block:

There are a few problems with it, but they are fixable, so this is how I'm going to proceed. I am very happy with the points.  Another benefit of paper piecing is that the dark blue background fabric won't show through the light appliques.  I love that fabric - it's actually a blender from the Elvis on Tour collection!  The white dots are spotlights.  :)

I'll show you how I revised the template to accomodate paper piecing tomorrow.  For now, though, here's some of the problems that I need to address:

• My white fabric applique at the base is fairly sheer, and the yellow and orange fabrics show through, so I need to trim the seam allowances from the points.  Also, the "Template F" lettering on the template shows through, so I will have to mask that from future copies.  The placement of that applique is also a little off, but that is easily corrected next time.
• You can see a dark shadow on the right side of the top point.  That is the blue fabric showing through the light green, where it got caught in the centre seam.  I will have to trim those blue seam allowances before I sew the two sub-units together.
• The yellow fabric from the centre point also goes too far up in the centre seam, which adds bulk and which will make it hard to applique the final dot.  I just have to trim it before I stitch the seam.
• I used my Clover plastic pressing tool to press the seams, but for this block I think a hot iron will be better.  The long background pieces are a little loose, and so are the long light green pieces.  And what did I do today?  I broke my iron!!  Disaster!!  So it will be a few days before you see any more of these.

Sedona Star Month 1 Points

After so much time at the sewing machine over the past few days, my back was really complaining, so I've been taking it slower again.  I've been doing the log cabin points a few at a time:

Four more to go!  You'll be seeing a lot more of these particular fabrics as the quilt progresses.  An unexpected benefit of using solid fabrics is that there is no wrong side, which makes the paper piecing even easier.  I hope, though, that it does not make me sloppy once I progress to prints later in the quilt.

It's been really fun so far.  The finished points have a satisfying weight to them, with the fairly thick Kaufman Kona Solid fabric, and the Ricky Tims Stable Stuff on the back.  I've been using 1/4" seams too.  The instructions call for 1/8" seams, but as a new paper piecer I just didn't feel comfortable with that.  If I pay for it later, so be it.

Many people have also mentioned the somewhat frugal cutting instructions for the quilt.  Because I was planning to use a wider seam allowance, I just measured the widths right off the template.  I ended up adding 1/4" to the width, and about 1/2" to the length for these pieces - it may have been more for some of the others.  I have lots of fabric, so I am not worried about running out!

Beginning to Paper Piece Sedona Star

I was very excited to actually start sewing Sedona Star!  I began with the ring on Month 1, because that looked the easiest to me:

The light colour here is actually this light purple fabric.  The camera made it blue.  But the piecing went really well.  I very nearly sewed the two ends wrong sides together, even after reminding myself about it!  But fortunately I realized my mistake before actually sewing it.  I was so encouraged by this initial success that I moved on to the centre star:

I realized a few things when I was about halfway through this.  The first was that my colour scheme is not going to leave me any room for error!  I deliberately chose the high contrast scheme to show off the more difficult parts of the quilt.  I wasn't thinking though, that it meant I am going to have to do those parts really well.  Anyway, so far, so good.  I'll have to be super careful with those points when I sew the two circles together.

The second issue is that the dark fabrics really show lint!  I can see that this is going to be a problem for the lifetime of the quilt.  It looks much worse in the photo because the flash picked out the light particles.  I wondered where all that lint was coming from, and I realized that it is from the Ricky Tims Stable Stuff.  It is shedding tiny, shiny, polyester fibres as I work with it.

On the TQS forum Margo suggested that I can wash the finished flimsy to remove all the Stable Stuff before I quilt it.  Now that I've seen how these fibres stick to the fabric, I don't think that will be an option.  For now, I'll just use a good lint roller before I take any final photos!

Otherwise, though, the Stable Stuff is a dream to work with.  It is much easier to use for paper piecing than the vellum was.  It makes a very clean fold when you are cutting the seam allowance.  The vellum didn't always want to fold along the line, but with the Stable Stuff there is no problem.  And because the Stable Stuff is more like Pellon interfacing, it doesn't remember all the fold lines, so you can wrinkle it up all over and it still goes back to lying flat when you're done.

When I lay the two parts together, it looks like this:

My intention with the centre of the quilt was to keep it simple, and I am satisfied with the result so far.  The main focus of the quilt will be the applique blocks we're doing this summer, so I didn't want to do too much here.  I'll show you one or two of the log cabin points tomorrow, and then it'll be on to the applique circles!

Preparing the Templates for Sedona Star

Well, I had a busy weekend.  I finally started Sedona Star!  Hard to believe, I know.  :)

Saturday night I put together the templates.  What a tricky job!  I have a feeling this was probably the most fiddly bit of the whole quilt.  But, if they are right, everything will go smoothly, so I didn't rush it.

The grey gridlines were a huge help.  I ended up cutting the templates just a millimetre or two away from the outside gridline, and butting them up against the edge of my Olfa mat, which I used as a ruler.  This allowed me to make sure that the overall measurement was 12" for the inside template, and 18" for the outside one.

I am using the Ricky Tims Stable Stuff for my templates.  As designer Sarah Vedeler suggested, I used Lite Steam-A-Seam 2 in the 1/4" width to hold them together.  It was pretty convenient to use, and held the pages together well.  Before I tried it I was worried about it adding bulk to the quilt. I found, however, that there is almost nothing to it, so added weight is not a worry.

There were no gridlines for Template 2, which is the ring with the appliqued circles.  To make sure that it would fit properly inside the outer ring, I used the assembled Template 3 as a guide:

I carefully lined up the solid stitching lines on each template (not the cutting lines!).  Template 3 has convenient marks for each section of Template 2, so it is easy to lay it right in place.  I worked my way around the ring, ironing each section to the previous one as I went:

I am not ironing the two layers together, just using the bottom layer as a guide.  Once it was finished, I knew it would fit into the outer ring perfectly.

Hopefully, with these tricks in my toolbox, assembling the templates in future months will be less painful.  Fortunately, the paper piecing on Sunday went really well.  I'll show you tomorrow!

A Few More Collector Blocks

Sedona Star was on my calendar today for the third time, but my dad had already claimed the dining room table this morning, so I still haven't been able to cut the fabric.  No worries though, I had a very satisfying day putting together some more of my square-in-a-square Collector blocks:

They are not all going to be green, it just so happened that I hit the green part of the pile today.  The upper middle fabric, with the zebra, is possibly my favourite fabric in the whole quilt.  It is from the Jolly Jungle collection that came out a couple of years ago.  The whole collection was unbelievably cute, but I managed to only buy a few.  It sold like hotcakes at the local store where I bought it.

This is turning into a really fun quilt.  And I LOVE paper piecing!  I am so keen to get started on Sedona Star.  The dining room table is clear now, so I may still cut the fabrics tonight.  Have a great weekend everyone!

New Quilt Project - Collector

Here's a project that's been waiting in the wings for a while.  I finally got going on it yesterday, mainly because I wanted to do some paper piecing practice before I start Sedona Star.  The Sedona Star fabric has arrived, and been washed, so I should have something to show really, really soon now!  LOL.

But in the mean time, here is the beginning of the quilt I've been calling "Collector."  It is going to be a charm quilt, with only the background fabric repeated throughout the quilt.  The pattern was designed by Cosabeth Parriaud and included in Quiltmania's Winter 2008 Special Edition, which is published in French.  I was immediately taken by the graphic punch of the quilt:

Stars and Squares

I spent a long time figuring out what gives this quilt it's sparkle.  I'm discovering that any time I think about a quilt for too long, I have to make it!  The sparkle, I decided, is due to the high contrast darks and lights, both between the blocks and within the fabrics themselves.  That's what I'm hoping to duplicate!

I started with the "square in a square" blocks:

This was my first time ever doing paper piecing.  These have not yet been ironed or trimmed.  Thanks to all the great instruction available on the internet these days, it went pretty smoothly.  Alex Anderson's show about paper piecing on The Quilt Show was particularly helpful.  She suggested that beginners start with vellum paper, which is translucent.  That is what I used, and it is excellent stuff!  With the translucent paper you can see the fabric underneath, which allowed me to "compose" the squares to their best advantage.

In the photo above, the fabrics in the bottom left and right hand corners, as well as at the very top, are cotton Japanese kimono fabrics that I bought at Japan Center in San Francisco over ten years ago.  It is great to finally use them!  The two centre ones with the chickens are from the Folk Heart collection by Connecting Threads.  I love that collection.  Kaffe Fassett fans will have already recognized the green fabric on the right as his Millefiore design.  The pale blue butterfly fabric is at least 15 years old.  You can see why I am calling this quilt "Collector!"  While I was working on these blocks it occured to me that making quilts is really just an excuse to play with fabric.  I think the fabrics are the main event for me!